La detective privada

Ex-husband and wife Millard Lannon (Eldredge) and Mona Lannon (Dickson) are fighting for custody of their son Bobby (Blair), with Millard trying to take the son from his wife. When Millard is killed, Mona is suspected, and private detective Myrna Winslow (Wyman) takes the case to prove she's innocent. This is to the chagrin of her police officer boyfriend, Jim Rickey (Foran), who just wants to get married.

Jane Wyman makes an energetic and adorable private detective and her chemistry with Dick Foran, who plays a detective and her boyfriend, is good. It's a fun, engaging, has snappy dialogue and a fast-paced time filler. Some of the humour comes from Forman's sidekick who is probably thickest policeman ever. Some of his replies are plain dumb. The fight scene at the end is quite rambunctious and exciting.

Jane Wyman follows her similar role in Torchy (Blane) Plays with Dynamite with another Noel Smith-directed "B" movie pitting the skills of a female private detective against the might of the police department. Private Detective never quite makes up its mind whether it wants to emphasize the love interest or solving crime. Not that there isn't a plethora of crimes to be solved: we are treated to murder, blackmail, kidnapping – and that is just by the bad guys. The cops go in for breaking and entering big time with Max 'Slapsie Maxie' Rosenbloom as Detective Brody breaking down two of four doors attempted. Mike Mazurki does this type role much better. Morgan Conway is also hard to believe in his role as he was equally implausible as Dick Tracy in later movies.

The crime plot revolves around the framing of a "Reno divorcée" (who has a questionable relationship with her so-called fiancée) for the murder of her ex-husband. The murder is not too hard to solve so we would think then that the love interest would be played up instead. It would appear that some of the storyline ended up on the cutting room floor since there are good set ups for scenes that simply do not appear and then are referred to later at least in passing.

The writing clearly has a feminine touch with barbs being thrown at male chauvinism and oblique criticism of the stereotypical role women should play. This part of the storyline at least has continuity. Jane Wyman as Myrna 'Jinx' Winslow tells her boss no to "shhhh" her and then quits as she is fired from the Nation-wide Detective Agency. She keeps the job for at least one more case and after solving the murder tells her boyfriend Detective Lieutenant Jim Rickey (Dick Foran) that "I don't want to be a detective anymore." Not recommended unless you are trying to study how women are portrayed in traditional men's roles or just want to watch Jane Wyman going through the scenes with lots of very different hats and fur coats and even on the ledge of a tall building while wearing high heels.

1939 is considered the top year for classic films from Hollywood with the release of Gone With the Wind, The Wizard of Oz, The Adventures of Robin Hood and countless others, however while all those masterworks were being created it's good to remember that the studios were still cranking out B programmers to fill the bill and this is as good an example of that as any.

Jane Wyman having worked her way through bits and supporting roles has one of her first leads here as Jinx Winslow, girl detective. She's cute and sprightly and in an interesting contrast she has a few scenes with the ill fated Gloria Dickson, a promising contract player until her sad death a few years later in a house fire at just 28. In their scenes the blush of stardom is all over Jane, not only is she far more animated than Gloria but she registers on screen in a way that Dickson does not and never would. A clear demonstration of star quality, Jane is vibrant whereas Gloria is flat, it doesn't help her though that she's made up in the most overdone and unflattering hair and makeup.

As for the rest of the movie and the cast, the story is nothing that hasn't been done a million times but it moves at a good clip and that blank wall of an actor Dick Foran takes up space like he always does, how he worked so much is a mystery

Jane Wyman is a private detective about testify in a custody case. When the wife is suspected of killing her husband, Wyman finds herself working on the case, and tangling with police detective detective Dick Foran, who is also handling the case.

It's a late-1930s Warners B from Bryan Foy's unit, which means it is more distinguished for its short length (it clocks in at fifty-five minutes) and fast talk, rather than much in the way of cinematic excellence. Cinematographer Ted McCord has some fun with shadows from Venetian blinds, but the principal pleasure is Jane Wyman, in her late-1930s persona of blonde hair and wide eyes. Usually she was a delightful ditz in comedy, but here as a hard-nosed gumshoe, she wrangles nicely with Foran as she keeps trying to help him move away from the wrong track he's on.

Private Detective (1939)

*** (out of 4)

Surprisenly effective "B" picture from Warner about private (Jane Wyman) and homicide (Dick Foran) detectives, obviously dating, who are trying to find the killer of a millionaire. The homicide detective thinks it was the man's ex-wife who he was in a custody battle with but the private detective has her own thoughts. PRIVATE DETECTIVE is one of those low-budget films that studios were pumping out back in the day to fill up second bills or to try and push new talent onto film-goers. There's no question that I've seen dozens, if not hundreds, of these mystery movies but this one here is certainly among the most entertaining and it's a real shame that it's not better known. I'd also add that it's a shame Wyman and Foran didn't get to do this as a series because the duo have a terrific chemistry together and when they fight they seem like a real couple. Both stars do a very good job here and they certainly help sell the film. Even though it only runs 56-minutes there's a pretty good story here for them to work with. Wyman is extremely adorable in her part of the private detective who is constantly getting herself into trouble by trying to figure out the truth. Foran is also impressive in his part as the tough guy and he not only has great chemistry with Wyman but also Max Rosenbloom who plays his partner here. All three actors really help sell the film as does supporting players John Ridgely and Morgan Conway as a jerk lawyer. What also helps push the film over the edge is the very strong direction by Noel Smith. He certainly brings quite a bit of style to a film like this and I'd argue that it's the perfect example of a pre-noir. It's not too hard to figure out who the killer is but this doesn't hurt the film because the screenplay offers up several nice twist and turns along the way. Fans of the genre will certainly want to check this one out.