CALIFICACIÓN DE IMDb
6.8/10
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TU CALIFICACIÓN
Cuando un magnate es acusado de asesinato, el detective privado que lo rastrea se encuentra atrapado como cómplice e intenta evadir a la policía, secuestrando a una poetisa en el camino.Cuando un magnate es acusado de asesinato, el detective privado que lo rastrea se encuentra atrapado como cómplice e intenta evadir a la policía, secuestrando a una poetisa en el camino.Cuando un magnate es acusado de asesinato, el detective privado que lo rastrea se encuentra atrapado como cómplice e intenta evadir a la policía, secuestrando a una poetisa en el camino.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados en total
Lowden Adams
- Vivian's Butler
- (sin créditos)
Murray Alper
- Newspaper Man at Ferry Landing
- (sin créditos)
Opiniones destacadas
Extremely funny madcap comedy starring two of the greatest stars of the classic period of American film: tongue-in-cheek Claudette Colbert and good fella Jimmy Stewart.
Stewart plays a detective on the run, who's being chased by the police, because of his involvement as an accessory in a murder case, in which the principal accused is his client. Colbert is a poetess who `accidentally' gets involved in Stewart's escapade from the cops, reluctantly at first, eventually becoming a runaway herself and falling in love with Stewart, and causing him a lot of trouble in the process. Her character is joy to behold and is hilariously played with top expertise by this gifted comedienne, in one of the last original screwballs from the '30s.
This movie is a wonderful example of classic Hollywood comedy at its best, with top performances all around, by seasoned pros (Guy Kibbee, Nat Pendleton, et al). It's non-stop fun from start to finish, and by the way, Stewart plays a much rougher guy than his usual more likeable persona in this period -he even gets the chance of knocking around Colbert. It's a pity that it's not available on VHS or DVD. You may have the luck of watching it on TCM.
Stewart plays a detective on the run, who's being chased by the police, because of his involvement as an accessory in a murder case, in which the principal accused is his client. Colbert is a poetess who `accidentally' gets involved in Stewart's escapade from the cops, reluctantly at first, eventually becoming a runaway herself and falling in love with Stewart, and causing him a lot of trouble in the process. Her character is joy to behold and is hilariously played with top expertise by this gifted comedienne, in one of the last original screwballs from the '30s.
This movie is a wonderful example of classic Hollywood comedy at its best, with top performances all around, by seasoned pros (Guy Kibbee, Nat Pendleton, et al). It's non-stop fun from start to finish, and by the way, Stewart plays a much rougher guy than his usual more likeable persona in this period -he even gets the chance of knocking around Colbert. It's a pity that it's not available on VHS or DVD. You may have the luck of watching it on TCM.
Guy Johnson (James Stewart) is a NYC private detective working for 100 dollars a week keeping his boss, multimillionaire Willy Heyward, out of trouble, and that usually means out of trouble with women. But Willy has recently married, and a Latin American dancer is filling the headlines with her breach of promise claims concerning him. Willy gets drunk and goes up to settle things with the dancer, but he walks into a frame up. Somebody shoots the dancer and kills her, and Willy picks up the gun. Johnson walks into the scene not really knowing if Heyward is guilty or not, and so Johnson helps him hide out while he tries to find out who really did it. The police find the hide out though, and Willy gets convicted and sentenced to death. Johnson gets a one-year prison sentence for harboring him.
On the way to prison, Johnson sees a note in the personal column that he thinks is a clue as to who the real murderer was. So he escapes and is going to try and get evidence that Willy did not commit the murder. By the way, Willy had promised him in writing that he would give Guy Johnson 100K if he proved he didn't commit the murder. And then SHE shows up -poetess Edwina Corday (Claudette Colbert) - just in time to see Johnson escape. At first he has to drag her along as she screams the entire way and even sets fire to her own car, thinking he is an escaped murderer. But when she realizes Guy is not a "real" criminal, she won't stop bothering him. She persists in tagging along and nothing Guy does or says can shake her. Many complications ensue along the way to where Guy hopes to catch the real murderer.
