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IMDbPro

El despertar del mundo

Título original: One Million B.C.
  • 1940
  • Approved
  • 1h 20min
CALIFICACIÓN DE IMDb
5.7/10
1.8 k
TU CALIFICACIÓN
Victor Mature and Carole Landis in El despertar del mundo (1940)
Tale of Prehistoric survival and love between a male and a female belonging to opposing tribes that happened to be at slightly different stages of evolution.
Reproducir trailer2:13
1 video
61 fotos
AventuraFantasíaRomance

Historia de supervivencia prehistórica y amor entre un hombre y una mujer pertenecientes a tribus opuestas que se encontraban en fases ligeramente diferentes de la evolución.Historia de supervivencia prehistórica y amor entre un hombre y una mujer pertenecientes a tribus opuestas que se encontraban en fases ligeramente diferentes de la evolución.Historia de supervivencia prehistórica y amor entre un hombre y una mujer pertenecientes a tribus opuestas que se encontraban en fases ligeramente diferentes de la evolución.

  • Dirección
    • Hal Roach Jr.
    • Hal Roach
  • Guionistas
    • Mickell Novack
    • George Baker
    • Joseph Frickert
  • Elenco
    • Victor Mature
    • Carole Landis
    • Lon Chaney Jr.
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.7/10
    1.8 k
    TU CALIFICACIÓN
    • Dirección
      • Hal Roach Jr.
      • Hal Roach
    • Guionistas
      • Mickell Novack
      • George Baker
      • Joseph Frickert
    • Elenco
      • Victor Mature
      • Carole Landis
      • Lon Chaney Jr.
    • 52Opiniones de los usuarios
    • 37Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Óscar
      • 1 premio ganado y 3 nominaciones en total

    Videos1

    Trailer
    Trailer 2:13
    Trailer

    Fotos61

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    + 56
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    Elenco principal38

    Editar
    Victor Mature
    Victor Mature
    • Tumak
    Carole Landis
    Carole Landis
    • Loana
    Lon Chaney Jr.
    Lon Chaney Jr.
    • Akhoba
    Conrad Nagel
    Conrad Nagel
    • Narrator
    John Hubbard
    John Hubbard
    • Ohtao
    Nigel De Brulier
    Nigel De Brulier
    • Peytow
    Mamo Clark
    Mamo Clark
    • Nupondi
    Inez Palange
    Inez Palange
    • Tohana
    Edgar Edwards
    Edgar Edwards
    • Skakana
    Jacqueline Dalya
    Jacqueline Dalya
    • Ataf
    Mary Gale Fisher
    • Wandi
    Norman Budd
    Norman Budd
    • Rock Person
    Harry Wilson
    Harry Wilson
    • Rock Person
    John Northpole
    John Northpole
    • Rock Person
    Lorraine Rivero
    • Rock Person
    Harold Howard
    Harold Howard
    • Rock Person
    Ricca Allen
    Ricca Allen
    • Rock Person
    Adda Gleason
    Adda Gleason
    • Rock Person
    • Dirección
      • Hal Roach Jr.
      • Hal Roach
    • Guionistas
      • Mickell Novack
      • George Baker
      • Joseph Frickert
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios52

    5.71.8K
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    Opiniones destacadas

    8xerses13

    Always a Halloween Favorite

    My brother and I first saw ONE MILLION B.C. in the 1960's. It was always shown in our area as part of a one (1) week Halloween celebration on the local channel. We liked it then and I still think highly of it now. This is a fun and for its subject matter gentle film and find it more enjoyable then the technically superior Ray Harryhausen remake. It is very easy on the eyes in B&W compared to the rather harsh color of ONE MILLION YEARS B.C. It also boasts a very enjoyable and sentimental musical score.

