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IMDbPro

El jorobado de Nuestra Señora de París

Título original: The Hunchback of Notre Dame
  • 1939
  • Approved
  • 1h 56min
CALIFICACIÓN DE IMDb
7.8/10
13 k
TU CALIFICACIÓN
Maureen O'Hara and Charles Laughton in El jorobado de Nuestra Señora de París (1939)
Trailer for The Hunchback of Notre Dame
Reproducir trailer1:54
1 video
75 fotos
Period DramaDramaRomance

En la París del siglo XV, una chica gitana es incriminada en un asesinato por un juez que la desea, y solo el campanero de la ciudad puede salvarla.En la París del siglo XV, una chica gitana es incriminada en un asesinato por un juez que la desea, y solo el campanero de la ciudad puede salvarla.En la París del siglo XV, una chica gitana es incriminada en un asesinato por un juez que la desea, y solo el campanero de la ciudad puede salvarla.

  • Dirección
    • William Dieterle
  • Guionistas
    • Sonya Levien
    • Bruno Frank
    • Victor Hugo
  • Elenco
    • Charles Laughton
    • Maureen O'Hara
    • Cedric Hardwicke
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.8/10
    13 k
    TU CALIFICACIÓN
    • Dirección
      • William Dieterle
    • Guionistas
      • Sonya Levien
      • Bruno Frank
      • Victor Hugo
    • Elenco
      • Charles Laughton
      • Maureen O'Hara
      • Cedric Hardwicke
    • 119Opiniones de los usuarios
    • 47Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Óscar
      • 1 premio ganado y 2 nominaciones en total

    Videos1

    The Hunchback of Notre Dame
    Trailer 1:54
    The Hunchback of Notre Dame

    Fotos75

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    Charles Laughton
    Charles Laughton
    • The Hunchback Quasimodo
    Maureen O'Hara
    Maureen O'Hara
    • Esmeralda
    Cedric Hardwicke
    Cedric Hardwicke
    • Frollo
    • (as Sir Cedric Hardwicke)
    Thomas Mitchell
    Thomas Mitchell
    • Clopin
    Edmond O'Brien
    Edmond O'Brien
    • Gringoire
    Alan Marshal
    Alan Marshal
    • Phoebus
    Walter Hampden
    Walter Hampden
    • Archdeacon
    Harry Davenport
    Harry Davenport
    • King Louis XI
    Katharine Alexander
    Katharine Alexander
    • Madame de Lys
    George Zucco
    George Zucco
    • Procurator
    Fritz Leiber
    Fritz Leiber
    • Old Nobleman
    Etienne Girardot
    Etienne Girardot
    • Doctor
    Helene Reynolds
    Helene Reynolds
    • Fleur de Lys
    • (as Helene Whitney)
    Minna Gombell
    Minna Gombell
    • Queen of Beggars
    • (as Mina Gombell)
    Arthur Hohl
    Arthur Hohl
    • Olivier
    Curt Bois
    Curt Bois
    • Student
    George Tobias
    George Tobias
    • Beggar
    Rod La Rocque
    Rod La Rocque
    • Phillippe
    • (as Rod LaRocque)
    • Dirección
      • William Dieterle
    • Guionistas
      • Sonya Levien
      • Bruno Frank
      • Victor Hugo
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios119

    7.812.8K
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    Opiniones destacadas

    10bkoganbing

    Notre Dame's Celebrated Bell Ringer

    Though the French have done many versions of Victor Hugo's celebrated classic, this version starring Charles Laughton has certainly stood the test of time and is the best known and loved in the English speaking world.

    Lon Chaney, Sr. did an acclaimed silent version of The Hunchback of Notre Dame and Laughton was following a great tradition. And he did it in the manner of Chaney, almost without dialog. Not that Hugo wrote too much dialog for Quasimodo in his story, but except for his time with Esmerelda in the tower after he rescues her, Laughton is almost speechless in the film. Of course his character in addition to being deformed is also deaf from the ringing of those cathedral bells.

    Quasimodo born deformed as he was, was left as an orphan on the steps of the Notre Dame cathedral in medieval Paris. Raised in the sheltered atmosphere of the church, he derives some joy in his duties as the bell ringer in the tower. His mentor is the brother of the archbishop played by Cedric Hardwicke and the archbishop is Walter Hampden. Quasimodo's life is useful, but without love.

    But Laughton is crushing out on Esmerelda the gypsy girl played by Maureen O'Hara in her American screen debut. Problem is that Hardwicke is also getting hot and bothered by her.