I've never seen Claudette Colbert be annoying before, and she certainly is here as she gives a very shrill performance. It's odd seeing James Stewart throwing around language like he's straight out of a 30s Warner Brothers gangster film, but he, at least, makes his performance work.
Standouts include Guy Kibbee as Johnson's partner and Nat Pendleton always entertains as a rather dim and flaky flatfoot.
On the way to prison, Johnson sees a note in the personal column that he thinks is a clue as to who the real murderer was. So he escapes and is going to try and get evidence that Willy did not commit the murder. By the way, Willy had promised him in writing that he would give Guy Johnson 100K if he proved he didn't commit the murder. And then SHE shows up -poetess Edwina Corday (Claudette Colbert) - just in time to see Johnson escape. At first he has to drag her along as she screams the entire way and even sets fire to her own car, thinking he is an escaped murderer. But when she realizes Guy is not a "real" criminal, she won't stop bothering him. She persists in tagging along and nothing Guy does or says can shake her. Many complications ensue along the way to where Guy hopes to catch the real murderer.
I've never seen Claudette Colbert be annoying before, and she certainly is here as she gives a very shrill performance. It's odd seeing James Stewart throwing around language like he's straight out of a 30s Warner Brothers gangster film, but he, at least, makes his performance work.
Standouts include Guy Kibbee as Johnson's partner and Nat Pendleton always entertains as a rather dim and flaky flatfoot.
Was IT'S A WONDERFUL WORLD hurt by the fact that it is difficult for me to imagine Jimmy Stewart as a hardball character, even a chauvinist, or was it helped by the fact that this movie would have been nothing without him? Granted, Claudette Colbert plays the poet, the hopelessly romantic dreamer, well, and that plays off Stewart's greed-driven detective splendidly.
The detective, crime-solving part of the film is well done within its confines, Edgar Kennedy and Nat Pendleton are cast well as the rather slow-witted police. If this 1939 film had been made two and a half decades earlier, they would have fallen over each other, broken things, and caused ultraviolence in a Mack Sennett sort of way.) Guy Kibbee is, of course, perfect as the Stewart's partner. I will not spoil the ending, but I can say that as with all well-written screwball comedies, the film has a delightful way of meandering through situations and reaching a conclusion which satisfies.
I don't know if this will help, but before viewing, I had to promise my wife that it was not that Christmas movie.
The detective, crime-solving part of the film is well done within its confines, Edgar Kennedy and Nat Pendleton are cast well as the rather slow-witted police. If this 1939 film had been made two and a half decades earlier, they would have fallen over each other, broken things, and caused ultraviolence in a Mack Sennett sort of way.) Guy Kibbee is, of course, perfect as the Stewart's partner. I will not spoil the ending, but I can say that as with all well-written screwball comedies, the film has a delightful way of meandering through situations and reaching a conclusion which satisfies.
I don't know if this will help, but before viewing, I had to promise my wife that it was not that Christmas movie.
Although the title doesn't say much about the film, IT'S A WONDERFUL WORLD (1939) is basically a screwball comedy about a detective on the lam and on the case. It's pretty funny, with great performances by Claudette Colbert and Guy Kibbee, and it's a story centered around murder, crime, evading the police, etc.
(The film's title comes from a line in a poem written by Colbert's character and has little, if anything, to do with the movie's plot.)
James Stewart, still early in his illustrious career, plays a private detective who is wrongfully accused and escapes on his way to prison. He thinks he can crack the case, if the cops don't catch up with him first. He is joined by Colbert's character and the two of them try to elude the police manhunt.
Stewart's character is a little different from the roles for which he's best known. As a detective he's rougher and more cynical than viewers would expect of Stewart. As always, his performance is solid. There's one part of the film when he wears a scout's master disguise, complete with silly thick-lensed eyeglasses. Some of the physical comedy stemming from the character's visual impairment is gold. It's cool to see Stewart star in a detective comedy.
Colbert is very good in this film as well, playing Stewart's accomplice. She's eager to help Stewart's character, even when he'd rather be rid of her. (She does her darndest to disprove Stewart's theory that all women are dumb.) Colbert was a seasoned Hollywood star by the time this film was made (she'd won an Oscar for 1934's IT HAPPENED ONE NIGHT) and her performance is top-notch.
