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El jorobado de Nuestra Señora de París

Título original: The Hunchback of Notre Dame
  • 1939
  • Approved
  • 1h 56min
CALIFICACIÓN DE IMDb
7.8/10
13 k
TU CALIFICACIÓN
Maureen O'Hara and Charles Laughton in El jorobado de Nuestra Señora de París (1939)
Trailer for The Hunchback of Notre Dame
Reproducir trailer1:54
1 video
75 fotos
Drama de ÉpocaDramaRomance

En la París del siglo XV, una chica gitana es incriminada en un asesinato por un juez que la desea, y solo el campanero de la ciudad puede salvarla.En la París del siglo XV, una chica gitana es incriminada en un asesinato por un juez que la desea, y solo el campanero de la ciudad puede salvarla.En la París del siglo XV, una chica gitana es incriminada en un asesinato por un juez que la desea, y solo el campanero de la ciudad puede salvarla.

  • Dirección
    • William Dieterle
  • Guionistas
    • Victor Hugo
    • Sonya Levien
    • Bruno Frank
  • Elenco
    • Charles Laughton
    • Maureen O'Hara
    • Cedric Hardwicke
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.8/10
    13 k
    TU CALIFICACIÓN
    • Dirección
      • William Dieterle
    • Guionistas
      • Victor Hugo
      • Sonya Levien
      • Bruno Frank
    • Elenco
      • Charles Laughton
      • Maureen O'Hara
      • Cedric Hardwicke
    • 120Opiniones de los usuarios
    • 47Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Óscar
      • 1 premio ganado y 2 nominaciones en total

    Videos1

    The Hunchback of Notre Dame
    Trailer 1:54
    The Hunchback of Notre Dame

    Fotos75

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    Elenco principal99+

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    Charles Laughton
    Charles Laughton
    • The Hunchback Quasimodo
    Maureen O'Hara
    Maureen O'Hara
    • Esmeralda
    Cedric Hardwicke
    Cedric Hardwicke
    • Frollo
    • (as Sir Cedric Hardwicke)
    Thomas Mitchell
    Thomas Mitchell
    • Clopin
    Edmond O'Brien
    Edmond O'Brien
    • Gringoire
    Alan Marshal
    Alan Marshal
    • Phoebus
    Walter Hampden
    Walter Hampden
    • Archdeacon
    Harry Davenport
    Harry Davenport
    • King Louis XI
    Katharine Alexander
    Katharine Alexander
    • Madame de Lys
    George Zucco
    George Zucco
    • Procurator
    Fritz Leiber
    Fritz Leiber
    • Old Nobleman
    Etienne Girardot
    Etienne Girardot
    • Doctor
    Helene Reynolds
    Helene Reynolds
    • Fleur de Lys
    • (as Helene Whitney)
    Minna Gombell
    Minna Gombell
    • Queen of Beggars
    • (as Mina Gombell)
    Arthur Hohl
    Arthur Hohl
    • Olivier
    Curt Bois
    Curt Bois
    • Student
    George Tobias
    George Tobias
    • Beggar
    Rod La Rocque
    Rod La Rocque
    • Phillippe
    • (as Rod LaRocque)
    • Dirección
      • William Dieterle
    • Guionistas
      • Victor Hugo
      • Sonya Levien
      • Bruno Frank
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios120

    7.812.9K
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    Opiniones destacadas

    dbdumonteil

    I wish Hugo could have seen it.

    The ending differs from Hugo's novel,but I guess it was necessary to bestow on the audiences a de rigueur happy end when the world situation was getting worse and worse.It' s also dubious that king Louis XI -who died in 1483- might have been aware of Christophe Colomb's plans ,because the latter only informed the king of Portugal-who refused to put up the money for his expedition- in ...1484!

    These are minor squabbles.Because this movie is definitely the finest version of Hugo's classic ,much superior to the French one ,directed by Jean Delannoy(1956) with Anthony Quinn and Gina Lollobrigida.Dieterle's work is a feast for the eyes with numerous classic scenes ,very clever dialogue,superlative performances and complete mastery of the camera.

