Nuestro pueblo

OUR TOWN is a timeless classic, and this 1940 film version captures the major themes from Thornton Wilder's great play.

At once simple and profound, unsentimental and heart-breaking, the story of Grover's Corners, New Hampshire, and its citizens is a time capsule of early 20th Century America. Two neighboring families are examined in their everyday lives, and we especially follow George Gibbs (William Holden) and Emily Webb (Martha Scott) as they grow up and marry.

A stage convention, the Stage Manager (Frank Craven), acts here as a tour guide and talks directly to the audience and tells them the history of the town and stories about the characters. Independent of time, the Stage Manager can also see into the future and matter-of-factly see the various deaths of several characters as well as their pasts.

The scene from the cemetery is chilling yet is quite wondrous as the characters there ponder the timelessness of the universe. Also great is Emily's visit back to her family on her birthday, where she finally understand that life is made up or so many small and insignificant details that we hardly notice as times flies by.

The film boasts a terrific cast with Fay Bainter and Beulah Bondi outstanding as the mothers , Thomas Mitchell and Guy Kibbee solid as the fathers. Also notable are Doro Merande as Mrs. Soames, Arthur Allen as the professor, Philip Wood as the organist, Spencer Charters as the constable, Stu Erwin as the milkman, and Ruth Tobey as Rebecca, who gets to tell the "mind of god" anecdote.

The ending is different from the play's but works well in this version.

This is a film that badly needs restoration

I've never read the play or seen it performed. All I knew is that it won a Pulitzer Prize and was constantly being done by community theatres. Also there are at least FOUR made for TV versions (this is the only theatrical one). I figured it was time I finally saw it.

From what I can gather, this is a heavily edited version (the TV versions run from 2 to 3 hours) and I KNOW the ending was changed (because of the Production Code). Still I liked it for what it was. Also I saw a recently restored version so it looks pretty good (considering it's over 60 years old).

It's just about life in a small New Hampshire town from 1901 to 1940. It concerns various characters but mostly centers on Emily Webb (Martha Scott) falling in love with George Gibbs (William Holden). It also flawlessly recreates a small town in the early 20th century. Everybody knows everybody else, they all live comfortably with each other, nobody locks their doors at night...combine that with some breath taking production design by William Cameron Menzies and it creates a very comfortable, idyllic feeling. Also some of the shots of the town at night were just beautiful.

A lot of people complain about the total lack of chemistry between Scott and Holden. They're not wrong but this was Scott's first film and Holden's third (I believe)...they were still young and learning. As it is, it's incredible to see Holden so young, handsome and full of life. Scott is very good also and was nominated for an Academy Award for Best Actress for this. They're backed up by a great cast of character actors from he 1930s--basically, nobody is bad. This didn't move me to tears like others said it did, but it WAS very moving. I'd like to see the other versions.

So, a pretty good view of small town life in the early 20th century.

The film version of "Our Town" is a thoughtful look at everyday life, often slow-moving, but usually effective. Without any exciting or surprising events, it tells a worthwhile story and leaves an impression on the viewer.

Most of the story follows the Gibbs family and the Webb family, neighbors in a small New Hampshire town. We learn about their lives, loves, and concerns, told in part by a narrator many years after the fact. Most of the time, things move at a very leisurely pace, with details about the town itself often thrown in. It's worth watching because of the memorable and effective closing sequence, in which Emily Webb, who has married George Gibbs, finds her life in danger. The sequence is creatively done, and brings out the importance of the otherwise mundane events we have seen in the rest of the film.

The characters are all nicely defined, with most of the cast doing pretty well, especially the character acting in the background roles. The small-town atmosphere is also convincing. There's certainly nothing spectacular about the film, but if you are interested simple human drama of everyday life, you should enjoy "Our Town".

"Our Town" was like a dramatized sermon about the fleeting nature of life and the need to appreciate every moment to the fullest. It depicted life in a small town, relying heavily on narration. I was astonished, that such a flimsy (though charming) movie should boast a Thornton Wilder script and an Aaron Copland score. Despite its flimsiness, this movie is infinitely more lovable than similar movies, like "It's a Wonderful Life". It was blissfully devoid of drama, its mood was poetic, pleasing to the eye and ear, the dialogue fairly articulate and intelligent. The most poignant line was a girl saying to her mother: "Mom, am I pretty enough to Interest anyone?"

I haven't read or seen the play, so I'll leave that topic to a late night discussion group. Thanks to great production design (Menzies), cinematography (Glennon), and art direction (Rachmil), the movie raises small town conformity to near poetic level. Those majestic skyscapes hovering over the elegiac last third lift the narrative to a rare ethereal plateau. Such b&w effects are simply beyond the reach of modern coloration, and couch the film in an appropriate dream-like space.

Sure, nothing much happens in the story. But that's the point. It's the cycle of birth, love, work, death in an idealized small town that's celebrated. The wives agreeably clean and mother, the husbands agreeably earn and father, while the kids look forward to filling their slots. Do they lack imagination? Perhaps, but the overriding message is small town contentment. Happily, the results avoid the saccharine, largely because narrator Craven contrasts with what might become sticky. Thus we can concentrate on the banal events that make up a settled life, and maybe get a new appreciation of them. I can dig that even though I know early 19th century life in a factory or mining town would not yield the same harmonious results. Yes indeed, the rural Grovers Corner is an America that only exists in dreams of time past, and for folks who yearn for the "good ol' days". But the movie itself is none the worse for any of that.