Irene

Very glad I caught this old-timer. I am a fan of musicals, especially good ones, and this one was good. It is also old and was on Broadway in 1926, according to the website. According to Maltin, most of the music of the original has been left out, but what remains was very good; The title song, "Alice Blue Gown" and especially a number I never heard of before, "You've Got Me Out On A Limb", a lame title but very tuneful. The 'Alice' number was done several times, including a jitterbug version by an all-black ensemble, which was bizarre. The plot, in a nutshell, was a lovers triangle, between Ray Milland, Anna Neagle and Alan Marshal and they were ably supported by some of Hollywood's best second line actors, May Robson, Roland Young and Arthur Treacher among them. It is a musical with some light comedy and the whole effect was enchanting, to dust off an old-fashioned word. Do yourself a favor next time it's on - it's worth your time if you're a fan of 'charming old musicals'.

The music and dance of this musical comedy are well integrated with the story so I never got the feeling it stemmed from a 1919 show; the writers must have modified it considerably to avoid the "bursting-into-song" syndrome that was prevalent at the time, and which always bothers me. The actors are fun to watch, and some of the songs, headed by "Alice Blue Gown" are very memorable. I got a big kick out of the spoof of the Alice-Blue-Gown rage that was sweeping the country. It comes in the form of a movie called "Rex Gordon's Moviebone News" (a take-off on Movietone News, for those who are too young to know) which all the principals watch in a packed movie theater. In that film, we are treated with very heavy-set Hattie Noel in her Alice Blue Gown strutting her stuff, while other black actors and actresses, some in similar gowns, sing and dance. Three of the singers were The Dandridge Sisters, which included Dorothy Dandridge, a very pleasant surprise. The whole sequence was a pleasure to watch, despite the little screen time given to the Sisters.

This is the film version of a play that premiered more than twenty years earlier (1919), and boy does the story show its age! The title character is so good-golly-gosh wholesome you'll either want to laugh or just haul off and smack her. This being my first introduction to Anna Naegle, I can only hope it was the character and not a limited acting range. She's the anti-femme-fatale, and that could not have been good for her career in the coming years in Hollywood.

That being said, it's not such a bad little film with pros like Ray Milland and Billie Burke in the cast. The opening credits with marionettes flipping cue cards is cute, but it sets a more comedic tone than this film can deliver. I will say it is fun checking out the fashions of the era, not to mention the interior designs, and the story touches on class differences without the film really making any kind of statement about them. It may be a little too-cute for its own good, but it's worth a look if you're curious.

I saw this film on AMC one rainy Sunday afternoon last month. I saw that it was listed as a musical and, not being a huge fan of the genre, I was a bit apprehensive. But, I did get hooked on it after about 10 minutes or so and watched the entire thing. Even worse.. I LOVED it!! It was a charming and funny film that I recommend to all those who love a good black and white movie afternoon.

OK--must confess that I have not seen the entire movie; only saw the last 40 minutes or so, and look forward to getting to see the whole thing soon (which is why I didn't vote yet, though what I saw of it would rate an eight or nine). It is one of those sweet, charming (without cloying--it has some wit to it) movies RKO did so well (Ginger Rogers' 5th AVENUE GIRL is another I recently saw--thank goodness for Turner Classic Movies).

Towards the end of this movie, Ray Milland's character discovers Anna Neagle's Irene dancing by herself, lost in thought and emotion. He and we watch, unperceived by Irene, and the dance was an unexpected delight. While the choreography could have used more variation (certain moves are repeated too much, and some of them have her shoulders up more than is ideal), Anna N. proves herself a graceful, expressive dancer; I hope to see more of her dancing, if it exists in films. The beginning of the dance also uses subtle slow-motion to good effect, which it occurred to me I haven't seen often, if at all, in musicals from this era. I wonder why that wasn't used more, as it would seem to be a relatively easy effect to employ. Anyway, I recommend IRENE, and look forward to taking my own recommendation to see the rest of it soon.