Doomed to Die

Doomed To Die is the last film that Boris Karloff made for Monogram's Mr. Wong series. One more film was made with an actual person of Oriental descent playing Wong and that was Keye Luke.

The criticism of Mr. Wong is somewhat interesting. The criticism in fact of Charlie Chan and Mr. Moto was that these two clever detectives were constantly speaking in fortune cookie aphorisms which led to stereotyping of Oriental characters. James Lee Wong was only of partial oriental ancestry and it's made clear that he went to both Oxford and Heidelberg universities. Obviously the Oxford speech pattern is what took and we get the clear diction of Boris Karloff instead.

Wong's every bit as smart as Moto and Chan and he has to be here. It's your typical locked room mystery. Shipping magnate Guy Usher is concerned over both the shipboard fire of his vessel the Wentworth Castle and the romance between his daughter Catherine Craig and the son of rival shipper Melvin Lang. Usher is shot to death after a meeting with William Stelling, the fiancé of Craig and he's the only one in the room with the deceased.

Some Chinese government bonds were stolen during the fire and remember this film is made during the Chinese-Japanese War that predated the beginning of World War II. Those Kuomintang bonds are valuable and they're reason enough for arson and murder. A Tong leader, Richard Loo, is also killed before the case is solved.

Doomed To Die marked the farewell appearance of Marjorie Reynolds as well as Lois Lane snoop and scoop reporter girlfriend of police captain Grant Withers of the San Francisco Homicide Squad. A man never to proud to ask for the help of Mr. Wong. But in this case it turns out that Reynolds is a friend of Craig's and she brings Karloff and his super sleuthing skills to this case.

Doomed To Die is a bit more complex than the usual run of films from Monogram Pictures which didn't exactly invest to many production values in the Wong series. Not that they had much to invest. I do enjoy seeing Karloff in the role though, pity he didn't do more of them.

The threesome of Mr. Wong, Det. Street and reporter Barbara Logan all return in this installment of the Mr. Wong series. All are wonderful and work well in this murder mystery. A shooting murder of a father by the unwanted son-in-law because the father has rejected him as his daughter's choice as husband. Both were heard shouting in the same room by two witnesses. Det. Street believes it is an open and shut case but Mr. Wong disagrees as well as reporter Logan. Many suspects with a score to settle make this whodunit a mystery to the end.

Doomed to Die (1940)

Oh boy, poor Boris Karloff. He's the star, and the one great presence, in this cobbled together movie, the last of Karloff's Mr. Wong movies. Someone edited the heck out of this one, and the complex plot gets hard to follow (and hard to believe!) in the hour it takes from start to finish.

That's not to say it's a bad movie. It's kind of fun, actually, and because so much is going on, you really have to pay attention, as the scenes keep changing and changing, and more and more characters appear and reappear. The plot itself is forced on things, with red herrings that are absurd and a huge disaster in the opening scenes that ultimately means little to the rest of it, or so it seems to me. There is deliberate comedy which is sometimes funny, and gives the movie an airiness that works pretty well.

Karloff, amazingly, plays a Chinese detective, and they do something to his eyes to make him more Asian, but otherwise he's very Karloff, which is good. There are some brief scenes in a so-called Chinatown, but nothing so colorful as, say, the end of "Lady from Shanghai." No, this is from a thoroughly B-movie series of six Mr. Wong films, all but one, with Karloff as Wong. There are at least two other series of films with Asian detectives, an interesting sub-genre, for sure. There are eight Mr. Moto films (with Peter Lorre) around the same time (late 1930s), and there are the almost countless Charlie Chan films (first in the earlier 30s with Warner Oland, and then the late 30s into the 40s starring Sidney Toler). All of these stars were not Asian, but that's the way Hollywood compromised its bigotry with its sense of what the mainstream American audiences wanted.

The thing that makes these Karloff films still watchable is their gritty urban settings, and the whodunnit quality that can hold even a mediocre movie together on a Sunday afternoon. "Doomed to Die" has some very dark night scenes (a third of the movie) and if they did that to save money on set design, that's fine with me because it makes them moody and inky. Nice.

Check out this rather nice Mr. Wong site:

cheddarbay.com/0000celebrityfiles/films/wong/wong.html

Take them for what they are and you might end up watching all of them!

Once you get past the notion of Boris Karloff as a Chinese detective, "Doomed to Die" offers a fair amount of fun. The famed James Lee Wong (Karloff) is hot on the trail of whoever pulled the trigger on shipping magnate Cyrus P. Wentworth (Melvin Lang). What initially looks like an open-and-shut case soon proves much more complex as Wong endures bullets, dead bodies and a constant questioning of his competence to get to the elusive (and completely unpredictable) truth.

Adding some welcome comic relief are hard-nosed policeman Bill Street (Grant Withers) and the ultimate thorn in his side, eager reporter Bobbie Logan (Marjorie Reynolds). Though they've been copied a hundred times in the more than 65 years since this picture was released, their antics are enjoyable and occasionally quite funny due to the duo's strong chemistry.

Overall, it's a little clichéd, confusing and at times slow, but "Doomed to Die" is perfect for a rainy night. It has a certain old movie/Scooby Doo charm even viewers who don't go for black-and-whiters can appreciate.

As far as mystery B-movies go, you cant go "Wong" with this one. Karloff returns once again as the famous Chinese detective James Lee Wong to solve the murder of a shipping tycoon. What seems like an open and shut case to Capt. Street (Grant Withers) quickly becomes a web of deceit, lies and murder! I've only seen two Wong films, this and "The Fatal Hour", but I really enjoyed them both, largely due to Capt. Street and his "sidekick" reporter Bobbie Logan. The banter between them is cliché, but often pretty funny anyway. They have great chemistry together on screen. Karloff is, of course, great as Wong. I loved his entrances from the most unlikely places, such as windows or fire escapes. The plot was pretty straight forward, though it was full of red-herrings and false suspects that made the conclusion a bit hard to guess. Not that that's a bad thing mind you, I quite enjoyed the ending. To sum up, I recommend this as well as the slightly better "Fatal Hour" as two of the best mystery B-movies you'll find out there.

8/10