    The acting is credibly done to the level of the subject matter. Mr. Chaney, Mature and Ms. Landis are not performing RICHARD III. We believe in their characterizations because they are sincere and not over the top. The Special Visual Effects of course could have used Willis O'Brien (yes, we knew they were lizards even back then in the 60s) but there are several convincing scenes. The drift down the river with various creatures in the background, the march through the jungle pursued by what appears to be a Armadillo, duel of the dinosaurs in the desert and finally the Volcano and the saving of the Shell People. All are well mounted and succeeded in their intent which we don't believe was to scare the audience but to involve them in the story line. You wanted these characters to succeed against nature and each other.

    So take a chance on this one (1). In fact watch both versions and I bet you will come back with a better appreciation of what the Hal Roach Studio presented. Hopefully they will reissue (restored) on DVD. It needs it badly since like KING KONG it suffered much in re-releases and sale to television and bits and pieces that have been grafted into so many 1950's horror/sci-fi films. Like THINGS TO COME it would be nice to see it in its original premier release.
    Lars-13

    A fun movie with a good musical score.

    I really enjoyed this movie as a kid, and it's still fun today. The dinosaur special effects were advanced for its day, and frequently "borrowed" by later films. The music score was nominated for an Oscar, and quite impressive. And Carol Landis was a babe!
    dougdoepke

    Worth a Closer, Slightly Off-Center, Look

    Considering how much worse this movie could have been, I'm a bit surprised, what with old Hollywood taking on prehistoric times with the well-scrubbed likes of hunky Victor Mature and nubile Carol Landis. Frankly, both look like they just stepped off the pages of Photoplay, even if their fashion attire is a bit dated, to say the least. But whatever the expected Hollywood nonsense, the underlying story is a good one, with lessons even for today.

    Apparently, the Rock people are early ancestors of our modern rugged individualists, even if their table manners leave a lot to be desired. No sir, no one here depends on anyone else. Catch dinnertime among these no-nonsense Rock people where the pecking order is strictly enforced—it's the roughest guy first, then the hunting dogs, then the rest of the guys, and finally the women, all grabbing what they can. Maybe that also accounts for why so few kids are seen among them. Anyway, everyone jealously guards his own hunk of meat since somebody else will grab it if they can. And better not get injured because if you do, you'll have to take care of yourself. No medical insurance here. But one thing about this tribe, they're tough as nails.

    Then there're the Shell people, probably forerunners of modern day European socialists. They all eat out of a communal vegetable pot, even passing plates of food from one to another. Just as importantly, each eats in peace knowing his neighbor can get more from the pot instead of grabbing someone else's. Then too, there's leisure activities, such as small group singing that's more like synchronized grunting, along with etching on rock walls for later archaeologists to find. So, since they all seem to get along with one another, it's not surprising a ton of kids are running around. The trouble is the tribe's terrorized into group huddles by one of those big lizards Hollywood was so fond of. What the Shell folks need is a dose of the Rock people boldness. And what the Rock folks need is a dose of Shell people civilization.

    Good thing for both tribes that Hollywood's got a Neolithic version of Romeo and Juliet that eventually brings the two groups together. But then what can you expect when hunky Tumac (Mature) from the Rock people meets up with the winsome Loana (Landis) from the Shell folks. Just goes to show, I guess, that no matter what, biology trumps all else, especially when all you're wearing is a bear skin. Still, I would like to know just how Tumac gets such a smooth shave—and I do mean smooth shave-- when the other Rock guys don't. But then how else could we recognize TCF's newest heart throb if he didn't. At the same time, I'm wishing I was born a lot, lot, sooner so maybe I could meet up with a prehistoric babe like Loana. I mean Las Vegas showgirls in their skimpy costumes have nothing on our great-great-great… (you get the idea) grandmothers.

    But then, if I were born a lot, lot sooner, I might meet up with one of those scary big lizards that seem always fighting with one another or I might get blasted by a volcano or swallowed up by an earthquake. Thanks to the screenplay, it's just one prehistoric hazard after another, and I'm thinking the special effects crew really deserved their Oscar nominations-- especially since there's no digitalized computer to fill in the blanks. All in all, I guess it's just as well that I'm knocking around in the 21st century where my biggest worry is commuter traffic at rush hour.

