Lobo entre los lobos

Viewed on Turner tonight, and found myself being fascinated with the diction. Especially Lupino and Hayworth (maybe because they're easier to look at). Good (and fun) dramatic emphasis, syllabled but natural. Understood every word from the entire cast. What a contrast from more modern productions where mumbling seems to be in vogue and my wife and I are constantly backing up to catch what was said. So, whatever happened to those diction coaches? This was 1939 sound recording technology for Pete's sake. Okay, now filling out the 10 lines that seem to be required. Yes this was B-movie fare, but good costumes, production values AND, all too rare, some fun for the kids. Also, we enjoy these older films for the time machine aspects, e.g., the cars, the decor, cityscapes and the cultural values in evidence. For instance, lots of furs on the gals in this one--one thing we're well without now, unlike the diction.

The Lone Wolf Spy Hunt marks the first appearance of Warren William as the dapper retired cracksman, Michael Lanyard who now occasionally assists the police instead of trying to evade them for a job he's committed.

Yet in this film William is indeed trying to shake the cops because they think he's stolen some highly secret war plans. Actually the guy doing it not only wants to get the plans, but he wants to make sure he frames William for the job and goes to all kinds of lengths to make that come about.

I'm surprised that Warren William lasted in the role of the Lone Wolf. No fault of his because he's as debonair and charming as the role calls for. But the film did get a bit silly at times. Ida Lupino is the dizzy daughter of a U.S. Senator and Virginia Weidler is William's daughter. Between the two of them and their crazy machinations, the Lone Wolf was lucky to get the case solved at all. I don't think it was an accident that Weidler's character was dropped in future Lone Wolf series films.

The Lone Wolf Spy Hunt is also known as being an early film that Columbia used to showcase one of their new discoveries, Rita Hayworth. Rita plays the moll of the leader of the spies and her beauty makes her stand out. No doubt she was going to be a star.

This was an interesting low budget film with Warren William,(Michael Lanyard) playing the Lone Wolf safe cracker who gets involved with secret weapons and their blueprints. Ida Lupino,(Val Carson) constantly follows everywhere he goes and even walks in while he is having a shower in his bathroom. Val knows that Michael likes plenty of women and she has her designs on him for marriage. There is plenty of laughs and Rita Hayworth,(Karen) plays the role of a sexy gal who tries to trap the Lone Wolf breaking into a safe and obtain these government secret weapons plans. Lupino and Hayworth were just starting out their careers on the silver screen and both became great movie stars and producers. Enjoy

While no reasonable reviewer would give any B-detective series movie a score of 10 (after all, they were not exactly deep and they tended to focus much more on entertainment instead of originality), for such a film, this Lone Wolf film scores a bullseye. As far as quality and watchability goes, I would place it on par with the average Sherlock Holmes, Charlie Chan or Saint film of the era. In fact, in many ways, this film seems a lot like one of the Saint films because the hero is a reformed gentleman thief who investigates crimes for kicks--and chases women along the way. While the film starred Warren William, I could have just as easily imagined Tom Conway or George Sanders (from the Saint and Falcon detective series) playing the lead in this film. This isn't meant as a negative per se--it's a very familiar but also very satisfying formula.

Warren William was wonderful in the lead but he was also ably supported by a better than usual supporting cast. Having Ida Lupino AND Rita Hayworth playing the female leads was pretty amazing, as neither were exactly stars at the time and it was just a case of dumb luck in casting. In addition, the other supporting players all provided some needed depth to the film--something often lacking in B-movies.

As far as the plot goes, it was pretty interesting but also purely secondary--not at all unusual for this type of film. You certainly don't watch this type of film because of the finely crafted mystery, but more for the personalities and style. In many ways, this sort of film is like a warm and familiar pair of old shoes you put on after a long day at work.

As a lover of old movies from the Golden Age of cinema (from talkies to television), it's always fun to discover talented people on both sides of the camera that never got the kind of recognition they deserved. One of these was Warren William, who this writer first noticed in THE MAN IN THE IRON MASK (1939.) Besides playing a Musketeer, his roles ranged from Julius Caesar to Perry Mason. Additionally, he played detectives Sam Spade, Philo Vance and the Lone Wolf, his most famous role. While the Lone Wolf series was never quite as good as the Thin Man's from all I've seen and read, this entry was entertaining for a good many reasons, most of all for having Rita Hayworth and Ida Lupino in the cast. Although a bit long in the tooth to be Ida's love interest (he was 45 when he made this picture, though he plays a 35-year old, which means he was really old enough to be Val Carson's dad, despite her line quoted above), he played the character with at least as much zest as William Powell imbued the Thin Man. Add to this some well-written and well-played supporting actors and you have a pretty fair crime/spy drama. It's not THE 39 STEPS, but it's still enjoyable to watch Michael Lanyard and gang in a mostly fine film series. Dale Roloff