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7.2/10
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Un fiscal corrupto con ambiciones políticas se enfada por las noticias que le implican en actividades criminales y decide inculpar al reportero (James Cagney) de homicidio involuntario para ... Leer todoUn fiscal corrupto con ambiciones políticas se enfada por las noticias que le implican en actividades criminales y decide inculpar al reportero (James Cagney) de homicidio involuntario para silenciarle.Un fiscal corrupto con ambiciones políticas se enfada por las noticias que le implican en actividades criminales y decide inculpar al reportero (James Cagney) de homicidio involuntario para silenciarle.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados en total
William B. Davidson
- Bill Mason
- (as William Davidson)
Opiniones destacadas
Although innocent, reporter Frank Ross (James Cagney) is found guilty of murder and is sent to jail. While his friends at the newspaper try to find out who framed him, Frank gets hardened by prison life and his optimism turns into bitterness. He meets fellow-inmate Stacey (George Raft) and they decide to help each other.
Rather than be the good guy ("G Men") or the bad guy ("Public Enemy"), here we have Cagney as an innocent newspaper reporter framed and then sent to prison, where he becomes a little bit hardened. Maybe not quite a bad guy, but not really the good guy, either. It is a nice transformation, and an interesting commentary on prison life.
I am not very familiar with George Raft (I actually know him more from reading Mafia history than from film), but if he is like he is here in other films, I need to see more George Raft.
Rather than be the good guy ("G Men") or the bad guy ("Public Enemy"), here we have Cagney as an innocent newspaper reporter framed and then sent to prison, where he becomes a little bit hardened. Maybe not quite a bad guy, but not really the good guy, either. It is a nice transformation, and an interesting commentary on prison life.
I am not very familiar with George Raft (I actually know him more from reading Mafia history than from film), but if he is like he is here in other films, I need to see more George Raft.
This was a great film for the Year 1939 with a great cast of veteran film stars. James Cagney, (Frank Ross) plays the role as a newspaper reporter who writes a front page head line involving some politicians running for the governor of a state who have burned all their records of evil doings and this story causes them many problems. The politicians decided to frame Frank and set him up by knocking him out and pouring booze on him and send his car crashing into a town and other people's cars. Frank is sentenced to prison for twenty-years and meets up with a guy named Hood "Stacey" who befriends him and they get along until things happen in the prison. Frank becomes very upset with his prison life and causes all kinds of bad problems for himself and he is sent into solitary confinement for many months. Joyce, (Jane Bryan) is a girl friend and also a reporter for the same newspaper that Frank works with and she tries her best to see what she can do to get him free. There is lots of action for a 1939 film and it deals mostly with the insides of a prison and deals with guards who love to mistreat the prisoners. If you like old film classics and these two great actors from the past, don't miss this one.
Prison classic. Even in 1939 this must have been predictable. But James Cagney and George Raft keep this prison yarn on its feet. A top notch newspaper reporter(Cagney)is railroaded into a prison sentence on a trumped up murder charge. Even with help on the inside from a slick convict(Raft)it is just too hard to prove his innocence to the warden(George Bancroft). This busy crime drama also features: Maxie Rosenbloom, Victor Jory, Emma Dunn, Stanley Ridges and John Wray. The melodrama is a little thick and most characters are over acted, but this is still too good of a flick to pass up.
This is a great prison film--with lots of unusual twists, a great story and stellar actors. While many of the usual 1930s prison film clichés are definitely present, the overall package is so enjoyable that many will forgive its excesses. I must point out, though, that many modern audiences might laugh a bit at the dialog, but fans of Warner films of the age have come to expect and love these type films.
The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.
At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.
Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.
The movie begins with crusading reporter, Jimmy Cagney, being set up for a crime to stop him from investigating crooked public officials. On this trumped up charge, he is given a hefty prison sentence and is sent to a tough prison. On the way, he meets habitual criminal, George Raft, and they strike up a very bizarre friendship.
