Un ángel disfrazado

...and Ann Sheridan can be quite fetching as the "showgirl" with the heart of gold who refers to herself at one point as being "technically a good girl". Fun, cliche-ridden, but with a lot of good lines. And Bogart is hilarious as he dead-pans cheating the oldsters at cards! Also: Is this the film that introduced the song "Angel in Disguise"? I only knew the song as delivered by Bugs Bunny!

"It All Came True" is a delightful 1940 film starring Humphrey Bogart, Ann Sheridan, Jeffrey Lynn, and Zasu Pitts. Sheridan and Lynn are the adult children of business partners in a boarding house (Jessie Busley and Una O'Connor). The women are about to lose the house because of back taxes. Lynn is Tommy, a composer, and Sheridan is Sarah Jane, a nightclub entertainer. Both move back home, but Lynn brings his boss, Chips Maguire (Bogart) with him, who is hiding from the police. He's blackmailing Tommy into hiding him because the gun that killed the victim is in Tommy's name.

Chips can't leave his room, of course, and eventually grows bored with the entire arrangement. He recognizes the very attractive Sarah Jane as having been on the circuit, and decides to help her out by making the boarding house into a nightclub. He finances it and bails the women out of their financial troubles at the same time. Sarah Jane isn't interested in Chips - she's re-connected with Tommy - but naturally plays along. Tommy is uneasy; if Chips is caught, he'll tell the cops that Tommy committed the murder.

The plot may sound serious, but the film is filled with music and a lightheartedness that's hard to describe. Ann Sheridan was sort of the working man's Rita Hayworth. She was at Warner's, which put her low, sultry voice, mane of red hair and other assets to good use in a variety of roles. She wasn't as beautiful as Hayworth or as exotic, but she was more versatile as an actress. Here she's at the top of her game, singing and dancing up a storm and looking sensational. She really carries the film. Lynn, whose career lost its momentum after World War II, was a nice-looking, boy next door type of leading man, and does an able job here. Bogart is a riot; the man could do anything. Though his character is ruthless and dangerous, he comes off as extremely likable. The striking Zasu Pitts is wonderful as a boarder who sees men following her everywhere and can't handle her liquor. At all.

There's a charming sentiment about this film - it'll leave you smiling.

In this comedy-drama directed by Lewis Seiler, Bogart was a fugitive killer who hid out in a rundown boarding house harboring a collection of talented amateur performers and maternally oriented older women…

Bogart convinces them to convert the place into a night club and on opening night he is caught by the police, clearing an innocent man (Jeffrey Lynn) of suspicion in the murder he had actually committed…

Bogart was evidently having a good time as he delivered such lines as: "I hate mothers: all this silver threads among the gold stuff!" and had a very funny scene where he is "mothered" by Una O'Connor and Jessie Busley… However, The New York Times' critic, B. R. Crisler, summed up the film correct1y when he said that "It All Came True went from simple to simple-minded."

It All Came True finds Humphrey Bogart as a gangster on the lam from killing a police stoolie and using a gun that was registered to club piano player Jeffrey Lynn to do the deed. With the stoolie probably telling the cops about his regular hideouts, Bogart has Jeffrey Lynn under a blackmail threat about the weapon hide him in a boarding house that is run jointly by Lynn's mother Jessie Burley and Una O'Connor who is the mother of Ann Sheridan.

Sheridan and Lynn were childhood sweethearts, she's a chorus girl, he's an aspiring composer and the Moms hoped that they'll be joint grandmothers some day. Bogart is hiding under an assumed name at the boardinghouse, but Sheridan recognizes him.

Perhaps the fact that he's away from the police spotlight, fooling them even temporarily makes Bogart fall under the charms of the place which is a theatrical boardinghouse. O'Connor and Burley wax nostalgic about the Gay Nineties and Bogart kind of does also. Bear in mind that this was probably when he was a kid in the film.

It All Came True is the kind of film that would have been better suited to James Cagney. In fact he did several fine nostalgic type films in his career like Frisco Kid, Johnny Come Lately, Strawberry Blonde, and The Time Of Your Life. I'm betting this was a property that Warner Brothers developed for Cagney, but for some reason or other Cagney couldn't do it.

Sheridan's feet are firmly in the 20th century however, she delivers a few zingers that were quite up to date for the audience. Until Rita Hayworth was established, Ann was Hollywood's number one redhead and she had a bit more wit in her scripts than Rita got at Columbia.

Maybe with Cagney in the lead and someone like Frank Capra directing and someone like Damon Runyon doing the screenplay, It All Came True could have been a real classic. It's an amusing comedy as it is with Ann Sheridan at her career height and Humphrey Bogart on the crest of becoming a legend.

It isn't often a movie can change a mood, but this little piece of fluff did. Whether it was a chance to see a young Bogie doing some comic acting, or Jeffrey Lynn doing something besides standing in the shadows, or Ann Sheridan being more than a wisecracking dish, I don't know - but I expect it was the latter.

On one level this is a poor man's YOU CAN'T TAKE IT WITH YOU, with a dash of ARSENIC AND OLD LACE thrown in. It isn't oscar bait, but it does make you realize how much simple joy the hard working people at Warner Brothers gave to audiences during the Depression and the second world war. When I finished watching, I could just imagine pushing out into the evening air after the show, taking my date to get a piece a pie and cup of coffee someplace, and basking the warm glow of a simple happy time.

Taken for what it is, you'll have a heck of a good time with IT ALL CAME TRUE.