    Hardwicke's role is the second best acted in the film next to Laughton's. He's a man with shall we say some issues. He's purportedly committed to the church and it's celibacy requirements. But Dr. Freud wasn't around back in the day of Louis XI to tell us about sex drives. Hardwicke's desires mean only one thing, Esmerelda has to have bewitched him. When he kills Alan Marshal who is also interested in Maureen and looks like he's about to round third so to speak, the blame goes on Maureen.

    What I like about the story is how the lives of two very ordinary people, Quasimodo and Esmerelda, become the focal point for a whole lot of religious and political issues of the day. The church, the peasants, the just developing middle class, and the nobility all have an agenda as far as the Esmerelda murder case is going. The only agenda poor Quasimodo has is he's in love with her.

    Maureen O'Hara who was a discovery of Charles Laughton back in the United Kingdom was pushed by Laughton for the role of Esmerelda and traveled with him to America to play the part. She was grateful to him ever afterwards for any career she had and can't praise him enough for getting RKO to sign her.

    Harry Davenport probably plays the most benign Louis XI ever put on film. It sure is a far cry from Basil Rathbone in If I Were King or Robert Morley in Quentin Durward. He plays him like the kindly grandfather he usually plays on screen.

    Thomas Mitchell as Clopin the king of beggars and Edmond O'Brien as Gringoire the poet are two other significant roles. O'Brien gets his first substantial role on screen in The Hunchback of Notre Dame and this was a banner year for Thomas Mitchell. In 1939 he was also in Mr. Smith Goes to Washington, Gone With the Wind and Stagecoach for which he won Best Supporting Actor. He could have though for any one of these films.

    When all is said and done though the film belongs to Charles Laughton who was the screen's best portrayer of tortured humanity. Even beneath all of Bud Westmore's grotesque make-up we can feel his anguish. He's not a stupid man Quasimodo, he knows how repulsive he is to most of the human race. He's childlike though, something like Peter Sellers in Being There, another character raised in a secluded atmosphere.

    To see Charles Laughton at the top of his game in my humble opinion one has to see The Hunchback of Notre Dame.
    charles-pope

    Notre Dame and Laughton

    Losy in the monatge of 1939 films ...somewhat is a film I believe is more enriching and florid than " Gone With The Wind" and possibly just as romantic as " Wuthering Heights"

    Laughton's performance is one of the most astonishing put on film ever. A Stellar cast is in place from O' Hara to O' Brien..What can I say , Thomas Mitchell who probably graced more films than any other actor is superb.

    Hugo,s timeless classic is brought to life in black and white and with sets that make you feel ..you are there.

    The great Cedric Hardwicke potrays the tormented one and for sure ..its 116 minutes of pure film making ..and it all takes place on fools day....

    CP
    10brendangcarroll

    A remarkable achievement

    Considering that RKO was not renowned for epic film making, the production mounted for this version of Victor Hugo's classic story is surprisingly elaborate and effective.

    The Paris set is a beautiful creation and possibly the greatest work by Van Nest Polglase, who with the producer Pan Berman is chiefly remembered today for the elegant art-deco designs for the Astaire-Rogers musicals.

    The centrepiece of this remarkable set is the replica of Notre Dame cathedral which was only built to 50% height of the original; the towers above were added as an optical effect by use of a hanging miniature in some shots and by incorporating a glass painting in long shots. It's very convincing.

    Dieterle was the perfect choice to direct this story. A student (and later collaborator) of Max Reinhardt, he marshals the huge crowd scenes (no CGi here - those thousands of peasants are all real people) with aplomb and his mastery of expressionistic imagery informs every frame.

    Alfred Newman brought an intelligence to the musical score rare in Hollywood. His on screen credit "Musical adaptation and original composition by" reflects his skillful combining of original renaissance choral music by Tomas Luis de Victoria with his own work. He also uses a stirring Hallelujah chorus by uncredited Austrian Jewish émigré Ernst Toch (in Hollywood to escape the Nazis) for the memorable scene where Quasimodo rescues Esmeralda, reprised at the film's closing sequence as the camera pulls back from Notre Dame.

    It's a great pity that a better restoration cannot be achieved for this beautiful film than is currently available on DVD. While the source print is serviceable, it is often poorly defined and suffers from many scratches. Perhaps it is the only print now extant? I would also love to see the original trailer rather than the re-release version.

    While some may wish Basil Rathbone could have been released from contract at Universal to play Frollo, I think Cedric Hardwicke was ideal casting. As for Laughton, this may well be his signature role and a masterly example of great acting with hardly any dialogue at all.

