Let Freedom Ring

"Let Freedom Ring is an undeservedly little-known "patriotic western" with comedy and, of course, music, written by veteran screenwriter Ben Hecht and featuring practically every character actor in Hollywood at the time (Victor McLaglen in a hilarious performance, Charles Butterworth ditto, the wonderful Edward Arnold, Lionel Barrymore, Raymond Walburn, Guy Kibbee, Gabby Hayes, H. B. Warner, Louis Jean Heydt) and the lovely and gentle Virginia Bruce as leading lady. Nelson Eddy looks terrific and natural--no eye makeup, no lipstick and no Jeanette MacDonald!--and, needless to say, sings divinely. His performance is relaxed, funny and charming, he was clearly an expert horseman, and the fistfight near the end of the movie between him and Victor McLaglen is worth the price of admission. It was performed by themselves; no stunt doubles. Highly recommended to anyone who hasn't seen it.

It's Nelson Eddy again, but this time without Jeanette - in an unusual Western musical! "Let Freedom Ring" (1939) is finally available on DVD. It is a patriotic action picture based on the 19th century struggle of farmers against the railroads. History with distant echoes where I grew up in the Midwest, from stories I heard and reflected by novelists such as Frank Norris with "The Octopus" and "the Pit". First was land grabbing by nefarious means as dramatized in the film. Later, of course, came the gaming of freight rates to rob the farmers even further, into the 20th century. See Nelson Eddy lead the charge against Edward Arnold, notorious villain from Wall Street, and his hired thug Victor McLaglen, who exploit the immigrant railroad workers and homestead farmers alike! "Wall Street" is mentioned pejoratively three times; this would never happen in today's ideologically sanitized Hollywood. Otherwise, a wholesome Ben Hecht script with Arson! Fistfights! Gunfire! Noble Nelson in fine voice with codger Lionel Barrymore, comic Charles Butterworth, and comely Virginia Bruce. Plus many others in a star spangled film.

LET FREEDOM RING is at its best whenever NELSON EDDY is permitted to sing forth in his strong baritone voice with a number of pleasant songs and this he does frequently. Sometimes it's at the request of VICTOR McLAGLEN who does a funny turn as the simple-minded villain of the piece who takes time out from fisticuffs to do an Irish jig when it pleases him. One of the nicest scenes has Eddy honoring McLaglen's request to sing "When Irish Eyes Are Smiling". In Eddy's hands, the song never sounded so good.

The plot has something to do with railroads vs. cattlemen and some skullduggery on the part of Nelson who rallies support from the townspeople to literally "let freedom ring" by opposing the mob boss (Edward Arnold) and demanding their own right to liberty and the pursuit of happiness. Yes, it's got that flag-waving flavor throughout, no doubt because the world was on the brink of entering into World War II which was all about fighting for freedom.

As a story, it's somewhat jumbled in the telling, relying solely on the strength of Nelson Eddy to deliver a solid central performance--and he does. He's obviously having a good time, even without Jeanette.

Not too much can be said for Virginia Bruce, his demure blonde leading lady, who lifts her voice in song only once. She is demure and sweet, even when she's supposed to be feisty, and that about sums up her performance.

Not the kind of film that most of Eddy's fans would clamor to see, but it passes the time pleasantly enough.

Let Freedom Ring is a pleasant way to kick back and relax for part of an afternoon. It isn't without its corniness and the story is thin and jumbled, even with these there isn't really anything that is terribly wrong about Let Freedom Ring. It is beautifully shot with an evocatively rendered setting, there's definitely a western aura about it. The music is catchy with clever lyrics, When Irish Eyes are Smiling comes off best, while the dialogue is mostly witty, heartfelt and thoughtful with the odd corny moment. The western and patriotic parts are rousing and don't preach at all, and the more romantic parts are full of charm. The message is a good one and it is one that still resonates. The direction is efficient and done with professionalism. The performances are great, Lionel Barrymore, Edward Arnold(on menacing villain duty) and especially Victor McLaglen fare the best in support, while Virginia Bruce is a smart and alluring female lead, also exuding a great deal of charm. Nelson Eddy is in glorious voice, not a surprise as his voice is a contender for the most beautiful baritone voice on film(between him and Howard Keel), and it is here where he gives one of his better acting performances, he can be wooden but here he looks very comfortable and his performance is very solid. In conclusion, a really nice film. 8/10 Bethany Cox

Scenarist Ben Hecht's tract to ethnic toleration does not lack the production values and quality of acting necessary for its artistic success. Within the format of a Hollywood-style Western, it is an easy task for Hecht to insert his typical hyperbole in the form of some truly crimson prose directed against big business represented by expanding railroad interests. Edward Arnold gives a solid performance as Jim Knox, a railway plutocrat who is determined to manipulate and exploit a polyglot force of European immigrant workers, led by their rough and ready Irish foreman, played to the hilt by Victor MacLaglen in this post-War Between the States musical melodrama. How to oppose Knox' land grabbing is the plight of a small coterie of settlers led by Tom Logan and his recently Harvard-graduated son Steve, portrayed by Lionel Barrymore and baritone Nelson Eddy. Reliable Jack Conway directs with proletarian emphasis, featuring closeups of seamed and craggy-faced railroad laborers, whose basic needs are apparently implemented whenever the sturdy Eddy bursts into song. Eddy employs the method of a clandestine newspaper to undermine the plans of the villainous capitalist Knox, working hand-in-hand with a sidekick, acted very nicely by the extraordinary ad lib performer, Charles Butterworth, whose nonpareil timing is a delight in his every scene. This is the first appearance of the seasoned Eddy without an equal singing partner, and he proves more than capable of carrying the show, although he is joined briefly during one number by his romantic interest, the talented and beautiful Virginia Bruce. Without question a disputation against capitalist profiteering, LET FREEDOM RING is even more a rousing entertainment, knitted with wonderful music, a top-flight cast, and neatly crafted direction.