Mr. Moto de incógnito

This is a murder mystery, with Mr. Moto, for those of you who don't know, as the crafty man investigating the case. Like Charlie Chan, he's a private investigator.

Peter Lorre had a "cool" charisma about him, much like Basil Rathbone, Humphrey Bogart, and others who played such roles.

Films like this either take one or a combination of two of the following: 1. Mystery with clues that the audience can use. 2. Mystery with atmosphere and humor 3. Mystery with a twist.

Just about none have all three. One may cite "Chinatown" as a possibility, but the atmosphere isn't what I would call strong in that one. Atmosphere and humor come either without twists or without clues.

This film uses the first two elements. It would be far fetched to say there is a twist. There is an abundance of atmosphere and humor, and many clues.

We know very soon who the killer is. At first it isn't easy, because all of the suspects look alike, middle aged white men with mustaches, but once we tell them apart, and once the atmosphere is established, we do know which one it is.

That doesn't take away from the adventure, though. Lots of good elements make this an enjoyable film.

Calling this a typical Moto film is not a bad thing. After all, this series from Twentieth-Century Fox was about the equal in quality to their other series, Charlie Chan. The big difference being that Moto is more a "gun for hire"--a man who would play private detective or even mercenary in his films. Unlike the squeaky clean and rather sedate Chan, Moto is more physical and not above twisting the law or even killing someone. Sadly, he didn't kill anyone in this film--always a trademark of a great Moto film!

Moto is on his way to Puerto Rico to investigate a diamond smuggling ring. However, on the way, he is laid out due to an appendicitis and it looks like Moto might have to drop the case. However, being a very sneaky character, there's a lot more to the story than this.

Along for the ride is Warren Hymer, who plays Moto's new friend who tags along during the investigation. Having Hymer in the film makes sense, however, as the film was originally planned another Chan film. But, since Warner Oland had recently died, the script was adapted for Peter Lorre's series. In the usual role of Number One or Number Two son is Hymer--who gets into trouble and makes a nuisance of himself just like he was an honorary Chan himself!

Overall, well written, exciting and up to the usual high standards of the series. The only serious knock I have against this film is that although it's set in Puerto Rico, there's no one who remotely looks or sounds Hispanic in the film. Of course, considering they have a German guy playing Moto, I guess this shouldn't come as much of a surprise.

In the long line of 'politically incorrect' Hollywood racial casting, Hungarian born Peter Lorre's Mr Moto is probably the least in need of historical/cultural apologies to facilitate our enjoyment of the eight dandy pics he made as the polite, but not quite knowable Japanese detective. Most were smartly directed by ex-actor Norman Foster, but this late entry was helmed by 'routinier' Herbert Leeds who brings a good deal less to the party. Still, even when playing more closely within the conventions of drawing room detective yarns (and with too much forced dimwit comic relief), Lorre manages to elevate the slim story about diamond smuggling in the tropics into something entertaining and a bit perverse, with nice support from Jean Hersholt, Leon Ames, Paul Harvey & Douglas Dumbrille all in spiffy white suits.

This is one of the later Moto pictures and not as good as the earlier ones. Peter Lorre is his usual great self. And, there is a great nostalgic sense of the time and setting. But it doesn't have as much life as the previous entries in the series. It is still worth seeing. Just don't expect to see Moto at his best. It is better than "Mr. Moto's Gamble" and far better than the 60's attempt at reviving the character, "The Return of Mr. Moto". This was based on the novel, "Murder in Trinidad" which did not feature Moto and was filmed before and since. For this film the locale was changed to Puerto Rico. At one time this was slated to be filmed as a Charlie Chan film, "Charlie Chan in Trinidad".

I know Mr. Moto movies are formulaic, but with this one they got the formula wrong. That's not to say it isn't fairly well put together and somewhat entertaining, but it's not worth its current rating.

The major flaw is that there are too many suspects who, in their white flannel suits, look and act too much alike to the point that at the end it seems like they just spun the bottle to select the bad one. Also, the comic relief, Twister McGurk, is used again and again with the same schtick and it gets to be annoying not entertaining. Finally, you can practically hear the director yell "Cut" as the stuntmen switch off with the actors for the action portions and back again.

Watch it along with all the other Mr. Motos, just don't expect too much.