Hombres sin alma

What a break for Glenn Ford! Hollywood started him off in heavy dramas (check out the same year's Babies for Sale) but when audiences liked him better as an everyman, he quickly got typecast. This is a prison movie, and instead of playing a lawyer or one of the upstanding guards, he's one of the inmates! Don't let his baby face fool you. He proves to be an enormously tough cookie throughout the movie. He's befriended by the equally tough Barton MacLane, who hates the evil prison guard, Cy Kendall. Cy is a sadistic bully, and Barton and Glenn would like nothing more than to take him down.

Among the prisoners is a very sympathetic and unorthodox reverend, John Litel. He works with the convicts and the warden, and when he starts to understand the truth of Cy's behavior, he starts to take a more active role. This movie is very heavy, and it reminds me of the pre-Code prison movies made in the early 1930s. It's violent, upsetting, and gets you hooked in with the characters from the get-go. If you like this one, check out Public Enemies with James Cagney and George Raft.

This feature is above the previous one that I reviewed: CAPTIVE WOMEN; this one, also directed by Nick Grinde, is far better, grittier, tougher, and of course Barton McLane steals the show and Glenn Ford is also better as an inmate. Rough scenes contribute to make this film a real must see and also a rare prison film, which was unusual at Columbia Pictures, and more with Metro Goldwyn mayer or Warner Brothers. It really deserves to be seen, and it's not too long either. Barton Mc Lane was used to such roles, not only convicts but also wardens, and not smooth, cool ones. Nick Grinde's movies are rather hard to purchase.

In the second of three films he was teamed with Rochelle Hudson, Glenn Ford is a man who deliberately gets himself thrown in prison so he can get the man who killed his father while dad was doing time. Hudson is Ford's sweetheart on the outside and thinks he's done a foolish thing.

How right she is as Ford gets caught up in a power play between the toughest con in the joint Barton MacLane and the sadistic head guard Cy Kendall. The only friend Ford or any of the convicts have is the new prison chaplain John Litel.

Lots of good action scenes with all the proper prison cliches used. You know we never do find out exactly what happened with Ford's father, but certain assumption are made.

Men Without Souls is one mediocre prison flick.

John Litel becomes the new prison chaplain to the general scorn of the warden and inmates. When fourth-billed Glenn Ford comes in as fresh fish, he does so deliberately; his father had died the previous year in the prison, the victim of guard captain Cy Kendall. Ford intends to get revenge, but Litel talks him out of it, along with Ford's girl friend, Rochelle Hudson. But Ford's cell mate, Barton Maclane, learns that Ford was supposed to stooge to Kendall, although he didn't, so he kills Kendall.... and Ford gets blamed and sentenced to death.

It's some high-powered acting chops in this Columbia B movie. Director Nick Grinde can't do much more with the script than let the performers speak their lines and go through their abbreviated character arcs, although he offers some nice crowd images with the aid of underrated DP Benjamin Kline. With Don Bedloe and Dick Curtis.

New prison chaplain John Litel (Reverend Storm) arrives at his new post in the middle of an escape attempt and tries to win the prisoners over. He doesn't on this occasion, but that's his mission. You see, Litel is one of those people who think that people are not born evil and everyone should be given a second chance. A person's life is shaped by the tough breaks they have had as children. However, for such an understanding chaplain, he's pretty handy with his fists! Anyway, into this prison comes Glenn Ford (Johnny) intent on getting revenge on sadistic prison guard Cy Kendall (Captain White) who killed Ford's father a few years earlier in the same prison. Ford gets put into the same cell as troublesome ring-leader Barton MacLane (Blackie). Can they forge a friendship……?

This film cracks along at a good pace. Unfortunately, the sound quality isn't great and there is occasional interference with the picture but it is not enough to spoil the viewing. I found it an enjoyable journey, but it's one that doesn't really allow any emotional connections. It just cracks along until it reaches the conclusion. Not bad, though. And why on earth is Rochelle Hudson 3rd billed when she only has one small scene?