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IMDbPro

En el viejo Nueva York

Título original: Little Old New York
  • 1940
  • Approved
  • 1h 40min
CALIFICACIÓN DE IMDb
6.4/10
278
TU CALIFICACIÓN
Alice Faye, Richard Greene, Brenda Joyce, and Fred MacMurray in En el viejo Nueva York (1940)
BiografíaComediaDramaHistoriaRomance

Agrega una trama en tu idiomaSteamboat inventor Robert Fulton shows up in New York in 1807. Tavern keeper Pat O'Day believes in him, but her boyfriend doesn't. All seems lost after sailors, afraid of losing their jobs, ... Leer todoSteamboat inventor Robert Fulton shows up in New York in 1807. Tavern keeper Pat O'Day believes in him, but her boyfriend doesn't. All seems lost after sailors, afraid of losing their jobs, burn his boat.Steamboat inventor Robert Fulton shows up in New York in 1807. Tavern keeper Pat O'Day believes in him, but her boyfriend doesn't. All seems lost after sailors, afraid of losing their jobs, burn his boat.

  • Dirección
    • Henry King
  • Guionistas
    • Harry Tugend
    • John L. Balderston
    • Rida Johnson Young
  • Elenco
    • Alice Faye
    • Fred MacMurray
    • Richard Greene
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    278
    TU CALIFICACIÓN
    • Dirección
      • Henry King
    • Guionistas
      • Harry Tugend
      • John L. Balderston
      • Rida Johnson Young
    • Elenco
      • Alice Faye
      • Fred MacMurray
      • Richard Greene
    • 13Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos38

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    Elenco principal39

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    Alice Faye
    Alice Faye
    • Pat O'Day
    Fred MacMurray
    Fred MacMurray
    • Charles Brownne
    Richard Greene
    Richard Greene
    • Robert Fulton
    Brenda Joyce
    Brenda Joyce
    • Harriet Livingston
    Andy Devine
    Andy Devine
    • 'Commodore'
    Henry Stephenson
    Henry Stephenson
    • Robert R. Livingston
    Fritz Feld
    Fritz Feld
    • Tavern Keeper
    Ward Bond
    Ward Bond
    • Regan
    Clarence Wilson
    Clarence Wilson
    • Willie Stout
    • (as Clarence Hummel Wilson)
    Robert Middlemass
    Robert Middlemass
    • Nicholas Roosevelt
    Roger Imhof
    Roger Imhof
    • John Jacob Astor
    Theodore von Eltz
    Theodore von Eltz
    • Washington Irving
    • (as Theodore Von Eltz)
    Arthur Aylesworth
    Arthur Aylesworth
    • Sea Captain
    Virginia Brissac
    Virginia Brissac
    • Mrs. Brevoort
    Stanley Andrews
    Stanley Andrews
    • Patrol Captain
    Ben Carter
    Ben Carter
    • Noah
    Oscar 'Dutch' Hendrian
    • Blackie
    • (as O.G. Hendrian)
    Harry Tyler
    Harry Tyler
    • Helmsman
    • Dirección
      • Henry King
    • Guionistas
      • Harry Tugend
      • John L. Balderston
      • Rida Johnson Young
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios13

    6.4278
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    Opiniones destacadas

    7pacificgroove

    Winning combination of historical fiction, comedy, action, with only a modest amount of florid romance

    This film sports winning performances (Alice Faye is delightful and very accomplished as a light comic actress), plenty of well-played comedy and well-staged action, a fine Alfred Newman score. But what really impressed and intrigued me were some elaborately staged outdoor scenes which appeared to be at least partially shot on a real 18th century seaport, not just the back lot. Either Fox spent a whole lot of money constructing a very large and realistic looking seaport set, or some of this was shot on location at some historic recreation site, or the art director was a genius in making the back lot look a lot bigger than it was. Interesting to see what a muscular hunk Fred MacMurray was, very different than his image in later years.
    6theowinthrop

    Our first great national invention

    I only saw this film in the 1960s, and memories of it are somewhat sparse. I recall Richard Greene trying to get financing for his steamboat, and finding roadblocks by various troublemakers, mostly local sailors who realize that steam power will hurt their sail oriented business. One moment that was well handled is the burning of the original "Claremont" (the actual name of the boat was "the North River Steamboat of Claremont" - Claremont was the name of the country estate of Chancellor Robert Livingston, Fulton's backer and brother-in-law). Another moment of the film was Greene's confusing meeting with Victor Killian, introduced to him as "Mr. DeWitt" (Greene thinks it's DeWitt Clinton - Killian is actually a thug trying to create a scene in which Greene can be beaten up). Alice Faye is given a song or two to sing, and is the love interest of MacMurray (who is also momentarily jealous of Greene, but still supports the steamboat at the end).

