Inquest

Modest crime thriller held together by a winning performance from diminutive Hay Petrie, and enlivened by his clashes with excitable coroner Herbert Lomas.

This early Boulting brothers film is a low budget quickie based on a stage play with an axe to grind on the role of the Coroner's court.

However the Boutlings turn this into superior courtroom drama with some comedy presided over a fussy, supercilious, biased and officious Coroner.

A gun is found hidden behind a wall in an attic with what looks like a bullet being fired. A young woman who was the previous occupier of the house ends up being accused of killing her husband who was previously labelled as dying of heart failure. The Coroner's inquest will decide the actual cause of death and his verdict could lead to the young woman being sent to stand trial for murder in the Old Bailey.

A distinguished King's Counsel who is a family friend is acting for her, but the widow wants to maintain her silence and is fatalistic. It seems she is protecting somebody and her case is also hampered by the attitude of the Coroner.

This is actually a rather enjoyable yarn, the denouement was slightly complicated and unlikely. The setting kind of gives the film's stage bound origins away.

Although short in duration this is distinctly a cut above a "quota quickie". Hay Petrie, who seems to have later been consigned to many small but distinctive supporting roles, here is centre stage in the court-room scene, gives a very spirited and dominating performance and makes the most of, for once for him, a very good role. Opposite him is a worthy foil both in terms of script and actor in the shape of (and here is a very rare thing) a comic Coroner with only too obvious human failings. The quotations in the opening credits questioning the purpose of a Coroner suggest that someone might have been grinding an axe in this intelligent and entertaining legal/crime-comedy.

A garrulous early production by Roy Boulting's company Charter Films, rather obviously based on a play.

Marking one of the last leading roles by the radiant young Elizabeth Allan in her only appearance in a Boulting's production, the cast already includes several regulars, some of whom, like Ian Wilson and Olive Sloane, were both still appearing for the brothers in the sixties (the latter already propping up a bar ten years before 'Seven Days to Noon').

The Boulting Brothers had a long and fairly distinguished career which stretched from the 30s into the 70s.They started,as did many technicians of that era in quota quickies.This film is a whodunit played out during the course of a Coroners Inquest. Herbert Lomas plays the rather tetchy coroner,who being wound up by the ever present police officer,wants to thwart the eager eyed barrister,played by Hay Petrie from taking the spotlight off of him.Eventually,mainly through the efforts of petrie we discover who killed the deceased the subject of the inquest.It does become rather convoluted and slightly difficult to follow.Elizabeth Allen maintains her silence almost to the end,which is rather unbelievable when her silence is likely to lead her straight to the Old Bailey.No better or worse than many similar films of the same genre.