    The opening-Louis XI visiting a printing house-sums up the turning of history:Gutenberg's invention will allow the knowledge and as the King watches the cathedrals ,he makes us feel that these books of stone are fast becoming a thing of the past.The Middle Ages are coming to an end,but a lot of people ,particularly the clergy do not want to lose the power they have on the populace.When Frollo sentences Esmeralda to death,because of his sexual desire,he puts the blame on the devil.He's a man of the past,diametrically opposite to Gringoire,who epitomizes modernity,and who understands the power of the pamphlet which the printing increases tenfold.

    Charles Laughton is by far the best Quasimodo that can be seen on a screen:he's so extraordinary that he almost turns the happy end into a tragedy!He gets good support from a moving and extremely beautiful O'Hara as Esmeralda and from Harwicke as Frollo.

    Peaks:the fools day,the cour des miracles -maybe showing some influence by Browning's "freaks"-,all the scenes in the cathedral.Dieterle is on par with the most demanding directors all along his movie:the movements in the crowd are stunning,breathtaking,often filmed from the church towers.Humor is not absent either:Gregoire's eventful night in the cour des Miracles is colorful and funny and scary all at once.

    A monument,like the cathedral itself.
    8didi-5

    stellar performances from a great book

    One of the great Hollywood films of 1939, this adaptation of Victor Hugo's novel is sumptuously put together, boasting a fine script, tight direction by German export William Dieterle, and a cast who fit their parts perfectly: Charles Laughton superb as the maligned Quasimodo; Maureen O'Hara in an early role as gypsy Esmeralda; Cedric Hardwicke as the pious Frollo; and Harry Davenport as the king, Louis XI.

    The story is a version of Beauty and the Beast set within the confines of Notre Dame Cathedral and the dirt-strewn and prejudiced streets of Paris. Quasimodo, physically repulsive and deafened by the bells of the cathedral, nevertheless finds it in his childish heart to love the beautiful Esmeralda and to sacrifice his sanctuary for her. She however only has eyes for the dashing Gringoire (Edmond O'Brien) who she saves from the justice of the beggar thieves.

    It is Laughton's performance that holds this film together - truly one of the greatest screen actors, capable of portraying pathos like no other. Contrast this film role with his Henry VIII or Captain Bligh and you begin to get an idea of his impressive range.
    10bkoganbing

    Notre Dame's Celebrated Bell Ringer

    Though the French have done many versions of Victor Hugo's celebrated classic, this version starring Charles Laughton has certainly stood the test of time and is the best known and loved in the English speaking world.

    Lon Chaney, Sr. did an acclaimed silent version of The Hunchback of Notre Dame and Laughton was following a great tradition. And he did it in the manner of Chaney, almost without dialog. Not that Hugo wrote too much dialog for Quasimodo in his story, but except for his time with Esmerelda in the tower after he rescues her, Laughton is almost speechless in the film. Of course his character in addition to being deformed is also deaf from the ringing of those cathedral bells.

    Quasimodo born deformed as he was, was left as an orphan on the steps of the Notre Dame cathedral in medieval Paris. Raised in the sheltered atmosphere of the church, he derives some joy in his duties as the bell ringer in the tower. His mentor is the brother of the archbishop played by Cedric Hardwicke and the archbishop is Walter Hampden. Quasimodo's life is useful, but without love.

    But Laughton is crushing out on Esmerelda the gypsy girl played by Maureen O'Hara in her American screen debut. Problem is that Hardwicke is also getting hot and bothered by her.

    Hardwicke's role is the second best acted in the film next to Laughton's. He's a man with shall we say some issues. He's purportedly committed to the church and it's celibacy requirements. But Dr. Freud wasn't around back in the day of Louis XI to tell us about sex drives. Hardwicke's desires mean only one thing, Esmerelda has to have bewitched him. When he kills Alan Marshal who is also interested in Maureen and looks like he's about to round third so to speak, the blame goes on Maureen.

    What I like about the story is how the lives of two very ordinary people, Quasimodo and Esmerelda, become the focal point for a whole lot of religious and political issues of the day. The church, the peasants, the just developing middle class, and the nobility all have an agenda as far as the Esmerelda murder case is going. The only agenda poor Quasimodo has is he's in love with her.

    Maureen O'Hara who was a discovery of Charles Laughton back in the United Kingdom was pushed by Laughton for the role of Esmerelda and traveled with him to America to play the part. She was grateful to him ever afterwards for any career she had and can't praise him enough for getting RKO to sign her.

