El halcón de los mares

It's Erich Wolfgang Korngold who carries "The Sea Hawk". He picks it up at the first frame with a rousing trumpet fanfare; he follows the story all the way from England to Panama, where a kind of syncopated not-jazz-exactly with saxophones makes its way into the score; he even bursts into song (well, not him personally) when Captain Thorpe's and his crew win through to freedom - and, after so much musical participation, that moment when the sailors become a chorus never strikes me as unnatural.

Korngold's brisk motion would count for nothing if the actors or the direction or the story were lethargic, of course - and they aren't. Errol Flynn plays an "I know I'm breaking international law, but hey, I'm charming and dashing and the Spaniards aren't" role - and hey, he IS charming and dashing, and the Spaniards aren't. A lot of films are described as roller-coaster rides. Many of them are just one thing after another, and don't feel at all like a single ride in a single vehicle. With "The Sea Hawk", I'm not sure about the vehicle, but we ARE taken on a single, swift ride. Few adventure films can beat it.

This textbook example of Hollywood derring-do from the Warner Bros. vaults features Errol Flynn at his most dashing and heroic, squaring off against the Spanish armada and winning the hand of beautiful noblewoman Brenda Marshall. It might appear stale by today's high-tech action/adventure standards, but with a generous stock of swordplay, sea battles, romance, and heroism it's a formula that never fails to please, and one which movie makers have been trying to duplicate (with only mixed success) ever since.

Familiar faces in the attractive cast include Claude Rains, Donald Crisp, the ubiquitous Alan Hale, Gilbert Roland, and Flora Robson, portraying Queen Elizabeth I only one year after the definitive Bette Davis performance in 'The Private Lives of Elizabeth and Essex'.

The Sea Hawk is a very, very enjoyable film. Is it Errol Flynn's best film and role? No, The Adventures of Robin Hood gets that honour for both. Also, The Sea Hawk is slightly overlong, and the print for this film is quite washed out and grainy, a film as good as this needs a restoration. Minor complaints aside, the swashbuckling is energetic and beautifully choreographed, the production values are top notch, Korngold's score is superb, Curtiz's direction is great, the script is witty and the story is brisk and entertaining. The cast are also excellent, Flynn makes for a gallant, charismatic and dashing hero and while slightly underused fine actor Claude Rains is superb as he takes on villain duty. In conclusion, a fine film, flawed but endlessly entertaining with lots to like. 8/10 Bethany Cox

While among the finest of Hollywood's swashbuckling classic films, the fine performances of its stars are still eclipsed by the rousing musical score of Erich Korngold. His music is timeless and an outstanding example of Hollywood's least appreciated contributors- the composers of film music. The art of film scoring, matching each scene with just the right music, has never received the recognition and accolades it truly deserves. The contributions of Korngold, Alfred Newman, Victor Young, John Barry, Henry Mancini, Maurice Jarre, John Williams and countless others are incalculable to the success of the films they scored. When Dorothy Hamill won her Gold Medal for Ladies Figure Skating at the Winter Olympics, she skated to music from "The Sea Hawk." Korngold's classic score was still fresh and stirring decades later.

I'm always up for some good, old-fashioned swashbuckler fun, and The Sea Hawk is one of the most amusing entries in that field. Directed by specialist Michael Curtiz and starring the legendary Errol Flynn. They previously worked together on `Captain Blood', the film that started the trend of popular sea adventures. Even though Captain Blood has a lot more range and features more plot-diversity, The Sea Hawk definitely is more spectacular and the swordfight sequences are far more exciting. The cinematography on this action sequences has seemly improved in the period between the two films. Errol Flynn portrays Geoffrey Thorpe, captain of the Albatross. He's a Sea Hawk and those privateers serve and protect the English Queen in their own particular way. The greedy King Phillip of Spain has set his mind to conquering Britain as well and to cover up his plans, he politely sends an ambassador to meet the Queen. However, Captain Thorpe and his crew boycott the Spanish and they righteously foresee a war between the two nations. Things are getting even more complicated when some prominent members of the British counsel turn out to be betrayers and – of course – Capt. Thorpe falls in love with the beautiful niece of the Spanish ambassador.

Errol Flynn clearly developed more charisma over the years and he already looks a lot more believable in his role of privateer now. He's excellently supported by Alan Hale who plays his first crewmember, Mr. Pitt. Flora Robson seems to make a career out of playing Queen Elizabeth's look-alike, since it already is the third film in which she plays this role. The best actor in the cast (even beating Errol Flynn) obviously is Claude Rains with in his terrific role of the vicious Spanish ambassador. The Galleons (both the Spanish as the British) look great and some historical aspects (like slavery and inquisition) are greatly included. The Sea Hawk is excellent, well-made fun and a must for all the nostalgic movie lovers.