    Anyhow, skeptics have poked a lot of fun at this epic over the years, and truth be told, it's not too difficult. But despite the occasional silliness, the importance of learning from others is still more than just a prehistoric challenge.
    6jaybee-3

    Memorable cave man saga

    This film must have been quite a show for moviegoers in 1940. Reportedly it did not do very well at the box office. But, it is remembered fondly by youngsters who saw this movie on television back in the 50s and 60s. Today we have to forgive the very silly story and over the top acting. Production-wise though, the photography, art direction and musical score are all quite good. Special effects are fairly impressive. Indeed, the dinosaur and volcano eruption sequences show up later in many low-budget films of the 40s and 50s so don't be surprised if they look familiar. Give it a shot - it's worth a look ! Footnote: For years, this circulated around under different titles and variable quality prints. Hal Roach Studios went back to the original 35MM elements and produced a very nice video transfer for television broadcast.
    7PrairieCal

    Watch This with Your Inner Child

    I just watched One Million B.C. I hadn't seen this in sixty years and it certainly brought back memories. I remember seeing it at the Rialto Theater in Cedar Rapids, Iowa. But no one called it the Rialto, everyone called it the Rat Hole. Why? Because rats ran across the floor in the dark, bats swooped down from the ceiling, and poor old winos slept and snored in the back row. Decent people didn't go there.

    But on Saturday afternoons, kids took over the place to watch four to five hours of movies, cartoons, and 1930's serials -- which even by 1953 standards were corny – all for only 15 cents. I don't remember that any of us ever questioned whether we were decent people or not; the popcorn was great. How the winos could sleep with all the noise I have no idea. Child audiences were highly proactive with what was going on up on the screen.

    It was safe then for kids to ride their bikes downtown. And every Saturday afternoon that place was packed. The winos never bothered us, and we'd never heard of child molesters. All we knew was not to accept candy from strangers and since no one ever offered us any, we all felt safe.

    This movie stuck in my mind because it was unlike anything I'd ever seen. At ten years old it fulfilled my every dream of adventure ... dinosaurs, volcanoes, ancient peoples, jungles, snakes and morals that we could all understand and appreciate: It's better to be kind and unselfish than to be mean and brutal. I'd highly recommend this film but only if you think back to when you were 8 – 11 years old and watch it as you would have then. Even if you find it a tad corny, the child in you will love it.

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    6.5
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    6.9
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    Casados y descasados
    6.3
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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The special effects were so good that footage from this film was used in numerous other pictures produced well into the 1960s.
    • Errores
      The cave people speak in a made-up language, but Lon Chaney Jr. slips after he throws Victor Mature out of the cave. His wife rushes forward, and Lon clearly says "Get back! Get down! Get back!"
    • Citas

      Narrator: These strange figures and forms were carved here many years ago - before any record of our present civilization. They speak the message of an intelligent man.

      Mountain Guide: Do you mean there were people of intelligence that long ago?

      Narrator: Intelligence, my friend, is inherit. Education and culture are acquired. Civilization, of course, has brought complications. But here are the same thoughts, the same emotions, the same struggles with the problems of life and death we have today experienced.

    • Créditos curiosos
      Conrad Nagel is in the opening credits as "Narrator," but not in the comprehensive end credits. Because of this, the opening credits are used first in the IMDb listing and the rest of the cast is filled in with the end credits.
    • Conexiones
      Edited into Dos mundos perdidos (1951)

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    Preguntas Frecuentes

    • How long is One Million B.C.?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 27 de julio de 1940 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • One Million B.C.
    • Locaciones de filmación
      • Valley of Fire State Park - Route 169, Overton, Nevada, Estados Unidos
    • Productora
      • Hal Roach Studios
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 20 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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