    Harry Davenport probably plays the most benign Louis XI ever put on film. It sure is a far cry from Basil Rathbone in If I Were King or Robert Morley in Quentin Durward. He plays him like the kindly grandfather he usually plays on screen.

    Thomas Mitchell as Clopin the king of beggars and Edmond O'Brien as Gringoire the poet are two other significant roles. O'Brien gets his first substantial role on screen in The Hunchback of Notre Dame and this was a banner year for Thomas Mitchell. In 1939 he was also in Mr. Smith Goes to Washington, Gone With the Wind and Stagecoach for which he won Best Supporting Actor. He could have though for any one of these films.

    When all is said and done though the film belongs to Charles Laughton who was the screen's best portrayer of tortured humanity. Even beneath all of Bud Westmore's grotesque make-up we can feel his anguish. He's not a stupid man Quasimodo, he knows how repulsive he is to most of the human race. He's childlike though, something like Peter Sellers in Being There, another character raised in a secluded atmosphere.

    To see Charles Laughton at the top of his game in my humble opinion one has to see The Hunchback of Notre Dame.
    baz-15

    Great film, great cast,great music

    I remember `Super Channel' showed this regularly about 10 years ago. The opening 1/2 hour is superb, with several outstanding scenes and very haunting music.The cast is brilliant, not only do you get Laughton but also Maureen O'Hara, Cedric Hardwicke and Edmon O'Brien. And Thomas Mitchell is the man! All in all a most satisfying film: 8.5 out of 10
    jonathandoe_se7en

    Touching story of Victor Hugo's poor bell-ringer.

    The 1939 version of Hugo's classic tale of beauty and the beast is definitely the definitive. It features a great performance by Charles Laughton as Quasimodo, dubbed the Hunchback of Notre Dame, because of his twisted appearance. It's pointless for me to talk about the story, because I'm sure everyone is familiar with it, it's one of the best works of literature ever produced. Id' just like to say this is a beautiful film about a beautiful person, cursed to be considered an out cast, "the king of fools"... Films like this and David Lynch's The Elephant Man really make you think a little differently about this so-called "beautiful" world. The Hunchback of Notre Dame has something for everyone to enjoy.

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    Argumento

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    • Trivia
      The scene in which Quasimodo rings the cathedral bells for Esmeralda was shot the day World War II began in Europe. The director and star were so overwhelmed, the scene took on a new meaning, with Charles Laughton ringing the bells frantically and William Dieterle forgetting to yell "cut." Finally, the actor just stopped ringing when he became too tired to continue. Later, Laughton said, "I couldn't think of Esmeralda in that scene at all. I could only think of the poor people out there, going in to fight that bloody, bloody war! To arouse the world, to stop that terrible butchery! Awake! Awake! That's what I felt when I was ringing the bells!"
    • Errores
      The cathedral is shown as having a full flight of steps up to the front doors. Notre Dame has always been more or less level with the square (le Parvis).
    • Citas

      [Last lines]

      Quasimodo, the bell-ringer: [to one of the stone gargoyles] Why was I not made of stone - like thee?

    • Créditos curiosos
      PROLOGUE: "With the end of the 15th Century, the Middle Ages came to a close. Europe began to see great changes. France, ravaged by a hundred years of war, at last found peace. The people under Louis XI felt free to hope again --- to dream of progress. But superstition and prejudice often stood in the way, seeking to crush the adventurous spirit of man."
    • Versiones alternativas
      Also available in a computer colorized version.
    • Conexiones
      Edited into The Clock (2010)
    • Bandas sonoras
      Ave Maria
      (1572) (uncredited)

      Music by Tomás Luis de Victoria

      Sung by mixed chorus during opening credits

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    Preguntas Frecuentes24

    • How long is The Hunchback of Notre Dame?Con tecnología de Alexa
    • What is 'The Hunchback of Notre Dame' about?
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    • In what year is the story set?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de marzo de 1940 (México)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • arabuloku.com
    • Idioma
      • Inglés
    • También se conoce como
      • The Hunchback of Notre Dame
    • Locaciones de filmación
      • RKO Encino Ranch - Balboa Boulevard & Burbank Boulevard, Encino, Los Ángeles, California, Estados Unidos
    • Productora
      • RKO Radio Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 1,800,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      • 1h 56min(116 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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