Tambores de guerra

Other comments on this film quite well echo my sentiments: John Ford once again exhibits his mastery of the medium, with a minimum of the sentimentality to which he sometimes succumbed; a very young and handsome Henry Fonda wonderfully embodies an ordinary man virtually forced to perform feats of extraordinary heroism; Claudette Colbert, although she seems out of her usually sophisticated element, really cannot be faulted, especially when one considers the Hollywoodized glamor of her makeup and costuming; and Edna May Oliver, heading Ford's customarily astutely chosen supporting cast, almost steals the picture.

But, to my eyes, it is the unusually beautiful Technicolor cinematography by Bert Glennon and Ray Rennahan (the latter being the credited cinematographer on the first feature-length film in three-strip Technicolor, 1935's "Becky Sharp") who deserve the most accolades. Their work simply glows and has that special crispness characteristic of certain early Technicolor films (many of which bore the Twentieth Century Fox label, as it happens.) No doubt, working on outdoor locations with the cumbersome equipment and lighting requirements involved in the use of the Technicolor process at that time, not to mention the lengendarily dictatorial control of the Technicolor Corporation's czarina, Madame (Natalie) Kalmus, and her frequent associate, Henri Jaffa, Messrs. Glennon and Rennahan managed to accomplish one of 1939's finest achievements in color cinematography. With Alfred Newman's fine musical score and all of the other first-class production values lavished on this stirring tale, "Drums Along the Mohawk" deserves a place among the best recreations of those remarkable personal stories that were part of this newly emerging nation.

I am not aware if the available VHS tape transfer does justice to the prints struck from the original negative, but American Movie Classics occasionally shows this title (mercilessly chopped up with endless commercials, etc., as is now their wont) in a version that makes one realize why the invention of color television broadcasting just had to happen!

This is one great film to look at on a lazy afternoon. It is definitely the finest film John Ford ever directed without the use of John Wayne. The timing of the release of it was interesting due to the fact that the world was edging ever closer to the brink of war and the country needed something to help boost morale. Also, the performances in this film were great as well. Henry Fonda and Claudette Colbert were wonderful, but the character that really stood out for me was the old spinster, Mrs. McKlennar portrayed by Edna May Oliver. Too bad it had to be released in 1939. Due to all the great releases that year, this film definitely got lost in the shuffle.

Awesome and marvelous Western by the great John Ford and deemed by many to be his early best . 1776 , in American revolutionary , Albany , Gilbert 'Gil' Martin (Henry Fonda who was real descendant of the Fondas that settled in the Mohawk Valley in the mid 17th Century) marries the beautiful Magdelana 'Lana', shortly before the revolutionary war , and takes her West to begin a homestead in the Mohawk Valley , in Upstate New York . There took place bloody battles as Battle of German Flats in the Mohawk Valley as part of the loyalist Butler's Rangers , and the Battle of Oriskany . As they settle their homestead when the war begins and both of whom become involved into a terrible conflict . As both sides battle relentlessly supported by Indians , as the Iroquois Confederation was split in its loyalties during the Revolution , the Oneidas sided with the Americans while the Mohawks and Senecas joined with the Hurons and Nipissing First Nation , Ojibwas and Algonquins on the side of the instigating British . For the next six years Gilbert battles in the war and while they attempt to establish their homestead . But it to be on fire and the young farmers , then , move and meet a grumpy old widow , Mrs. Mc Klennar (Edna May Oliver) , who is happy to put them up in her farm in exchange for help from both of them . Later on , Gil joins the minutemen , and after that , Indians commanded by the nasty Brit Caldwell (John Carradine) burn the farms and attack the rebellious colonists on a fort that is really besieged . But the violence and destruction of war catch up , and even the fort isn't guaranteed safe . And Gilbert carries out a long marathon foot leg through an Indian gauntlet .

