Jaque al amor

Most of the reviews here are on target. This is a fun movie. It doesn't hold up to other mystery/comedies like The Thin Man Series. Also, it is not going to warm the hearts of Dorothy L. Sayers fans, who have very particular ideas about adapting stories featuring Lord Peter Wimsey.

One reviewer called the title change (from Busman's Honeymoon to Haunted Honeymoon) pointless and unnecessary. Whatever one thinks of the title Haunted Honeymoon, the title change was understandable. Very few in America are familiar with the phrase "Busman's Holiday," which the original title is meant to be a version of. The joke is lost in translation. Therefore, a new title was needed.

Watchable but missable adaptation of Dorothy Sayer's novel about just married amateur detectives, Lord Peter Wimsey and crime novelist Harriet Vane (now of course Lady Wimsey) Attempts to add whimsical comic touches fall short of the mark and the detective mystery doesn't really grip either. Shown in the UK as Busman's Honeymoon, but in the US and also these days on TCM as Haunted Honeymoon - a pointless and misleading change.

MGM specialized in upper-class motifs. Here it's newly-weds Lord and Lady Wimsey moving into a baronial mansion in rural England only to find that the previous owner has taken up final residence in the cellar. So, Wimsey being an amateur sleuth and she being a crime writer, the Lord and Lady's honeymoon must be postponed, despite their pledges to leave detecting to the police.

The film's generally too long such that the tepid script gets stretched beyond plot capacity. As others point out, the mystery doesn't get going til the last 20-minutes. The production does manage some local color, especially the lady who dabbles in exotic jams. That reluctant tasting scene is really well done, showing the Lord and Lady's comedic potential. Too bad there's so little follow-up. Also, there's the handyman who cannonades his gun up a chimney flue, perhaps the movie's high point as the soot comes raining down on the shooter.

But a key problem is the talented Montgomery who, for whatever reason, lacks flair here for a William Powell type role. As Wimsey, he stirs up neither much interest, nor amusement. Maybe, if the script had given him a quirky habit, that might have helped. But, I guess his role is an adaptation of a literary figure, so he may have felt constrained. Nonetheless, between his uninspired turn and a limp narrative, there's not much left to recommend. All in all, the movie's a really minor entry in the Gentleman Sleuth Sweepstakes. Too bad.

Constance and Robert have a great deal of fun with this film although he is not my perfect idea of Lord Wimsey although he has a certain ironic charm. Hot on the heels of the great Night Must Fall, he lets his hair down here to ham it up a bit, but the locals are a match for anyone and everyone. This shows the British idea of eccentricity at its bizarre best.

Haunted Honeymoon (1940)

* 1/2 (out of 4)

British film from MGM has Lord Peter Wimsey (Robert Montgomery) marrying mystery writer Harriet Vane (Constance Cummings) but their honeymoon is very short as they investigate a murder together. If you look at the title and are expecting some sort of supernatural film then it's best to get that out of your mind. After viewing this film I started to look around and read some other reviews and it seems that the majority of them were negative, although very few were as negative as my thoughts on the film. To me this was one of those films where as soon as something happens it hits your eyes, travels to your brain and then your brain forgets what you just saw in the matter of seconds. I really can't remember too many films where what was going on was simply traveling past me simply because of how uninterested I was in anything going on. I think there are a couple major problems with this picture but the main one is Montgomery. There's no question that he was a fine actor but this here has to be one of his worst performances if not the worst. I think to say he was miscast would be an understatement because it's clear that he was just the wrong person for this part. Perhaps had the film stayed closer to its source material, the play Busman's Honeymoon, then the actor could have done more with it. This film version goes for more romantic charms than mystery and the actor just suffers the entire time. Cummings really isn't any better and the two lack any real chemistry. Another major problem is that the director just never makes anything interesting happen on the screen in terms of style, energy or anything else that you can think of. HAUNTED HONEYMOON is a real snoozer from start to finish.