Wife, Husband and Friend

"The Thin Man meets Opera" is the best way I can describe the character of this romantic comedy, it is such an unusual movie and so funny. Warner Baxter and Loretta Young star as a contractor husband and his society wife, Leonard and Doris Borland. Leonard's contracting business hasn't been doing so well - a fact he's been concealing from his wife in hopes that things turn around. Doris wants to try at a singing career. Leonard decides Doris just needs to get it out of her system and twists the arm of everyone in town that he knows to come to his wife's singing debut so that it will be a success, hoping that this one event will put an end to her efforts. You see, the problem is that Doris is actually a terrible singer.

The other problem is that Mr. Borland is actually a tremendous singer. This is discovered when he runs into a professional singer, Cecil Carver (Binnie Barnes) who suggests Mr. Borland go on a singing tour with her. With his business being hard up for cash, Mr. Borland accepts, but has to be careful to conceal what's going on from his wife, who in the meantime is having a hard time getting any more audiences for her singing.

Strong support comes from Eugene Palette as Leonard Borland's business partner in the contracting firm, and there is a small bit done by a very young Cesar Romero as someone who is supportive of Doris Borland's singing efforts. I'd never seen Warner Baxter do comedy before, and it was quite a treat, especially when he bursts into song with an obviously dubbed baritone voice. Catch this one if it comes your way.

This rarely shown 1939 Twentieth-Century-Fox comedy is based on a frothy novel by James M. Cain, best known today for his hard-boiled detective fiction and screenplays. With a first-rate script by one of Zanuck's most versatile collaborators --the writer/producer/director Nunnally Johnson, who the very next year would be nominated for his screenplay for "Grapes of Wrath," the movie is blessed with an unusual cast: Warner Baxter, whom one would never think of as a comic actor, is perfectly believable and extremely appealing as the too understanding husband; the incandescently lovely and, for once, the not-too-saccharine Loretta Young as his not quite talented enough wife; Binnie Barnes as the scheming other woman; Helen Westley as the dreadful mother-in-law, and finally one of Lubitsch's stalwarts, George Barbier, as Westley's long-suffering husband. Perhaps in tribute to the great maestro himself the film ends with Baxter and Young in a train singing "Beyond the Blue Horizon" which Jeanette MacDonald also sang in a train in Lubitsch's classic "Monte Carlo." Gregory Ratoff directs with great flair.

This is a forgettable movie about a wife who dreams of being an opera singer, though she hasn't got the talent, and her husband, who when he discovers that he does have a great voice starts to dream of a career as a singer as well. The collapse of his career results from a performance of an opera called Arlesiana. I figured it would be Cilea's work, but in fact it is evidently like the Salammbo in Citizen Kane: a work written for the movie. It's sung in Italian, but the music is definitely not Cilea's, and the sets and costumes suggest some Renaissance tale rather than Daudet's simple farmers in late nineteenth-century southern France.

There's really nothing to recommend this movie.

Warner Baxter, Loretta Young, and Binnie Barnes star in "Wife, Husband, and Friend," a 1939 comedy remade some years later as "Everybody Does It" with Paul Douglas, Celeste Holm, and Linda Darnell.

It's the story of a society woman (Young) who dreams, as her mother did, of a career in singing but just doesn't have the vocal chops. It turns out that her husband (Baxter) has an incredible voice. A diva (Barnes) falls for him and takes him along on tour with her, finally arranging for him to star with her in an opera.

The problem I had with this film is that it's exactly like "Everybody Does It" right up until the last half hour, and then it leaves out the best parts of the story. The opera scene in this film can't touch the opera performance in "Everybody Does It" - nor does it give an explanation for the behavior of the Baxter character, which we get in the later film.

My other problem is a singing one - the dubbing of Loretta Young's voice is too good. Celeste Holm did her own singing in "Everybody Does It," and it's pleasant, but not of operatic caliber, making the story more believable.

Nevertheless, in its own right, "Wife, Husband, and Friend" is cute, with some good performances. Baxter is very funny as the husband, and there's wonderful support from George Barbier and Helen Westley, who play Young's parents. Young is gorgeous and very effective.

Extremely enjoyable, but if you get a chance, see "Everybody Does It" for some extra comedy and to fill an important plot hole!

The title characters of Wife, Husband, and Friend are Loretta Young, Warner Baxter and Binnie Barnes. Although given Binnie's actions in the film the characterization is open to interpretation.

Loretta and Warner are the proverbial happily married upper middle class couple, he in the contracting business and she the socialite with a dream of being a concert singer. Seems to be a hereditary thing, Loretta's mother Helen Westley had similar ambitions to the chagrin of her father George Barbier.

Baxter tries to humor her, but that only encourages and his humoring becomes an expensive proposition. Enter real opera singer Binnie Barnes who accidentally discovers its Baxter who's got the voice in the family. Baxter also attracts her in other ways. In the meantime Loretta's got Cesar Romero, a pianist buzzing around her hive.

I'd love to know who dubbed the voices of all these people, the film from 20th Century Fox lists no credits. The major fault in the film is the casting of Baxter. He's a good actor, but hardly a blue collar type. When the film was remade ten years later, Paul Douglas played Baxter's role in Everybody Does It.

Even with Baxter miscast, the film's got a lot of amusing moments, especially on the opera stage with Baxter. He carries the comedy part off real well. Unlike A Night At The Opera where the Marx Brothers set out to disrupt the opera, Baxter does his whole shtick quite accidentally.

I'm glad TCM unearthed this long buried classic, it's dated, but still has some good moments. Loretta beauty sparkles and Binnie Barnes was never better as the wisecracking other woman.