Nick Carter en las nubes

This is yet another experiment in the all important detective genre — before the genre settled into the few riverbeds we work with today. The experiment failed, which is why you don't find this celebrated. Its actually a very bad entertainment. Very bad indeed and after this Nick Carter would end.

Its only interesting if you study how the notion of film detection and noir evolved, and what branches died out... or if you are interested in how national identity is defined in film (or reflected if you are a gnostic).

This one tries to punch up the franchise with pretty girls, six of them who are apparently prostitutes though the relationship is so softpeddled, they are mentioned as "dancers." They are protected by a dumb blond who is so dumb it defies even movie logic.

One of these is a German girl who is reluctantly recruited into a German conspiracy against the US, a "fifth column." When she is condemned in front of members of the "cell," one decent man gets up to protest that he joined to make the world better. He is immediately beset by thugs and beaten to death. There is mention of concentration camps. The US hadn't yet entered the war, but it was ready.

There's a mystery of sorts here, how someone is stabbed in a sealed cabin on an airplane. But it is so contrived, so needlessly elaborate its funny, like the genteel whores that subliminally stand for American values.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

"Sky Murder" turned out to be Nick Carter's final case, which is a shame. The series had a lot going for it, including handsome, commanding Walter Pidgeon as Carter in one of his best roles. "Sky Murder" is a fast-moving mystery involving subversives - Nazis no doubt. Ten years later and it would have been Communists. After a murder in a locked airplane compartment, a German refugee (Kaaren Verne) becomes a suspect, and Nick is sure she didn't do it. It's never easy for Nick to work on a case because of people who won't leave him alone, and this time is no different. Donald Meek as Bartholemew is still around with his bees, and he has a hilarious fight scene. There's also a pseudo-detective, Christine Cross (Joyce Compton) who is a complete airhead.

This series had a nice, chaotic and humorous feel to it, with the anchor ably provided by Pidgeon who puts up with Bartholemew and here, Compton, but never seems to get flustered. Really fun. It's a shame there were so few of the Nick Carter films.

When I heard "Nick Carter," I was expecting a dark, noir-ish hard boiled detective story, along the lines of Sam Spade or Philip Marlowe. "Sky Murder" is anything but.

I thought the first few scenes of the movie were so bad, I was going to give it a 3 and turn it off. (No movie can score higher than a 3 with me if I can't stand it till the end.)

For some reason, though, and it wasn't any sudden change in plot or acting, I kept with it. It was more than three quarters of the way through, more than 45 minutes into the film, that I suddenly realized this is a rollicking adventure story aimed at eight-year-old boys, with no pretensions of being anything but a good time. It is a comic book come to life, sort of like the old Superman TV show from the fifties.

Once I realized that, the movie became much more enjoyable.

I don't know if an eight-year-old would enjoy it today, though. It's not full of fast action, has no gunfire, and of course it has no CG.

So, without modern kid appeal, and, as other reviewers have shown, it doesn't hold much for adult viewers, I'm afraid this well-done and entertaining film is probably destined for obscurity.

Unaccountably, MGM's excellent Nick Carter movies became the shortest series of detective films on record. The Carter films took the middle ground somewhere between the serial-like Brass Bancroft pictures and the sophisticated semi-comedy mysteries like the Thin Man films. The Carter series were fast-paced with quite a bit of action, but with some hilarious humor too. Bartholomew the Bee Man was the most unique of all detective sidekicks--quite loony, but very helpful at the same time. The interaction between Donald Meek's Bartholomew and Walter Pidgeon's self-assured Nick Carter was the best part of the series, which had several other things going for it too.

This final Carter film is a lot of fun, with Nick (unwillingly, at first) taking on a ring of Fifth Columnists (since this was filmed before the US entered the war, we're not told the villains are Nazis, but it's pretty clear anyway). Of course, the helpful and persistent Bartholomew is at his side--much to Nick's irritation. To further complicate things--and to make them still funnier--Joyce Compton is along for the ride too, as a delightfully brainless "detective" named Christine Cross. The plot gives us a new twist on the locked-room murder mystery: this time, a murder takes place in a locked airplane compartment! Karen Verne plays a German refugee suspected of the mysterious murder, and it's up to Nick to clear her--and protect her from the real killers, who are out to remove her at all costs. As in the first Carter film (NICK CARTER, MASTER DETECTIVE) there's a mastermind whose identity is not revealed right away, and an assortment of sinister henchmen. While trying to figure out the mystery (the who-dun-it isn't hard, but the "how dun it" certainly is) look for some great supporting players, including Chill Wills, Grady Sutton, Edward Ashley, and Tom Conway, soon to become a well-known film detective himself--the Falcon.

Be sure to check out this movie and the other Carter movies, NICK CARTER MASTER DETECTIVE and PHANTOM RAIDERS. All three are shown on TCM from time to time, and I highly recommend them.

A body is found in a locked airplane compartment and a German female refugee is a suspect. Passenger detective Nick Carter is convinced she didn't do it and works to solve the mysterious murder.

A fairly entertaining mix of comedy, crime, adventure in the mould of the Lone Wolf/Philo Vance, however the comedy, though bubbly and amusing, can mar the thriller aspects, I. E: hero takes on the fifth columnist, and though it's great to see Walter Pigeon playing a suave character, his interplay with his sidekick - Donald Meek is hilarious in this role and the best thing here - is lacking, in a sense that Pigeon isn't playful enough and just yells at him to get out. Overall, it's enjoyable but could've been better with a more balanced approach in its mix of genre.