Man About Town

without getting into all the downer reviews, I watched this movie and delighted in the characters...Jack Benney was funny, Phil Harris was great, Dottie Lamour was THE girl of 1939, she is alluring, exotic, classy, and sings like an angel. Betty Grable is gorgeous and Edward Arnold and Monty Wooley do superb supporting comedy characters. The show becomes very memorable when they show the stage acts. The singing is terrific and Eddie Anderson (Rochester) is the true highlight. He is on of the greatest hoofers I have ever seen, he is graceful and modern. The chorus lines were full of great routines and beauty. I bought the movie and I'd buy it again. I could easily give it a 10 but it didn't have enough Lamour.

For much of the '30s, Eddie Anderson had appeared in many films as either a brief extra or somewhat of a supporting character. Then. a few years back before this movie, he became a regular on Jack Benny's radio show as his butler Rochester. In many previous pictures, Anderson had been credited as his own name but because of his fame on the radio program being announced as his character by Don Wilson, he's credited as Rochester in the opening credits though as his own name as playing Rochester by the end credits. For the rest of the Paramount films, it's his character name he's credited as. It's also to the benefit of working for Benny that Eddie has more screen time than previously including performing a couple of dance spots. And as on radio, he and Jack have great chemistry on screen. They're usually the best part of this movie which also has Benny's other co-star from his radio show, Phil Harris, doing his own wisecracking and conducting his band and singing a tune as do also Betty Grable-pre-stardom-wise-and leading lady Dorothy Lamour. I'll stop there and just say I liked the comedy plot about mistaken identity concerning who the Benny character is involved with romantically and many of the troupe dancers that were being showcased here. So that's a recommendation of Man About Town.

I watched Jack Benny on television as child and enjoyed him, but I have only become a real fan in the last five years. I've re-watched all of television, heard most of his radio shows (I've listened from 1932-1951, I have six more years to go) and watched all of his available movies. Benny often denigrated his acting and movie career on the radio and television shows, but that was part of his act. In fact, I haven't found any movie that he was in that was bad, and most of them, like this one is well-made and fulled with charm. Even the much lambasted "the Horn Blows at Midnight" is a quite watchable comedy which has a twenty minute finale that is as wacky and surreal as anything that the Marx Brothers or Mel Brooks ever did. Anyways, this film is a smorgasbord of delights. Eddie Anderson, Monty Wooly, Binnie Barnes, Dorothy Lamour, Betty Grable, Edward Arnold, and Phil Harris are all delightful. Unfortunately, because the film is only 1 hour and 25 minutes, each of them just get 10 or 15 minutes of screen time and that is a little disappointing. It is like a variety show where each act just does a couple of numbers and you really want to see more. The movie is the only sex farce/comedy that Benny did. Benny was surprisingly handsome and debonair looking for a comedian. Those who just saw him on television (1950-1965) were watching him in his late 50s and 60s, after he had been married for 20 years to the wonderful Mary Livingston. Here he is still 45 years old and quite handsome. While a sex comedy, it is restricted by the Hayes Code to just a few kisses and suggestions of adultery. Benny and the beautiful women around him still make it work. By the way, note that Phil Silvers used Benny's hilarious acrobatic scene at the end of this film in "A Funny thing Happened on the Way to the Forum (1966).

I have always been a big fan of Jack Benny.I was looking forward to watching this film but what a letdown.It was desperately unfunny.There was absolutely no chemistry between him and his co stars.The musical numbers were poor and badly staged.The plot seemed to be a feeble rip off of A Damsel In Distress.Who thought that Edward Arnold was suitable casting as an English aristocrat?Jack Benny was very good in situation comedy but not really at physical comedy.The acrobat sequence is an embarrassment.Lamour is lacking any spark,maybe she was at her best in a sarong.The whole mess limps along to an ending that makes no sense at all.So as has been said elsewhere this makes "The Horn Blows at midnight"seem like a minor classic.

This is a pretty weak effort from Benny and the team. Jack and Rochester try but the material is so unfunny that they don't get very far. Rochester's two dance numbers are the highlights - and Benny's attempt at being a member of an acrobatic troupe is very funny. The rest is pretty dull with some bad casting (Edward Arnold as an English Lord?) and really bad musical numbers. Benny's show would never have made it to Hoboken, let alone London - the songs are just awful. No wonder there are only about twenty in the audience - I guess they were saving on extras. Dorothy Lamour looks bored, but Betty Grable provides a bit of life in a small but memorable role. Also good is E.E. Clive as a butler. And what a fizzer of an ending - it doesn't even make sense.