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7.6/10
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Agrega una trama en tu idiomaA baby duckling is shunned by his family because he is different. He is also rejected by all of the other birds and animals. Finally a mother swan adopts him as one of her brood.A baby duckling is shunned by his family because he is different. He is also rejected by all of the other birds and animals. Finally a mother swan adopts him as one of her brood.A baby duckling is shunned by his family because he is different. He is also rejected by all of the other birds and animals. Finally a mother swan adopts him as one of her brood.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 1 premio ganado en total
Amanda Cewel
- Mother Duck (speaking)
- (sin créditos)
Tom Cotry
- Father Duck (speaking)
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
'Ugly Duckling (1939)' was the final film in Disney's "Silly Symphonies" series, and was also their only remake of a previous Symphony. Wilfred Jackson's 'The Ugly Duckling (1931)' was a rather primitive black-and-white adaptation of Hans Christian Anderson's famous tale, which drastically altered the original story to make (at least in my interpretation) a rather touching plea for racial tolerance. Jack Cutting's 1939 film is considerably more polished, animated in vivid Technicolor that speaks to the extraordinary degree of prestige that Walt Disney's company enjoyed throughout the 1930s. It is also considerably more faithful to Anderson's story, following the "ugly duckling" around the pond as he attempts to find his place in society. Unlike the 1931 duckling, which was somewhat grotesquely, Cutting's version is cute and likable, if a bit gawky compared to his ostensible siblings. Nevertheless, either bird, however handsomely they are drawn, will immediately capture your heart with their wide-eyed innocence, amplified tenfold by the persecution that they much endure for simply being "different."
The duckling's hatching causes much consternation at the adult ducks' nest, with the father understandably anxious that his wife has apparently given birth to a youngster that quite obviously didn't inherit his genes. After being unceremoniously banished from the duck family, the "ugly duckling" strikes out alone, desperate to find somewhere where he can be accepted for who he is. Glancing down into his reflection on the pond surface, in one of the short's most touching moments, the duckling sees his own reflection, hideously distorted by the water ripples, and breaks into tears. Fortunately, a happy ending is just around the corner, and the duckling's lonely honks of despair are answered in kind by a family of swans, who immediately take our hero under their wing, so to speak. Unfaultable in terms of animation, music and characterisation, 'Ugly Duckling' is a touching celebration of accepting and savouring one's own differences, and was justly awarded with an Oscar for Best Animated Short Film, Disney's seventh Silly Symphony to do so.
The duckling's hatching causes much consternation at the adult ducks' nest, with the father understandably anxious that his wife has apparently given birth to a youngster that quite obviously didn't inherit his genes. After being unceremoniously banished from the duck family, the "ugly duckling" strikes out alone, desperate to find somewhere where he can be accepted for who he is. Glancing down into his reflection on the pond surface, in one of the short's most touching moments, the duckling sees his own reflection, hideously distorted by the water ripples, and breaks into tears. Fortunately, a happy ending is just around the corner, and the duckling's lonely honks of despair are answered in kind by a family of swans, who immediately take our hero under their wing, so to speak. Unfaultable in terms of animation, music and characterisation, 'Ugly Duckling' is a touching celebration of accepting and savouring one's own differences, and was justly awarded with an Oscar for Best Animated Short Film, Disney's seventh Silly Symphony to do so.
10llltdesq
Disney's track record for adaptations of works of literature is decidedly mixed. This version of Hans Christian Andersen's, "The Ugly Duckling" is one of the most successful ones and quite deservedly won another Oscar for Uncle Walt. It's a beautiful short on all counts-animation, backgrounds, artwork, scoring, eveything-Disney at it's best. When Disney was at their best, no one could touch them. This short does justice to one of the most well-known fairy tales of all time and almost makes up for what they did to Felix Salten's "Bambi". Almost. This one should be in-print and runs on The Ink and Paint Club. An absolute masterpiece and anyone who loves animation has got to see this one! Recommended.
There is something really quite touching about this Disneyfication of the timeless Hans Christian Andersen story. We start with the expectant parents awaiting their fifth chick. It's born but clearly isn't the same as the others and it's promptly rejected. Abandoned to fend for itself, it tries to make friends but everything is new and unfamiliar. Then, fortune smiles and ... Andersen's fables always did have a valid moral underpinning them and this one seems all the more ripe for a sensitively scored and delicately drawn version that has, mercifully, been spared the traditional singing accompaniment. It's surprisingly effective, this.
A Walt Disney SILLY SYMPHONY Cartoon Short.
A gawky UGLY DUCKLING, only moments after birth, is hectored & harried from the family of ducks he was born into. Will he ever find happiness & learn his true destiny?
This is a pleasant cartoon, with the plucky personality of the protagonist firmly front & center; the by-play between the duck parents is also amusing. Based on the Hans Christian Andersen classic, it is a remake of a 1931 black & white Symphony. The SILLY SYMPHONIES ended with this film, but they went out with a bang - like 6 of its predecessors, THE UGLY DUCKLING was awarded an Oscar for Best Animation.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
A gawky UGLY DUCKLING, only moments after birth, is hectored & harried from the family of ducks he was born into. Will he ever find happiness & learn his true destiny?
This is a pleasant cartoon, with the plucky personality of the protagonist firmly front & center; the by-play between the duck parents is also amusing. Based on the Hans Christian Andersen classic, it is a remake of a 1931 black & white Symphony. The SILLY SYMPHONIES ended with this film, but they went out with a bang - like 6 of its predecessors, THE UGLY DUCKLING was awarded an Oscar for Best Animation.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
The only reason I give this film a 9 and not a 10 is that it's actually a remake of a film this same studio made eight years earlier. I tend to be a little tougher on remakes plus it just doesn't take nearly as much effort to remake a film instead of do one from scratch. However, despite this concern, I can see why this film received the Oscar for Best Animated Short. It is simply wonderful from start to finish.
First, the animation is exactly what you'd expect from Disney from this era. In the 1930s, no other studio came close in quality of animation and music. The whole package was simply terrific and could not be beat. I particularly loved the wonderful backgrounds as well as the great use of colors--nicely muted and soft.
Second, the story, while very familiar to most, is wonderful. I am not ashamed to admit that by the end of the film, my eyes were very misty--it is a lovely and sentimental film. A joy to watch from start to finish.
First, the animation is exactly what you'd expect from Disney from this era. In the 1930s, no other studio came close in quality of animation and music. The whole package was simply terrific and could not be beat. I particularly loved the wonderful backgrounds as well as the great use of colors--nicely muted and soft.
Second, the story, while very familiar to most, is wonderful. I am not ashamed to admit that by the end of the film, my eyes were very misty--it is a lovely and sentimental film. A joy to watch from start to finish.
¿Sabías que…?
- TriviaThe last Silly Symphony cartoon. Also, the only one to be a remake (of El Patito Feo (1931)).
- ErroresWhen the hero is reunited with his family, we discover that he is one of five baby swans. However, for a brief moment, six baby swans appear on screen as they swim around one another before returning to their mother.
- ConexionesEdited into Walt Disney Cartoon Classics Volume 5: Disney's Best of 1931-1948 (1983)
- Bandas sonorasBorn to Ugly Duckling
(uncredited)
Traditional
Performed by studio orchestra
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Detalles
- Tiempo de ejecución
- 9min
- Relación de aspecto
- 1.37 : 1
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