Arizona

Fun but overlong western with a dynamite turn by Jean Arthur as a feisty pioneer gal that's as rough and tumble as any man you'll meet. She fights corruption and villainy in the form of Porter Hall and Warren William. She also finds time for romance with handsome (and considerably younger) leading man William Holden.

Arthur's the primary reason to see this. She dominates every scene. Also some good performances from Edgar Buchanan as a drunken judge and Warren William as a slimy crook. Holden's fine but he wasn't quite ready to be an A-lister yet. The romance element is one of the weaker parts of the film. Victor Young's Oscar-nominated score is excellent. It's an enjoyable western but, like I said, it goes on too long for such a simple story.

The story line in this film is basically fictional, but real names of people who lived in Tucson, Arizona Territory, in the late nineteenth century are given to members of the cast, and the set that was created specifically for its production still exists just over the hill from the real Tucson of today. As someone who remembers visiting that set during filming in 1940, I am still impressed by the place and by this film. Jean Arthur's character was indeed a prototype of the independent frontierswoman . But even more important from the perspective of today as I stand among the remnants of the old set (still used, together with a sound stage on the property, to produce "Westerns") and look back sixty years just as the producers looked back sixty years for their story, I think of it as a story within a story. Anyone visiting Arizona today would do well to think of the film "Arizona" as a true picture of 1880 and, in another context, of 1940, and let their imaginations wander. The social attitudes and mores of both periods stand in great contrast to those of the 21st century.

In Arizona Jean Arthur repeats her Calamity Jane character from the earlier DeMille classic, The Plainsman. She's a tough pioneer woman, one of the founders of early Tucson.

Her dream man comes by way of a wagon train in William Holden who was making his first western with this film. Originally the part was offered to Gary Cooper who turned it down. I suspect that Cooper clearly saw that Arthur had more screen time. Holden who was under dual contract to Paramount and Columbia had no choice in the matter.

But by far the best one in this film is Warren William who is the suave villain of the piece. In The Big Country, Burl Ives describes Charles Bickford as a 'high toned skunk'. That phrase so very aptly describes what Warren William is all about here.

Previous to his arrival, the local bad guy was Porter Hall. But William with guile and cunning bullies Hall into a partnership who in turn sets him up with the local Apaches. Nobody can quite prove what's going on, but Holden says William has the odor of polecat about him.

There's a nice battle scene with the Apaches before the final showdown with Holden and William. Their final battle is a combination of the shootouts from both Stagecoach and High Noon.

Paul Harvey has a nice part as the Scottish merchant who is Arthur's business partner and Edgar Buchanan does one of his patented reprobate judge parts that he would do over and over in his career.

And we even get to hear William Holden sing I Dream of Jeannie. Nothing special and it's no accident he had no career in musicals.

Arizona is still a nice film tribute to our western pioneer spirit and it's one of Warren William's best screen characters.

I don't normally write reviews, but this movie really caught me up watching it on TCM. Jean Arthur, though older, is such a sympathetic character, a tough old gal whose heart is captured by a younger William Holden. I watched it for a while before checking out the credits and it struck me that the young man's voice sounded so much like William Holden but his youth had me fooled. Edgar Buchanan's Judge Bogardus was a nice change from the tool of the bad guys to a simple town drunk full of himself as the 'chosen' judge passing judgment on the streets for a drink at the bar.

I just loved the plot and dialog in this movie, and the way it stuck to the actual history of Arizona through the Civil War from the goods to the weapons. After reading the Trivia section, I was surprised to see it was also later on the set for Rio Bravo, one of my favorite John Wayne westerns.

Just a wonderful and authentic treatise on the early days of Arizona, everyone in it did it justice. Nothing was wrong with it, everything was right.

At the risk of sounding jingoistic, this film shows in microcosm how the greatest nation the world has ever known, the United States of America, came into being. It was literally carved from the wilderness by brave frontier men and women who are played as archetypes of those heroes and heroines by screen legends William Holden (one of my favorites) and Jean Arthur (Mr. Deeds, Only Angels Have Wings, The Talk of the Town). The very precarious existence of America's pioneers is presented with stark realism in this entirely plausible film. For those who only celebrate the Fourth of July by enjoying the fireworks, let them understand the hardships (and triumphs) their ancestors faced . Terrific period drama. 7/10.