Johnny Apollo

Am incredibly fond of crime dramas, both the Phillip Marlowe/Raymond Chandler/film noir-type ones and the more elaborate, more violent ones such as the likes of 'The Godfather' and 'Goodfellas'. The cast also promised a lot, with the most intriguing on paper being an against type Tyrone Power. So they were my two main reasons for seeing 'Johnny Apollo', as well as liking the idea of the story and hearing good things from critics whose opinions are mostly worth trusting.

'Johnny Apollo' turned out to be a well done, fun film with a vast majority of elements executed excellently. If you like any of the actors, good casts and like the type of film it fits under, there is a fairly strong chance of you enjoying 'Johnny Apollo'. It is not a perfect film or one that blows the mind, but there are absolutely no regrets watching it. Quite the contrary and actually thought it was a much needed antidote after a difficult week.

Not everything works. Credibility is strained to the maximum, particularly the final act which also felt a bit too rushed and culminates on a too unrealistically pat and almost sugary note. Arnold's attitude towards his son regarding the crookedness seemed inconsistent and one is not sure as to why.

While the songs are great on their own, don't feel out of place and are beautifully sung by Dorothy Lamour ("They Say" is a hit for good reason, and "This is the Beginning of the End" is especially well sung), they interrupted the flow a bit. Lionel Atwill has far too little to do and struggles to do much with it.

Power however does quite well in an atypical role that required a lot of grit and Power provides that, more than just a handsome face that he was clearly trying to break away from admirably. Actually felt though that the supporting cast were even better, while Dorothy Lamour is an absolute charmer as the female lead the acting honours go to Edward Arnold, as the character who gets my vote as the most interesting, and Lloyd Nolan's unflinching gangster. Enjoyed Charley Grapewin too. The script is taut and has the right amount of suspense and entertainment value.

Henry Hathaway directs with ease and seemed to understand the genre, and the story is suitably hard-boiled and intriguing even if it is not flawlessly executed. The pace is controlled yet generally compelling when the flow is not interrupted. There is some authentic period detail enhanced by the gritty photography and eerie lighting.

In summation, pretty good and recommended though not an essential. 7/10

Embezzler Edward Arnold goes to prison and son Tyrone Power tries to make it on his own honestly. Doesn't work out well. So Tyrone decides Pop was right and that the only way to make it ahead in the world is by being a crook. So he hooks up with gangster Lloyd Nolan and falls for Nolan's girl Dorothy Lamour. When Arnold finds out what his son is up to, he's none too pleased.

Enjoyable gangster drama with a fine cast. Some have said Power is miscast. I think he's okay for the part. It's not really a gritty movie, despite the plot. Maybe if it had been a tough film noir, I could see the point that Power was wrong for the role. But it's not and he isn't. Edward Arnold is good. I doubt the man ever did a bad acting job in his career. His character is somewhat poorly written and hard to relate to, but it's difficult to dislike him due to Arnold's sympathetic performance. Nice to see Charley Grapewin playing something besides a grizzled old-timer without most of his marbles. Beautiful Dorothy Lamour is always a plus and it's good to see her in a serious role. Lloyd Nolan pretty much steals the movie as the gangster Mickey Dwyer. Lionel Atwill is largely wasted as Arnold's attorney.

The biggest flaw with the movie is that its plot isn't always consistent. Arnold's character is a crook who first treats his son like crap for not being okay with his crookedness. Then later he treats his son like crap for becoming a criminal like Dad. Still, it's an enjoyable movie. The script's got some nice dialogue. Watch for the scene where Power chases, tackles, and beats Marc Lawrence's head against the ground! Yikes!

I found this to be a fairly interesting crime story, the emphasis being more on the story and less on the action. What little action there is takes place at the end of the movie.

Lloyd Nolan plays a low-key gangster and Tyrone Power plays a guy who exhibits good and bad. Dorothy Lamour, Edward Arnold, Charley Grapewin and Lionel Atwill all add to this talented cast. Lamour's tough-talking "dame" character and good cinematography helped this movie be characterized as a very early entry into the film noir genre.

The problem with the movie was the believability of the story. There were too many unanswered questions in here. Why was this person arrested? How and why could this happen, and that? There are lots of holes in here and sometimes they were so prevalent they broke up the continuity of the story.

Okay for one curious look but not worth a purchase, although it's still not available on DVD anyway, and few people buy new VHS tapes anymore.

"Johnny Apollo" is a better than average film for 1940, and it's worth watching if for no other reason than a four-minute segment in which sultry Dorothy Lamour, all dark eyes and pouty lips, sings "This Is the Beginning of the End" in a stunning, torchy alto. The song was a 1952 hit for singer Don Cornell, but his version pales beside Lamour's soulful rendition here. Her role as "Lucky" completely trumps her best known role as a foil for Hope & Crosby in the Road pictures. I have a whole new respect for her now as a singer, an artist and a sex symbol.

Johnny Apollo was Darryl F. Zanuck's attempt probably at Tyrone Power's request to give him some more challenging material. Up to this time Power's films were mostly either costume period dramas or screen comedies. For the first time Ty is in modern dress and in a drama.

Power fits the title role of Johnny Apollo rather well. The name is a spur of the moment creation for Robert Cain, Jr. who would be called a trust fund baby today. His widower father Edward Arnold's indictment for some white collar securities violations has put Power's rather well ordered and soft universe to a sudden end.

Power tries to play it straight, but can't make a go of it. Circumstances put him and gangster Lloyd Nolan together. And Power discovers he's got a talent for the rackets. He also attracts the attention of Nolan's girl friend Dorothy Lamour.

Johnny Apollo is a good film with crackerjack performances by the cast that Henry Hathaway directed. It's probably best compared to MGM's Johnny Eager where Louis B. Mayer was also trying to broaden their studio's heartthrob Robert Taylor's appeal. Johnny Eager is the better film, but no one in Johnny Apollo need be ashamed of anything.

Best performances in the film are from Nolan as gangster Mickey Dwyer. Nolan was never bad in any film he was ever in. Second best is alcoholic mob attorney Charley Grapewin.

Dorothy Lamour was brought over from Paramount for this film, playing a part that Alice Faye or Betty Grable might normally have been assigned to. She gets two of her best movie songs to sing, This Is The Beginning Of The End by Mack Gordon and Your Kiss by Frank Loesser and Lionel Newman.

Johnny Apollo is a fine gangster film from a studio that normally did not do that particular genre. At least at this time.