Los apuros de Nancy

Of the four classic Nancy Drew films Warner Bros. released from 1938-1939, NANCY DREW...TROUBLE SHOOTER is perhaps the most imaginative, humorous, creepy and expensively produced of them all. Moving the locale from the Drews' home in River City to the nearby farm resort Sylvan Lake, where Nancy's lawyer father Carson is summoned to prove a relative not guilty of a murder, the breath of rural country air enlivens everyone involved. The widowed Mr. Drew's attraction to a lovely neighbor (Charlotte Wynters) sets Nancy's jealousy in full force, making her relationship with her reluctant (though none-the-less-enchanted) boyfriend Ted, played to droll perfection by the engaging Frankie Thomas, all the more delightful--and in some sequences downright romantic. Aside from the beautifully photographed location backgrounds, the deliciously intricate plot (a transplanted tropical flower, the torching of the local nursery, and farmhand Willie Best's dithering about seeing two "ghosts" on the night of the murder) provides the necessary clues for Nancy and Ted to piece together the identity of the murderer--and enriches their relationship at the same time. Of the four Nancy Drew films, this third entry shines with its subtle, underlying portrayals of the love and dependence that draw the principal characters together--along with good-natured humor (for once, Willie Best is not denigrated by the time's racial stereotypes--he's treated as an affectionate equal by the other characters--and seems to be having a ball poking fun at the "chicken-stealing darkies" he was called to portray in that era of moviemaking). Bonita Granville is as blonde, buoyant, perky and loving a teenager as has ever been presented in movies of any era. And the underrated Frankie Thomas is her equal as the sweetest, bravest, most caring fellow a teenaged girl could ever wish for. The witty, intelligent depiction of their relationship--and unacknowledged love for each other--makes NANCY DREW...TROUBLE SHOOTER perhaps one of the most captivating portrayals of friendship and family life ever put on screen, with equal praise for John Litel (as Nancy's all-too-understanding father)and the warm and enchanting Ms. Wynters. And all in the guise of a suspense-filled murder mystery (incidentally, the use of a homicidal crop-dusting plane precedes Hitchcock's "North by Northwest" by a good 20 years!). In short, NANCY DREW...TROUBLE SHOOTER is as unpretentious, disarming and downright lovable an entertainment to come out of Hollywood during its Golden Age. Turner Classic Movies has apparently gotten the message, and the quartet of Nancy Drew movies (after too long a time languishing in obscurity) are now being shown on a fairly regular basis. Don't miss any of them, but put NANCY DREW...TROUBLE SHOOTER at the top of your list. Dated (as other IMDB comments claim)? Perhaps, and more's the pity. A rare and timeless treat? Absolutely!

Third entry in the delightful Nancy Drew series starring Bonita Granville. This time Nancy's lawyer dad (John Litel) has to leave town to help an old friend accused of murder. Nancy comes along and, of course, takes it upon herself to investigate the case. While there, Mr. Drew meets a woman and becomes enamored but Nancy isn't crazy about her.

Granville's wonderful as ever as the headstrong sleuth. Litel's great as well. Frankie Thomas is also here as Nancy's sidekick and would-be boyfriend, Ted. He and Granville had great chemistry. Aldrich Bowker steals every scene he's in as the cantankerous accused murderer. Additional comic relief in this one comes from Willie Best. It goes without saying Mr. Best's negative stereotype character will offend some modern viewers. Exciting climax involving a barn, a bull, and an airplane. Points for creativity.

Bonita Granville and Frankie Thomas make this little mystery a lot of fun for the family to watch. This and the Nancy Drew films in general made with Granville are little gems that sadly do not get shown as much as they should. My big question is, why were there not more. These Drew movies are more entertaining than the Monogram Charlie Chans and Mr. Wong movies-yet those lasted longer than the Drew series did at Warners. If you have a chance to see the Nancy Drew/Bonita Granville series-please do so. MM

Nancy Drew--Trouble Shooter (1939)

*** (out of 4)

Third film in Warner's teenage detective series has Bonita Granville returning as Nancy Drew. This time out she's trying to save her uncle farmer whose been accused of killing a man. This is probably my favorite of the first three films because it takes on a lot more than just the actual mystery behind the killing. There's an entire subplot where Nancy gets jealous that her father is dating a woman and you'd expect something like this to come off silly but it actually works pretty well. There are plenty of laughs as well especially one sequence where Nancy tries to cook dinner. The mystery in the film doesn't actually get too much attention but it leads to a nice, if unbelievable, ending.

Though I've enjoyed the four Warner Bros. Nancy Drew films for their fast pace, snappy dialog and light touch, Bonita Granville doesn't bear much resemblance to the hyper-perfect Nancy of the long-running series of novels. The main drawback to the literary Nancy is that she's too perfect, even winning a golf tournament against a superior, more experienced player in THE HAUNTED BRIDGE. In TROUBLESHOOTER, (which bears the least resemblance to the books of any of the four films), Nancy's perfection is taken down a few notches: she can't drive (rear-ending several parked cars, constantly taking her hands off the wheel in her excitement), she can't cook (making a veritable Lucy of the kitchen), she allows the bad guys to destroy evidence -- why, she's as scared of ghosts as Willie Best and she can't even fly an airplane! NANCY DREW, TROUBLESHOOTER, with its general lack of mystery and constant slapstick, is essentially a parody of Nancy Drew. Fun, and satisfying in a slightly sadistic way, but nothing like the books.