El regreso del doctor X

Reporter Wayne Morris and doctor Dennis Morgan team up to investigate some murders and a possible connection to people with a rare blood type. This leads them to suspect doctor John Litel and his creepy assistant Humphrey Bogart. In-name-only sequel to Doctor X that is best known today as Humphrey Bogart's only horror or science fiction film. As such, it's usually mocked or joked about. It really doesn't deserve to be. It's not a great film but a perfectly entertaining hour-long horror flick. Bogart's performance is fine. His nervous twitches and weird makeup give him a creepy presence that is the film's most memorable asset. For those looking to see him act much worse, I suggest seeking out more mainstream-acceptable fare as Dark Victory.

Interestingly, Bogie doesn't even get top billing. Neither does Dennis Morgan. Both are billed below Wayne Morris and Rosemary Lane. This seems odd today when Bogart and Morgan are more well known to classic film fans than either Morris or Lane. But in 1939 neither was a big star yet. Morgan was an up-and-comer and Bogie had been toiling away at WB for years as the villain in gangster pictures. Still, it seems strange WB at that time thought Wayne Morris had more potential than Bogie or Morgan. Morris is actually the weakest link in the film. He was an actor with a big frame and a boy-next-door likability but was ill-suited for a streetwise investigative reporter. The fact that he wore a silly hat with the brim turned up in front and was pretty much comic relief for the first half hour of the movie doesn't help the audience take him seriously. The supporting cast is nice. Rosemary Lane receives second billing and is the female lead but really has nothing to do but be the victim. I haven't added up everybody's screen time but it seems to me she was in the picture very little. Huntz Hall of Bowery Boys fame appears as a copy boy who needles Morris. Lya Lys has a meatier part than Lane as a woman brought back to life in the same manner Bogart was. She even allows herself to be made up to look waxy and dead, which was a big deal back in the day for any actress who wanted to be thought of as a romantic leading lady. John Litel turns in a typically stable performance as the doctor behind bringing Bogie back. He actually seems to be the movie's villain for most of the running time before Bogie's Dr. X takes over.

Overall, an enjoyable B horror film that should please fans of the genre. It's unfairly slammed a lot, even more than the usual B movie from the period. My guess is that's because a lot of Bogart fans who don't normally like this type of movie checked it out for him and didn't like it. The movie definitely garners more attention because of his part than it would otherwise. At its heart it's just another in a string of mad scientist movies made from the '30s through the '50s, albeit an enjoyable one. If you're a Bogart completist, I'm sure you'll want to check it out for curiosity's sake. Hopefully you'll like it. Fans of old sci-fi and horror films will definitely enjoy it.

Had this film not cast Humphrey Bogart as the title mad scientist, this film would probably regarded as just another 1930's big studio "B" thriller. Bogart tries hard , but he is Bogart, and its just to hard to take seeing him playing an executed mad scientist brought back from the dead who is now a scientific vampire. Supposedly, Boris Karloff was slated to play the title role, but was not available.

I have to admit I was very impressed with the films art direction (credited to Esdras Hartley.) The laboratory of Dr. Flegg consists of a maze of glass tubes dripping a dark fluid in beakers, and has the look of a giant circulatory system, reflecting the films emphasis on blood.

Hollywood legend has it that Bogart was having trouble with WB brass at the time with the type roles they were giving him. The WB brass wanted to punish him by casting him in this and KING OF THE UNDERWORLD in order show Bogie who was boss.

If you're container is filled up with blood type 1, there's a chance that you may be emptied and then gone, as it's required by a cadaver, to remain as life's gate crasher, although he's generally quite guarded and withdrawn (and quite pale and anaemic to boot and not particularly pleasant).

It's not the greatest rip off (in part) of a Mary Shelley classic you might be familiar with, and it's probably Bogart's worst film, certainly of the ones I've seen, although he does an admirable impression of Boris Karloff lite, which I'm sure he must have relished - I fancy Cagney had a good giggle too. The rest of the performances are as stereotyped for the time as any although, coming in at a smidgen over 1 hour, it won't leave you feeling or looking as jaded as the titular Doctor.

AAh, good old Dr. X! To some Humphrey Bogart fans, this movie did not go over so well, however, there are those who think this wasn't so bad a movie. I was first introduced to this movie when KZAZ-TV Ch. 11 (now KMSB) would have "Humphrey Bogart Movie Weekend" from time to time. This was shown late Fri. evening/early Sat. morning. Anyways, released in 1939 from Warner Bros./First National pictures, this is the story of unexplained murders & the law along with some other interesting characters who try to find out who is behind these deaths. If I try to go on about this movie, I might give some things away so here is where I'll stop. Although there were some not so good things that were said about this movie, I for one thought this was a "good" movie. If you are a Boggie fan, then you might enjoy this 30's gem. Enjoy!

...and I almost can never say that about post-code sequels to precode movies. This really isn't a horror film - it's more of a mystery. A doctor has a mysterious ashen-faced assistant with a Bride-of-Frankenstein like streak of gray in his hair. The assistant seems to always be lurking about, and even though the doctor would obviously like to get rid of this guy for some reason he does not. On top of that, a young woman turns up on the doctor's doorstep one night with this same ashen appearance. She passes out and the doctor instantly knows what to do to restore her to health. Whatever is going on here? Wise-cracking Wayne Morris as reporter Walter Garrett is on the trail of the mystery, and although Morris is no Lee Tracy (Lee Tracy was the reporter in the original) he does a good job. Do note that this is not at all a sequel to the original Dr. X from 1933. In fact I think it's better. I thought the original was slow and somewhat creaky and I've seen far better showcases for the wonderful Lee Tracy than Dr. X.

Of course, the real reason to watch this film is that the ashen-faced assistant is played by Humphrey Bogart in one of the many roles he was ordered into by Jack Warner while he watched James Cagney get meatier showcases. I've always liked this one and it's not just because of Bogey.