La detective privada

Jane Wyman stars as an aggressive detective driving her fiance police detective Dick Foran nuts in "Private Detective" from 1939. The film also stars Dick Foran and Maxie Rosenbloom.

The story concerns the murder of a man (John Eldredge) who has won custody of his son after a court fight with his wife (Mona Dickson). She's a suspect, but there are others. The Wyman character is determined to find out whodunit.

Wyman was no less of a good actress when she became a brunette, but the roles she got were different. I absolutely love her as a blond, always have, and she seemed to get feistier roles that were more fun. Just an opinion. She was quite a talent - she could sing, act, and was a fine artist.

Fun, fast film, o the short side but that is perfect for a film of this type.

"The dirty heel," mutters detective Jane Wyman of the Nationwide Detective Agency. She refers to sleazy lawyer Morgan Conway, who is scheming with a client to swipe his own child's inherited fortune.

Soon enough, the client (a first class rat himself) is murdered—but who did it? The lawyer? The ex-wife? The chauffeur? What about the ex-wife's new fiancé?

Jane Wyman is lively and likable in this very entertaining and compact B mystery. Dick Foran co-stars as Wyman's fiancé, a cop working the same murder case. He would very much like for her to hurry up and marry him and "retire" from her job—however, Wyman is always at least a step ahead of him in the investigation, and is clearly the brains of this couple.

Max Rosenbloom is a fellow cop, Foran's partner in crime fighting; part comic relief and part muscle, he breaks down doors and makes encouraging comments. Good old Joseph Crehan is the police captain begging for some results from his detectives. Foran gives it a game effort…but boy, is his character boring! To be fair, I suppose it wasn't his fault that the script gave Wyman all the good lines.

Overall, some good action scenes and rapid dialog delivery—along with Wyman's snappy performance—keep this one moving along nicely.

Millard Lannon and his wife Mona are battling for the custody of their son Bobby who inherited $5 million from his grandfather. Private detective Myrna Winslow (Jane Wyman) refuses to testify for Millard who only wants the money. She quits and proposes marriage to police detective Jim Rickey (Dick Foran). Millard with his lawyer Nat Flavin calls in a fake threat from Mona. Mona comes to see her son Bobby. Millard is shot dead. Mona runs away. With a neighbor as a witness, Mona is immediately the prime suspect. Myrna and Jim investigate from opposite sides.

It's under an hour and it's fine. Jane Wyman plays a good wildcat investigator. Foran is rather forgettable. As a crime story, it's all fairly straight forward. Mona's innocence is never in doubt. It would be more compelling to have Rickey and Winslow team up. That way, they can develop more combative chemistry and take this movie to the next level. In general, it's pretty basic and fine.

Jane Wyman follows her similar role in Torchy (Blane) Plays with Dynamite with another Noel Smith-directed "B" movie pitting the skills of a female private detective against the might of the police department. Private Detective never quite makes up its mind whether it wants to emphasize the love interest or solving crime. Not that there isn't a plethora of crimes to be solved: we are treated to murder, blackmail, kidnapping – and that is just by the bad guys. The cops go in for breaking and entering big time with Max 'Slapsie Maxie' Rosenbloom as Detective Brody breaking down two of four doors attempted. Mike Mazurki does this type role much better. Morgan Conway is also hard to believe in his role as he was equally implausible as Dick Tracy in later movies.

The crime plot revolves around the framing of a "Reno divorcée" (who has a questionable relationship with her so-called fiancée) for the murder of her ex-husband. The murder is not too hard to solve so we would think then that the love interest would be played up instead. It would appear that some of the storyline ended up on the cutting room floor since there are good set ups for scenes that simply do not appear and then are referred to later at least in passing.

The writing clearly has a feminine touch with barbs being thrown at male chauvinism and oblique criticism of the stereotypical role women should play. This part of the storyline at least has continuity. Jane Wyman as Myrna 'Jinx' Winslow tells her boss no to "shhhh" her and then quits as she is fired from the Nation-wide Detective Agency. She keeps the job for at least one more case and after solving the murder tells her boyfriend Detective Lieutenant Jim Rickey (Dick Foran) that "I don't want to be a detective anymore." Not recommended unless you are trying to study how women are portrayed in traditional men's roles or just want to watch Jane Wyman going through the scenes with lots of very different hats and fur coats and even on the ledge of a tall building while wearing high heels.

Jane Wyman is a private detective about testify in a custody case. When the wife is suspected of killing her husband, Wyman finds herself working on the case, and tangling with police detective detective Dick Foran, who is also handling the case.

It's a late-1930s Warners B from Bryan Foy's unit, which means it is more distinguished for its short length (it clocks in at fifty-five minutes) and fast talk, rather than much in the way of cinematic excellence. Cinematographer Ted McCord has some fun with shadows from Venetian blinds, but the principal pleasure is Jane Wyman, in her late-1930s persona of blonde hair and wide eyes. Usually she was a delightful ditz in comedy, but here as a hard-nosed gumshoe, she wrangles nicely with Foran as she keeps trying to help him move away from the wrong track he's on.