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"Invisible Stripes" is by no means a great film but I enjoy the heck out of it. Any crime picture that has George Raft and Humphrey Bogart is going to be worth a look. Here they play two cons: Raft planning to go straight and provide for his Mom and kid brother while Bogey returns to his criminal ways. There are so many interesting angles to this picture for true film buffs. First, Raft's younger brother is played by 21 year old William Holden in his second film. Watching him in this it is amazing he made many more; he is pretty whiny and forgettable as the hotheaded sibling. The great British actress Flora Robson plays their mother in a colossal bit of miscasting but since her role is minimal she retains her dignity (although some of the lovey-dovey exchanges with her movie son Raft are borderline incestuous). Bogey is his typical brilliant self and easily walks off with the picture. While he is continuing his cycle of bad-guy supporting roles his character is not without some redeeming features. Cast as his moll is Lee Patrick; the two would combine again in a couple of years as Sam Spade & Effie Perrine in "The Maltese Falcon." Another interesting footnote in the film is the brief appearance of Leo Gorcey as a department store clerk.

And finally I come to the star, George Raft. He has gained a reputation as a mercilessly wooden performer and some of it is deserved. I have always liked him and find this performance relatively solid; he is acted off the screen by Bogart in their scenes together and his one shot at emoting over his plight as an ex-con is comical but in the overall he is very likable. This is the kind of role Raft wanted to play: the tough guy who is good to his Ma, loyal to his friends, and possessing a strict code of ethics. Despite turning down nearly every role that made Bogart a star, Raft's brief career at Warners represents his best work.

If you are a fan of old Warners crime pictures you will have a good time with "Invisible Stripes."

After a few years when you've been incarcerated, as you've been patient and composed, quietly waited, you're released out on parole, look for work on the payroll, but all you find is that ex-cons are often slated. Persistence is the trait that you exhibit, you find a role that you would usually prohibit, but the die cast long ago, means privilege has to forgo, accused of a recent crime, but it don't fit. So old habits are revived and you go back, to a job that lets you visit and ransack, with Chuck Martin and his gang, you have intent, you have a plan, but there's always going to be, a big payback.

Two great tough-guy actors, Raft and Bogart, play ex-cons. Bogart leaves prison and goes right back to the gangster life. Raft tries to go straight but, distressed by his younger brother's economic hardship, finally decides to join Bogart's gang pals.

The pace is very slow until Raft joins Bogart in the robbery gang. The second act involves a good bit of sentimental and repetitive elaboration of how hard it is for an ex-con to get a break, how life is unfair to the working man, and how much George Raft loves his mother. A certain sort of New Deal/AFL-CIO sensibility permeates the script. At one point, a factory boss offers Raft $30 a week ($10 more than Raft was making at his last job) if Raft will spy on the factory workers, who are dissatisfied with working conditions. Raft punches the boss -- insulted that the guy would even ask him to be a stool pigeon. And there's a little imbroglio between Holden and some stereotypical rich guy (with top hat and limousine) who unintentionally insults Holden's fiancee.

But after the proletarian class-struggle theme is exhausted, Raft joins up with Bogart's gang and the REAL action begins, featuring some well-choreographed shootouts and chase scenes.

Raft's performance is kind of weak, because he's trying to play a nice, sympathetic character -- it just doesn't work. Bogart is delightful as the disillusioned cynic, who is nonetheless loyal and reasonably noble in the end. A special pleasure in 30s flicks like this is the double-breasted suit-and-fedora gangster style. It's hard to imagine modern-day hoodlums dressing so sharp (even if they were gauche enough to wear their hats indoors).

(NOTE: Contrary to another member's comment, William Holden plays George Raft's younger brother, not his son.)

George Raft and Humphrey Bogart after a stretch in prison are getting out together. Raft is going to make a go of the straight life, but Bogart just wants to get back to being a criminal.

Raft makes a try at it, but the fact he's an ex-con is continually being held against him. Eventually he rejoins the old gang, but keeps it a secret from mother Flora Robson and brother William Holden.

Holden in the mean time is barely keeping his financial head above water at the gas station he works at. He's thinking real hard himself that brother Raft might have the right idea. All this is most distressing to Flora Robson and his fiancé, Jane Bryan.

At Warner Brothers, it's all been done before, the players slip comfortably into roles that are very familiar to them.

George Raft, a guy with limited skills was always believable in the urban criminal milieu because of who he hung out with. From Owney Madden to Meyer Lansky and most importantly Bugsy Siegel, Raft inhabited the wise guy world and basically was what you saw on the screen. Please recall Warren Beatty's film Bugsy which was spot on about Raft's relationship with him.

It's interesting to speculate that if Raft had been at Warner Brothers from the beginning of his career instead of Paramount what path it might have taken. The best gangster flicks were done by the Brothers Warner, but by 1939 with their stable of gangster stars established, Raft is like a spare tire there.

This was Bill Holden's second film and his joint contract holders of Paramount and Columbia lent him out here. He's playing the callow youth parts he specialized in before Sunset Boulevard. 'Smiling Jim' roles was what Holden disparagingly called these parts. It is rumored that Holden is also one of the extras in the prison yard in the James Cagney-George Raft film Each Dawn I Die. I've never been able to spot him though.

Flora Robson's one great actress, her talents allowing her to play a slum mother and Queen Elizabeth the first. Some critics say she's wasted here and maybe she is, but one of her better later roles is as Mrs. Gonzo, the Maltese mother in Alec Guinness's The Malta Story. Very similar part.

Jane Bryan's career was cut short all too soon, but not with tragedy, far from it. Shortly after this Bryan married Rexall Drug founder Justin Dart. She concentrated on the wife and mother thing and she was the wife of one of America's wealthiest citizens. Later on she had a hand in convincing her husband to back another of her former Warner Brothers contract players in a political career and lived to see Ronald Reagan become our 40th president.

Both Bill Holden and Humphrey Bogart would feud legendarily on the set of Sabrina in the Fifties. No hint of their future troubles here in Invisible Stripes. Bogart's done it all before at Warner Brothers. George Raft helped Bogey in his career by shortly turning down High Sierra, The Maltese Falcon and later Casablanca.

Fans of all the players mentioned here including myself will enjoy this film which admittedly won't rank in the top 10 of any of their credits.

Invisible Stripes (1938)

*** (out of 4)

Another Warner gangster film this time a gangster (George Raft) gets paroled and plans on going straight until he overhears his younger brother (William Holden) thinking about entering the racket so that his new wife can have a better life. To prevent that from happening Raft goes back into the racket with the help of #1 guy (Humphrey Bogart). Great performances and chemistry between Raft and Holden with good support from Bogart really pushes this one over the edge. The nice story and backslap at the parole board are interesting and the various shoot outs and bank robberies are filmed perfectly. A couple of The Dead End Kids (including Leo) have a funny cameo.