    As Mr Sinatra once said - "You can wait around and hope - but you won't see the likes of this again"
    Snow Leopard

    A Fine Adaptation With Laughton, O'Hara, & More

    Charles Laughton's boisterous portrayal of Quasimodo and Maureen O'Hara's charm as Esmerelda are two of the things that make this version of "The Hunchback of Notre Dame" a fine production that still works very well. Most of the versions of the story have been at least watchable, because the Victor Hugo novel provides so much good material to work with, much of it well-suited for cinema. This adaptation, though, is one of the best at making good use of what it offers.

    It's interesting to compare this picture with the 1923 Lon Chaney version - not for the sake of ranking them, since both are fully worthy of attention in their own right, but because they offer somewhat different strengths, and because they emphasize somewhat different aspects of the story.

    Chaney and Laughton are both quite effective as Quasimodo, each giving an interpretation of the character that corresponds to the actor's skills. Laughton brings out Quasimodo's feelings and perspective quite well. In this version, for example, the flogging scene is longer and more detailed, and it is one of Laughton's most effective scenes. Chaney is particularly good at reacting to the other characters and their actions. Both give the character a distinctive and memorable look.

    O'Hara is also one of this adaptation's strengths. Patsy Ruth Miller was good in the Chaney version, but O'Hara has the advantage of spoken dialogue, and she makes the character of Esmerelda her own.

    While the Chaney version especially emphasized the atmosphere, this one has quite a bit of action. The tumultuous climactic sequences are done quite well, and they leave a vivid impression. Overall, this is a very satisfying adaptation of the fine classic novel.
    8didi-5

    stellar performances from a great book

    One of the great Hollywood films of 1939, this adaptation of Victor Hugo's novel is sumptuously put together, boasting a fine script, tight direction by German export William Dieterle, and a cast who fit their parts perfectly: Charles Laughton superb as the maligned Quasimodo; Maureen O'Hara in an early role as gypsy Esmeralda; Cedric Hardwicke as the pious Frollo; and Harry Davenport as the king, Louis XI.

    The story is a version of Beauty and the Beast set within the confines of Notre Dame Cathedral and the dirt-strewn and prejudiced streets of Paris. Quasimodo, physically repulsive and deafened by the bells of the cathedral, nevertheless finds it in his childish heart to love the beautiful Esmeralda and to sacrifice his sanctuary for her. She however only has eyes for the dashing Gringoire (Edmond O'Brien) who she saves from the justice of the beggar thieves.

    It is Laughton's performance that holds this film together - truly one of the greatest screen actors, capable of portraying pathos like no other. Contrast this film role with his Henry VIII or Captain Bligh and you begin to get an idea of his impressive range.

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    Argumento

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    • Trivia
      For the scene in which Quasimodo is whipped, Charles Laughton instructed an assistant director to twist his ankle outside of camera range so he would really be in pain. Even through the heavy hump and rubber body suit, he felt every lash and often came home badly bruised. Before the 16th take, director William Dieterle whispered to him, "Now, Charles, listen to me. Let's do it one more time, but this time I want you . . . I want you to suffer." According to Laughton's wife, Elsa Lanchester, the actor never forgave him for that.
    • Errores
      The cathedral is shown as having a full flight of steps up to the front doors. Notre Dame has always been more or less level with the square (le Parvis).
    • Citas

      [Last lines]

      Quasimodo, the bell-ringer: [to one of the stone gargoyles] Why was I not made of stone - like thee?

    • Créditos curiosos
      PROLOGUE: "With the end of the 15th Century, the Middle Ages came to a close. Europe began to see great changes. France, ravaged by a hundred years of war, at last found peace. The people under Louis XI felt free to hope again --- to dream of progress. But superstition and prejudice often stood in the way, seeking to crush the adventurous spirit of man."
    • Versiones alternativas
      Also available in a computer colorized version.
    • Conexiones
      Edited into The Clock (2010)
    • Bandas sonoras
      Ave Maria
      (1572) (uncredited)

      Music by Tomás Luis de Victoria

      Sung by mixed chorus during opening credits

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    Preguntas Frecuentes24

    • How long is The Hunchback of Notre Dame?Con tecnología de Alexa
    • What is 'The Hunchback of Notre Dame' about?
    • Is "The Hunchback of Notre Dame" based on a book?
    • In what year is the story set?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de marzo de 1940 (México)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • arabuloku.com
    • Idioma
      • Inglés
    • También se conoce como
      • The Hunchback of Notre Dame
    • Locaciones de filmación
      • RKO Encino Ranch - Balboa Boulevard & Burbank Boulevard, Encino, Los Ángeles, California, Estados Unidos
    • Productora
      • RKO Radio Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 1,800,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 56 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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