One of John Ford's early Western hits , it has come remarkable Colour cinematography by Bert Glennon and Ray Rennahan , dealing with pioneers hardships , and the expected , violent as well as impressive scenes about the Redskin siege . This nice and superb Western contains thoughtful characters , full of wide open space and dramatic moments . Outdoors are pretty good and well photographed , story first-rate and powerful told too . Here John Ford and Henry Fonda reached the peak of their successful and fundamental screen collaboration . Thought-provoking , insightful screenplay portraying in depth characters and brooding events with interesting issues running beneath script surface . Over-the-top Western with trigger-taut drama , perfectly written by Lamar Trotti and uncredited collaboration by Nobel winner William Faulkner , being based on on the Walter Edmonds novel . The film relies heavily on the extremely sentimental relationship between the young marriage : Lana/Claudette Colbert and Gilbert Martin/Henry Fonda . Fine acting from Henry Fonda as a civilized man from the East coast colonies who finds himself a loving bride , and attractive Claudette Colbert who keeps her upper lip pretty stiff but she looses their expected baby . ¨Drums along the Mohawk¨ gets to ensemble a magnificent supporting cast , plenty of familiar faces , and Ford's regulars , such as : Edna May Oliver , John Carradine , Ward Bond , Francis Ford , Eddie Collins , Arthur Shields , Robert Lowery , Jessie Ralph , Jack Pennick , Russell Simpson and Chief John Big Tree . This classic and moving picture ranks as one of the main of John Ford's works , including settings , interpretations , cinematography all extraordinary . It contains Ford's usual themes as familiar feeling , a little bit enjoyable humor , friendship and sense of comradeship but also some cynicism and full of wide open spaces with breathtaking landscapes exceptionally filmed from Cook County , Pennsylvania , Aspen Mirror Lake , Duck Creek Village , Strawberry Point , Dixie National Forest, Wasatch Range , Cedar Utah USA . Furthermore , a sensitive , romantic and thrilling at times , musical score by the classic composer Alfred Newman .

Marvelously shot Ford film with a lively look at the complex world of the colonialists , pioneers versus Indians , and adventure romance . This solid as well as patriotic motion picture was well directed , this is a grand , cunningly crafted entertainment , action-filled and jingoist saga about revolutionary America . Ford's prior and subsequent films to get great successes as ¨The stagecoach¨ , ¨The young Mr. Lincoln¨ and the cavalry trilogy as ¨Fort Apache¨, ¨They wore yellow ribbon¨ and ¨Rio Grande¨. And , his posterior ¨Two rode together¨ has a similar plot to ¨The searchers¨ though the Ford's vision about West is pretty cynical and less idealist .

When Lana Martin (Claudette Colbert) arrives by wagon with her new husband, Gil (Henry Fonda), to Mohawk Valley and his homestead, she isn't prepared for what she sees. The time is just before the Revolutionary War. The valley is beautiful and unspoiled, but the homestead is a one-room log cabin Gil has built, and the farm will need to be worked by the two of them. Lana has never seen an Indian, but in the course of the movie she's going to see a lot, and most won't be friendly.

Drums Along the Mohawk is John Ford's curious but effective look at one aspect of the Revolutionary War. The story isn't about George Washington or the great battles. It's the story of what happens in this one, isolated valley in upstate New York. While there are Indian attacks and we can see the results of a battle or two, the story really is about Lana Martin and how she changed. We watch her and Gil build their farm, and we see it burnt to the ground when war comes to the valley. From a young woman in a big, frilly dress facing a life she had never imagined, by the end of the movie Lana is wearing a soldier's coat and is prepared to shoot down an attacker, which she does with hardly a blink. She sees Gil return from his first battle almost shell-shocked. We see her and Gil having to become hired hands when their farm is destroyed. We see her suffer a miscarriage. At the start of the movie, Gil was an honest, hard-working young man, almost naive at times. Now he and Lana are watching the birth of their new nation. They've both become...capable. "Well," Gil says to her at the close, "I reckon we'd better be getting' back to work. There's going' to be a heap to do from now on." And we know he's talking about building a nation, not just a new farm.

The movie is effective despite John Ford's long-time propensity for ham-handed humor, sentimental myth building and his indulgence in stereotypical portrayals of Indians as either child-like objects of amusement or animal-like objects of fear. What saves this story, as it saved many of Ford's films, is his great talent for cinematic story-telling. As corn-ball as some of the scenes in this movie are -- the short, chubby drunk or Gil's amazement that his wife is giving birth or the wise but child-like behavior of the Christian Indian chief -- we still are caught up in Gil's and Lana's story. Although the movie is particularly a paean to the women who had to struggle on, sometimes fighting, sometimes waiting, Ford gives the film an unusual unwarlike tone. The widow Mrs. McKennar, who took Gil and Lana in when their farm was destroyed, looks at Gil marching off to his first battle and thinks about her husband. "Sometimes he'd wave. Ten to one he wasn't even seeing me. He was thinking about all those men, you see. All those men he went out to fight...to kill and be killed...blast his eyes, loving it." One powerful scene has Gil and the other men back from the battle. They won but it didn't go well. Gil has collapsed, and as Lana tends to him he barely notices her. He just stares into the distance while he tells what happened when they were ambushed. "I got down back of a log and aimed at a fellow. He leaped straight up in the air. Fell forward on his face. After that we just kept shooting as fast as we could load for I don't know how long. Adam Hartman came over beside me. His musket was broke. He had a spear. He kept grinning. I remember thinking, 'He's having a good time. He likes this.' Pretty soon he pointed off. I saw an Indian coming toward us, naked. I tried to load but it was too late. Adam stood up and braced his spear and the Indian came down. I never saw a fellow look so funny, so surprised. He just hung there, with his mouth open...lookin' at us, not sayin' a word. I had to shoot him, there wasn't anything else to do."

