Pecadora equivocada

It is the wedding of the year with socialite Tracy Lord due to marry George Kittredge behind closed doors, with no press allowed. However the editor of Spy Magazine is set to run an exposé of Tracy's philandering father and a New York dancer and strikes a deal with her ex husband CK Dexter Haven if he can get a couple of journalists into the wedding and the reception. Keen to get back at Tracy, Dexter agrees to help and escorts writer Mike Conner and photographer Liz Imbrie into the Lord home in the days before the wedding. With tensions high between Dexter and Tracy, everyone playing games and relationships equally confused and confusing anything could happen and surprises are in store.

Shot in about 8 weeks with a low number of takes and some impressive adlibbed and one-shot scenes this is a movie worth seeing even before you look at the cast list and the professional reviews. The plot is partly a comedy, partly a character drama and partly a romance (albeit a rather tidy one) and each aspect pretty much works in tandem with the others. The comic tension between the characters is really well written and, although it is a cliché, it does fizz and spark across the screen and is regularly hilarious and consistently a delight to the ears. With such superficial energy it would be easy to ignore the fact that it is interesting below this; specifically I liked the character of Tracy and the way that parts of the film show her character being stripped back as she in particular learns something about how she comes across, softening her character a little bit in later scenes. However to suggest that this has great depths is to give it more praise than it deserves, because it doesn't run deep and it isn't a great drama. Likewise the romance isn't a main part of it but it does still work because it is all delivered at such a fresh and funny pace that it draws you in, even to the point where I gratefully accepted the film's conclusion with a smile rather than a sneer.

The cast are a delight, but then that pretty much goes without saying, and they work with the dialogue like a surgeon uses a scalpel. In fact that is a good example because the dialogue is normally almost as sharp as said instrument. Grant may have got top billing and the big money (which he then donated away) but it is very much a shared effort between the three stars, with Grant in fact having the least showy character. If anything the film belongs to Hepburn who is a delight whether spitting back at her father with tears in her eyes or a barbed comment sliding in like a greased knife. Stewart is just as good and is reaction shots show a real comic timing, but he also gives good dialogue and he is fun. Like Stewart, Grant has a great chemistry with Hepburn, which means that he can deliver convincing tension and trade insults without undermining the ending which otherwise would have maybe been an ask too far. Hussey is good and it is easy to forget that she must have felt a bit out of her depth but it never shows in her performance. Support is roundly strong from Young, Nash, Halliday and even Weildler.

Overall this is a delightful film that is such fun and has such a good pace and spark that it is easy to buy into the weaker elements of the narrative and not only forgive them but get into them. The dialogue is sparky and funny while the delivery of same is just what the material deserved. The cast have chemistry and help inject urgency to the story that keeps it all moving forward. A wonderfully delightful film that is fun to watch and surprisingly engaging.

My Rating: ***1/2 out of ****.

The Philadelphia Story is one of the earlier Romantic Comedies. It is also one of the best. This film basically has what most romantic comedies today dont have. That would be a well-written script, Great Acting, and actually funny.

The acting is a huge strength in the film. This is called Katharine Hepburn's best role by many, while I admit she is excellent in a number of scenes, I think she tends to overact at times. Cary Grant is great here. Everyone else is Great but I believe James Stewart to be the standout. He is perfect for this role, its a flawless performance, that he deservedly won the Best Actor Oscar for.

The Script has wonderful dialogue thats delivered flawlessly by the actors. Even simple dialogue like "Isn't that awful" was delivered superbly by Katharine Hepburn. George Cukor made this project look like nothing, he made many films which were "womens films" but he does a damn good job here.

If you think Romantic Comedies of today are good, look at The Philadelphia Story and they will pale in comparison. The Philadelphia Story is a very good film and worth remembering, unlike the mediocre to crappy romantic comedies of today. The Philadelphia Story is highly recommended.

I really wasn't so much wowed by The Philadelphia Story's "story",as it were,as I was mesmerized by three of the big screen's strongest ever screen presences' interaction with one another.Katherine Hepburn,Cary Grant,and James Stewart were great (if that is even a strong enough word) individually,but together here in this film,they were absolutely out of this world.The story,quite frankly,gave me a headache overall,but I did find the ever famous "hiccup" improvisation between Stewart and Grant hysterical as it was obvious both men could barely compose themselves,but being the professionals that they were,they got it together and moved on,and that's what made the scene so entertaining.I had a great time watching.

Everyone is quick to pair Katherine Hepburn with Spencer Tracy, however... there was once upon a time the magnificent teaming of Hepburn and Cary Grant. THE PHILADELPHIA STORY is one of their greatest films. A slick comedy of errors, and probably the most rerun of 'em all, which is saying a lot.

The perfect storm; comedy and timing at its best. The story of a high society wedding, with all the elaborate do's and don'ts is fun enough, but also watching an outstanding cast at work. Interestingly, director George Cukor's decided to film the script with few out-takes. Just let the cameras roll, and its Grant who has the most fun, a master of the double-take and an improv genius. See if you can catch his out-takes that were left in.

The opening scene with the golf clubs is now legend, followed by about a dozen more. A film that's definitely habit forming.

Movie legend dictates that Hepburn, declared a "non bankable" actress at the time, rejected for the lead in GONE WITH THE WIND, became a star all over again in the Broadway production, gained control of the film rights, brought it to Hollywood and made a fortune. How's that for inspiration? Not to forget an Oscar nomination. Grant was nominated for Best Actor.

Likewise, George Cukor, having been fired from GONE WITH THE WIND, sprang back in high fashion with this film. What a good luck charm.

Forever on dvd and re-mastered blu ray. Thanks much to TCM for running this gem for years, and more to come.

Firstly, let me say, that I love Kate Hepburn. She's my favourite actress, and in my opinion, she can do no wrong. For this reason, I'd probably give a good rating to every movie she made.

But 'The Philadelphia Story' really does deserve wonderful praise. It's by far the most sophisticated, and in my opinion, the greatest comedy ever made, one of Kate's greatest roles. She's absolutely hilarious as Tracy Lord, bringing perfection to the role she created on the stage a year before the film, mocking, insulting and making fun out of Jimmy Stewart and Cary Grant.

Her drunken scene with Stewart is pure magic and her mockery of him ('dear professor') is wonderful.

Grant and Stewart are fabulous, Stewart as the rough and tumble reporter infatuated with Tracy and Grant as the neglected ex- husband.

Ruth Hussey and Virginia Weidler are fantastic in supporting roles, and really add to the hilarity of the whole picture.

A funny, bouyant ride through the 1940's- I completely recommend it!