Wyoming Outlaw

Wyoming Outlaw (1939)

** 1/2 (out of 4)

The Three Mesquiteers (w/John Wayne) are trying to save the life of a Robin Hood type (Donald Barry) who has taken it upon himself to try and bring down a town dictator who is forcing the poor to pay for jobs and has banned hunting so that they can't eat. This film in the series is really no better or worse than any other "B" Western but it does have a strong benefit of featuring a terrific performance by Barry who easily steals the show. He manages to be a very likable Robin Hood character and also gets mounds of sympathy due to Barry's performance. The rest is all pretty much standard stuff but having seen over one hundred Wayne films I must say his weakest fight is in this film, which includes him fighting a beanpole of a man who's probably two feet shorter than him.

Will Parker has been destroyed by a local politician and now must steal to feed his family. He steals a steer from the Three Mesquiteers.

Usually a Three Mesquiteers series is snappy and fun but this instalment is poignant and grim. It's backdrop is the dust bowl period. The three Mesquiteers try to stop a crooked politician and prevent a kid - a victim of corruption- from turning into an outlaw which turns into a tragic event. Don Barry as the outlaw acts really well. It's an efficient western, but the least fun. I prefer the mesquiteers in the thick of things, fighting the bad guys, and I like a happy ending.

Wyoming Outlaw is one of the most unusual entries in the Three Mesquiteers series of films. John Wayne, Ray Corrigan, and Raymond Hatton are not the center of the film. The center is Donald 'Red' Barry who plays young outlaw Will Parker who gets befriended by the Mesquiteers even though he tries to steal a steer from them.

This Mesquiteer film is set in the modern west of the dustbowl and has some themes that John Wayne later used in McLintock. During the World War, the cattle country was converted to wheat and after the demand from Europe subsided after World War I a lot of farm land was left arid and abandoned. That is exactly what happened to American agriculture in the boom period of the Roaring Twenties where the farmers did not share the prosperity.

Along comes the New Deal and a lot of local political bosses took advantage of government relief programs to entrench themselves in power. Such a boss is played by LeRoy Mason who was one of the shrewdest villains I've ever seen in a western. In fact during the course of the film, Mason really outsmarts our heroes at every turn as they try to bring him down legally.

Anyway though the Mesquiteers are really subordinate to Red Barry who's tired of having his family exploited by Mason and his gang. Circumstances make him turn outlaw and the chase for him is reminiscent of High Sierra a year later. In fact the just as Humphrey Bogart is referred to as Mad Dog Earle, Barry is called Mad Dog Parker by the radio and print media of the time.

High Sierra was an A film for Warner Brothers and this was just a quickie B western that probably didn't get too much notice. It's a pity that the production values were those of a B film because the story was very well done.

This is one of the few John Wayne Three Mesquiteer films that is not available on VHS or DVD. When TCM shows it again, catch it by all means.

The 32 year old John Wayne was fortunate enough to have talented writers around him to write novels that could be adapted into vehicles for his career, as well as short stories and screenplays that would immortalise him as the American hero. This film is one such example. When you watch this film you're not watching it for the story (like you would do in 'Rio Grande' or 'The Man Who Shot Liberty Valance'), you're watching it to see John Wayne in action. He is the romantic embodiment of what it was like for the settling community to live in the post-civil war era. Despite the fact that most of these westerns distort history, what Wayne delivers gives you access to his humanity. That's what we like about him.

Interestingly for this routine B-feature, the usual "Three Mesquiteer" characters are not really at the centre of the plot. The story belongs more to 'Red' Barry ("Parker") whose father has been deceived by a crooked politician and so his son ends up having to steal to feed himself and his family. It's when he pinches a cow from Messrs. Wayne, Corrigan and Hatton that the story starts to hot up a bit and, of course, they try to redress the balance for him and his sister "Irene" (Pamela Blake). It's takes a while to get going, this one - but once the scenario has been defined, it moves along nicely with a little more chemistry between Wayne and his female co-star than we are used to. "Ming" himself, Charles Middleton appears sparingly as the hard-done-by father, and LeRoy Mason is adequate - though nothing more - as "Balsinger" - the devious villain of the piece. The film aims squarely at some of the "New Deal" policies of post WWI US governments where opportunists frequently ended up with the whip hand over those who had worked hard during the war feeding the troops, but whose services were now surplus to requirements and they were left very vulnerable to pretty ruthless exploitation.