Key supporting roles go to Guy Kibbee as Stewart's partner and Nat Pendleton as the police sergeant on Stewart's trail. Kibbee has some scene-stealing moments in the movie's final act. A young Hans Conried (perhaps best known for his voice work as Captain Hook, Snidely Whiplash, and Horton the Elephant) has a brief role as the stage manager at the Saugerties theater.
A lot of talent worked on this rather obscure comedy. James Stewart and Claudette Colbert starred. W.S. Van Dyke directed. The great Ben Hecht wrote the screenplay. It seems like a recipe for success, but for whatever reason IT'S A WONDERFUL WORLD is not well-remembered nowadays. (It's probably overshadowed by Stewart's other "wonderful" film, 1946's IT'S A WONDERFUL LIFE.) I think it's a nice little comedy with some big names. It has its moments and it's pretty funny. It probably won't blow you away, but it's worth checking out if it's on TCM or something.
(The film's title comes from a line in a poem written by Colbert's character and has little, if anything, to do with the movie's plot.)
James Stewart, still early in his illustrious career, plays a private detective who is wrongfully accused and escapes on his way to prison. He thinks he can crack the case, if the cops don't catch up with him first. He is joined by Colbert's character and the two of them try to elude the police manhunt.
Stewart's character is a little different from the roles for which he's best known. As a detective he's rougher and more cynical than viewers would expect of Stewart. As always, his performance is solid. There's one part of the film when he wears a scout's master disguise, complete with silly thick-lensed eyeglasses. Some of the physical comedy stemming from the character's visual impairment is gold. It's cool to see Stewart star in a detective comedy.
Colbert is very good in this film as well, playing Stewart's accomplice. She's eager to help Stewart's character, even when he'd rather be rid of her. (She does her darndest to disprove Stewart's theory that all women are dumb.) Colbert was a seasoned Hollywood star by the time this film was made (she'd won an Oscar for 1934's IT HAPPENED ONE NIGHT) and her performance is top-notch.
Key supporting roles go to Guy Kibbee as Stewart's partner and Nat Pendleton as the police sergeant on Stewart's trail. Kibbee has some scene-stealing moments in the movie's final act. A young Hans Conried (perhaps best known for his voice work as Captain Hook, Snidely Whiplash, and Horton the Elephant) has a brief role as the stage manager at the Saugerties theater.
A lot of talent worked on this rather obscure comedy. James Stewart and Claudette Colbert starred. W.S. Van Dyke directed. The great Ben Hecht wrote the screenplay. It seems like a recipe for success, but for whatever reason IT'S A WONDERFUL WORLD is not well-remembered nowadays. (It's probably overshadowed by Stewart's other "wonderful" film, 1946's IT'S A WONDERFUL LIFE.) I think it's a nice little comedy with some big names. It has its moments and it's pretty funny. It probably won't blow you away, but it's worth checking out if it's on TCM or something.
Stewart easily steals the picture for laughs in this fast-paced, roller-coaster screwball - playing well outside his normal character range (motivated by money, despising women). Clearly influenced by 'It happened one night', especially with Colbert in the lead. Entertaining movie, genuinely funny, and withstands repeated viewings. Highlights include Stewart's impromptu impersonations of a scout leader and Southern actor and hearing the poem that Colbert has supposedly written just for him being broadcast over the radio (wearing very thick spectacles).
¿Sabías que…?
- TriviaThe original story was written with Marion Davies in mind to play the poetess Edwina Corday.
- ErroresAll of the newspapers shown in the film share many of the same articles, with the same headlines and typefaces, despite being in different newspapers and spread across several weeks.
- Citas
Guy Johnson: You sort of changed my whole philosophy about women. I don't know... I always figured they kind of ended at the neck. You sort of begin there.
- ConexionesFeatured in AFI Life Achievement Award: A Tribute to James Stewart (1980)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Drunter und drüber
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 26min(86 min)
- Color
- Relación de aspecto
- 1.37 : 1
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