    If one is really interested in the story of this invention - our first really important invention in the industrial revolution - read James Flexner's "Steamboats Come True". The actual first inventor was John Fitch, who made a successful steamboat that ran to and from Philadelphia in 1790 - 1792). Fitch was clever, but he did not know how to make a plan of the invention that could enable him to rebuild a second working steamboat. It was a hit or miss thing with Fitch. In 1798 he committed suicide in Kentucky. Besides Fitch there were other inventors (Oliver Evans, James Rumsey), but Fulton had engineering training, and was able to make patents that could be followed to repeat his invention again and again. So 1807 is the year we usually credit for the invention of the steamboat.

    Yet oddly enough this is the only sound film of Fulton's invention that was made in Hollywood. I suspect it is because the Claremont was a prototype that lacked the glamor of later vessels (those that plied the Mississippi River from 1828 - 1900), and that (with a few tourist exceptions) no longer matters to us. More films dealing with railway and car transportation have been made - even more about aviation and submarines. So I suspect there will never be a more solid look at Fulton's career as artist, submarine pioneer, and steamboat developer. There is another film where Fulton pops up: "Austerlitz", a French film made in the 1950s where Orson Welles appeared as Fulton trying (in 1804-05) to interest Napoleon I in his submarine. That's about it. Maybe one day a serious film on Fulton will be made. Until then we have "Little Old New York".
    8scrufboy

    How steam powered ships broke onto the scene!

    Nothing deep, but an interesting Hollywood-ized account of the development of steam propeled ships. Imagine... being able to propel a vessel upstream even into the wind! But at what risk? The current economy's support? And how do you pay for the thing?!?! Additionally, you have a young country out to protect its interests... but what if it acted Isolationistically? Would you be able to pursue your dreams? If the overdeveloped subplots of "Sink the Bismark" did'nt offend your sensibilities greatly, you will enjoy this yarn.
    8Enrique-Sanchez-56

    Thoroughly enjoyable story of Robert Fulton's Breakthrough Invention

    Richard Greene and Alice Faye are extremely likeable in this memorable movie about "Fulton's Folly" and his eventual success with the Steam Engine driven Paddle boat. An invention that changed America and contributed greatly to the prosperity of the newly independent America.

    It is a shame that Greene, though he did achieve some fame, did not achieve the name status his debonair looks and likeable charm deserved.

    Fred MacMurray, Andy Devine, Ward Bond and Fritz Feld have wonderful smaller roles. The perfect music of Alfred Newman gives each moment just the right effect and feeling.

    I recommend this movie even if one already knows what the ending shall bring. History told this enjoyably affords us the chance to relive the wonderful moments in the struggles necessary to bring about man's achievements.
    5planktonrules

    Historical nonsense....

    This is an incredibly fictionalized account of the work of Robert Fulton to make the first American steamship. Alice Faye, Fred MacMurray and Ward Bond are there...even though they really were inventions of the playwright to first came up with this story. As a history lesson, it comes up lacking! What follows is sort of a comic book version of history--the sort of thing that Hollywood often did in their highly fictionalize 'true stories'.

    So is this any good? Well, it looks nice. Twentieth Century-Fox made lovely looking films and the music and glitz are all present in this expensive production. It's also mildly entertaining...but slight. No great drama or comedy here...just another highly fictionalized film along the same lines as "In Old Chicago" and nothing more.

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    Argumento

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    • Trivia
      The play opened on Broadway in New York City, New York, USA on 8 September 1920 and closed in June 1921 after 303 performances. The opening night cast included Genevieve Tobin as Pat O'Day, Douglas Wood, as Cornelius Vanderbuilt and Donald Meek.
    • Errores
      The hairstyles of the women are from the time the film was made, not from the early 1800s.
    • Citas

      Regan: [to Fulton] Why, you dribblin' young pup - I'll break you in two!

    • Conexiones
      Referenced in Estrellas fugaces (1940)
    • Bandas sonoras
      Who Is the Beau of the Belle Of New York
      (1940) (uncredited)

      Music and Lyrics by Mack Gordon

      Performed by Tyler Brooke and joined by Alice Faye and other dancing patrons of Krausmeyer's Pavillion

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de mayo de 1940 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Little Old New York
    • Locaciones de filmación
      • Stage 9, 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Twentieth Century Fox
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 40min(100 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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