At first, Cagney is sure his conviction will be overturned and he's practically a model prisoner. However, after years in jail and no breaks in sight, he agrees to help Raft with a breakout and Cagney's life behind bars gets significantly worse.
Where it all goes from there you'll just need to see for yourself. However, considering that two exceptional tough guy actors head the cast (Cagney and Raft), you know this will be an exciting film--which it certainly is. Now being a Warner product, you know that the prison lingo and action will be a bit hard to believe and you know that, given a chance, Cagney will chew the scenery (he definitely does overact a bit here and there). But considering how entertaining it all is, I can certainly forgive all this. A great film for fans of old time films.
The investigative reporter Frank Ross (James Cagney) finds evidence of corruption against a powerful politician Jesse Hanley (Thurston Hall) that is candidate to Governor in the elections. Hanley sends his gangsters to catch Frank to frame him. They knock his head and soak him with whiskey and then they put him fainted in car that hits another and kills the driver and two passengers. Frank can not prove that he is innocent and is sentenced to twenty years of hard labor in Rocky Point Prison.
The newspaper direction tries to find evidence of Frank's innocence while he befriends the gangster Stacey (George Raft) that was sentenced to 199 years. Stacey asks Frank to help him to be accused for a crime that he had not committed since he has planned to escape from the courthouse. In return, he would help to find who has framed him up using his contacts in the underworld. Will Stacey really find the responsible for the frame-up?
"Each Dawn I Die" is and engaging prison movie, despite the unrealistic plot. Stacey spontaneously returning to Rock Point is absolutely unbelievable and destroys the story. My vote is seven.
Title (Brazil): "A Morte me Persegue" ("The Death Chases me")
The newspaper direction tries to find evidence of Frank's innocence while he befriends the gangster Stacey (George Raft) that was sentenced to 199 years. Stacey asks Frank to help him to be accused for a crime that he had not committed since he has planned to escape from the courthouse. In return, he would help to find who has framed him up using his contacts in the underworld. Will Stacey really find the responsible for the frame-up?
"Each Dawn I Die" is and engaging prison movie, despite the unrealistic plot. Stacey spontaneously returning to Rock Point is absolutely unbelievable and destroys the story. My vote is seven.
Title (Brazil): "A Morte me Persegue" ("The Death Chases me")
¿Sabías que…?
- TriviaAccording to a series of contemporary articles in the "Los Angeles Times" and the "New York Times", Warner Bros. bought the rights to Jerome Odlum's 1938 novel of the same title as a vehicle for James Cagney with Edward G. Robinson to co-star. Robinson was then replaced by John Garfield, and Michael Curtiz was to direct. Eventually, Curtiz was replaced by William Keighley, and Fred MacMurray was to replace Garfield in the reporter's role. When MacMurray became unavailable, a screen test with Jeffrey Lynn was made. Finally, Raft was signed and swapped roles with Cagney, so Raft became the gangster and Cagney the reporter.
- ErroresThe conversation in the prison yard between Ross and Fargo Red, concerning dogs not having pores, is unrealistic. The slow-witted Red would surely have heard the word as "paws". As such he would not then have asked "How do they sweat?"
This is an "Unacceptable Goof" per IMDb Guidelines as it's a "Personal Opinion" ("Do not include your own opinions") that does not allow for "Artistic License" ("Please allow for artistic license on the part of the filmmakers. Most movies and shows are not meant to perfectly reflect reality as you experience it.")
- Citas
'Hood' Stacey: So, how tough are you, babe?
- ConexionesFeatured in Hollywood: The Great Stars (1963)
- Bandas sonorasDon't Give Up the Ship
(1935) (uncredited)
Music by Harry Warren
Played by the band in the theater before the showing of the movie
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- How long is Each Dawn I Die?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Each Dawn I Die
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 735,000 (estimado)
- Tiempo de ejecución1 hora 32 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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What is the French language plot outline for Muero cada amanecer (1939)?
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