It's a Wonderful World

Drunken tycoon Willie Heywood gets married for the fourth time. Private detective Guy Johnson (James Stewart) is his hired body man. One night, Willie stumbles upon the murder of his mistress Dolores Gonzalez. It's a setup by his new wife Vivian and her lover Al Mallon. Guy quickly grabs Willie and hides him from the police. Willie promises to pay Guy $100k to solve the murder. They are quickly arrested but Guy manages to escape. He kidnaps poet Edwina Corday (Claudette Colbert) as he makes a getaway.

The pairing is great. The screwball comedy plot is a little too screwy. The initial kidnapping is a little rough and they left behind the little dog. The glasses are hilarious. The wacky rambling adventure has its ups and its downs. Mostly, one has to love the comic chemistry of Stewart and Colbert.

I waited for months for this to come on TCM because Leonard Maltin said it was a "very, very funny" screwball comedy. He must have seen a different movie. This film has plenty of screwballs in it, alright, but the "plot" is confusing, wandering all over the place with no clear direction, the characters are irritating, and the dialog is stupid -- I can't believe Ben Hecht and Herman Mankiewicz couldn't do better than this. Not funny, just plain silly. A waste of time.

Was IT'S A WONDERFUL WORLD hurt by the fact that it is difficult for me to imagine Jimmy Stewart as a hardball character, even a chauvinist, or was it helped by the fact that this movie would have been nothing without him? Granted, Claudette Colbert plays the poet, the hopelessly romantic dreamer, well, and that plays off Stewart's greed-driven detective splendidly.

The detective, crime-solving part of the film is well done within its confines, Edgar Kennedy and Nat Pendleton are cast well as the rather slow-witted police. If this 1939 film had been made two and a half decades earlier, they would have fallen over each other, broken things, and caused ultraviolence in a Mack Sennett sort of way.) Guy Kibbee is, of course, perfect as the Stewart's partner. I will not spoil the ending, but I can say that as with all well-written screwball comedies, the film has a delightful way of meandering through situations and reaching a conclusion which satisfies.

I don't know if this will help, but before viewing, I had to promise my wife that it was not that Christmas movie.

What makes this film a surprise is not that it's good. After all, a romantic screwball caper starring Claudette Colbert & Jimmy Stewart, directed by W.S. Van Dyke from a script by Ben Hecht -- how could it *not* be good? No, what surprised me about this film is that as good as it is, it's not currently available on VHS or DVD.

Like Van Dyke's The Thin Man and Hecht's His Girl Friday, It's a Wonderful World combines elements of crime films with the romantic screwball comedy, and the result is both gripping & laugh-out-loud funny.

In their only on-screen pairing, Colbert & Stewart play off each other beautifully; she's the comedic foil to his tough-talking detective, and their romance is handled realistically and with patience. The supporting cast in uniformly excellent, with standout performances from Nat Pendleton & Edgar Kennedy as the bumbling cops on Stewart's trail, and Guy Kibbee as Stewart's partner & friend.

Watching this film, it's hard to believe that it's one of *four* that Van Dyke made in 1939 (especially since one of the others is the even-better Stand Up and Fight). Van Dyke was famous for shooting films quickly, but his direction never seems hurried. A director-for-hire, he was gifted at serving both art and commerce, satisfying both audiences and his bosses at MGM.

Thanks to Turner Classic Movies for giving me the opportunity to see this film, which as I mentioned is otherwise unavailable. Here's hoping that Warner Bros., which owns the rights, releases it soon on home video.

Score: EIGHT out of TEN

Guy Johnson (James Stewart) is a NYC private detective working for 100 dollars a week keeping his boss, multimillionaire Willy Heyward, out of trouble, and that usually means out of trouble with women. But Willy has recently married, and a Latin American dancer is filling the headlines with her breach of promise claims concerning him. Willy gets drunk and goes up to settle things with the dancer, but he walks into a frame up. Somebody shoots the dancer and kills her, and Willy picks up the gun. Johnson walks into the scene not really knowing if Heyward is guilty or not, and so Johnson helps him hide out while he tries to find out who really did it. The police find the hide out though, and Willy gets convicted and sentenced to death. Johnson gets a one-year prison sentence for harboring him.

On the way to prison, Johnson sees a note in the personal column that he thinks is a clue as to who the real murderer was. So he escapes and is going to try and get evidence that Willy did not commit the murder. By the way, Willy had promised him in writing that he would give Guy Johnson 100K if he proved he didn't commit the murder. And then SHE shows up -poetess Edwina Corday (Claudette Colbert) - just in time to see Johnson escape. At first he has to drag her along as she screams the entire way and even sets fire to her own car, thinking he is an escaped murderer. But when she realizes Guy is not a "real" criminal, she won't stop bothering him. She persists in tagging along and nothing Guy does or says can shake her. Many complications ensue along the way to where Guy hopes to catch the real murderer.

I've never seen Claudette Colbert be annoying before, and she certainly is here as she gives a very shrill performance. It's odd seeing James Stewart throwing around language like he's straight out of a 30s Warner Brothers gangster film, but he, at least, makes his performance work.

Standouts include Guy Kibbee as Johnson's partner and Nat Pendleton always entertains as a rather dim and flaky flatfoot.