Ford pushes the buttons of duty, faith and patriotism. We've learned that war isn't the glorious struggle some make it out to be. Still, Ford shows us that fighting to protect our land, to protect our chance to build our farm and keep our children safe is proper. In 1939, that was a strong message. So was his theme of patriotism with which he closes the movie. At the fort in Mohawk Valley a company of regular soldiers arrives to tell the people that the war has been won, that Cornwallis has surrendered to Washington. They're carrying a flag. A churchman looks at it and says to the others, "So that's our new flag, the thing we've been fighting for. Thirteen stripes for the colonies and thirteen stars in a circle for the Union." And with that a couple of men take the flag and climb to the top of the church steeple, where they tie it down so that it waves in the wind. Ford knew how to punch home a point, alright.

Fonda and Colbert were both fine actors. Fonda, in particular, brings, as usual, a strong sense of decency to his role. While I think he and Colbert make a slightly improbable pair (Colbert in all her roles, for me, seems to have a sly worldliness that makes her so good at sophisticated comedy), they work well together. The movie is really war from a woman's point of view, and Colbert brings it off.

It is a strange truism about films concerning American History. While some of those films dealing with the Civil War are great ("The General", "Gone With The Wind") or highly respectable ("The Raid", "Gettysburg", "Glory"), this is less true about films about the American Revolution. It's a sad or mediocre commentary. D.W.Griffith's first great feature length film was the controversial - pro K.K.K film: "The Birth OF A Nation". No matter how you hate the film's racism, it's innovation make it a film landmark. But his attempt at a Revolution film, America, was a flop. Just see the titles: "America", "The Howards Of Virginia", "The Devil's Desciple" (slightly better due to its star cast, especially Olivier as "Gentleman Johnny" Burgoyne), "John Paul Jones", "Lafayette", "Revolution". There are two exceptions. The musical "1776" was a good film, and (despite some historical errors) told the story of the creation of the Declaration of Independence pretty well. This film is the other. It is the only film by John Ford set in the American Revolution (he was more at home in the Indian Wars of the 1870s). It is in glorious color for a 1939 film. It has a dandy cast from Henry Fonda and Claudette Colbert as the young married couple, to Edna Mae Oliver, Ward Bond, Arthur Shields, and John Carridine (except that his motivation as a Tory is never developed - possibly his scenes were cut in the editing).

Perhaps it was the source. Walter D. Edmonds is a forgotten writer today, but when I was growing up in the 1960s his novels, "Drums Along The Mohawk" and "Chad Hanna", were still published and read. Interestingly Henry Fonda was also in the film version of that latter novel. Edwards was a regional historical writer (which may explain his contemporary oblivion). All his novels are set in upstate New York, "Chad Hanna" being set in the 1830s. "Drums Along The Mohawk deals with the warfare between settlers in Western New York and the Six Nations of the Iroquois Indians, the latter allied with Tories. It is a grueling warfare - culminating in the battle of Oriskany, where American troops literally slugged it out in forest fighting with the Indians. Commanded by General Nicholas Herkimer (Ralph Imhof in the film)the Americans barely won the battle. Herkimer died of his wounds a few days later (movingly captured in the movie). He is honored today by a county upstate named for him. These events occurred in 1777, and the film seems to end in 1779. It ends with the settlers of the Mohawk River Valley triumphing over the Tories and Indians. What is not shown is what really crushed the Indians - Washington sent General John Sullivan into the area, and in a foreshadowing of the scorched earth policies of General William Tecumseh Sherman, Sullivan burned the Iroquois villages to the ground. It is not a pretty story now, but in that period Sullivan was considered a national hero. Ford does not even touch on that aspect. Probably just as well. But what he does show is first rate Ford, and we are all grateful for that.