Charlie Chan in Reno

Charlie Chan (Sidney Toler) rushes to Reno when a friend (Pauline Moore) is accused of murdering her soon-to-be ex-husband's new fiancée. "Number Two Son" Jimmy (Victor Sen Yung) also shows up to investigate with comical results. Not the best Charlie Chan movie, even for the Toler series. Still enjoyable though. Supporting cast includes Ricardo Cortez, Robert Lowery, Morgan Conway, and Phyllis Brooks (who has noticeably poor posture). Slim Summerville plays a hick sheriff that's supposed to be funny but comes across as annoying. The killer in this one seemed fairly obvious to me. The mystery's weak but Toler and Sen Yung are good.

Unlike most of the Warner Oland Chan films, those featuring Sidney Toler as Lieutenant Charlie Chan, Honolulu Police Department, often include sufficient clues that the viewer can play detective along with the hero. Charlie Chan in Reno is one of those films. Released prior to a first-class film with a similar main storyline (`The Women' in 1939) this Chan film also has a group of females waiting their time in Reno before a divorce decree can be granted. Chan has an eye for these ladies: `Charming company turn lowly sandwich into rich banquet.' Norman Foster takes over from a series of Mr. Moto films to direct the first of three good Chan films.

Good supporting comedic cast with Victor Sen Yung as No. 2 son Jimmy - a USC undergraduate, former Keystone Kop Slim Summerville as Sheriff `Tombstone' Fletcher, and Eddie Collins as the ever-talkative cab driver (until it is suggested that he might appear in court). Ricardo Cortez is smooth as the suspicious doctor with a motive for murder. Some racial slurring as a hood from the lineup pulls up on the corners of his eyes and tells the detective that he also is one of Chan's sons.

Most of the story takes place at the Hotel Sierra or Police Headquarters. Jealousy, possible robbery, and other motives and a number of obvious suspects complicate the solution. `When searching for needle in haystack, haystack only sensible location.' A keen eye for details will lead the viewer to see what Chan sees and to anticipate his every move. Good luck, the Sheriff could not figure it out and storms out of headquarters heading for Tonopah in disgust at the end.

Could have moved faster. Recommended.

The films Charlie Chan films that Sidney Toler made for Fox were very good--much better than the later cheaper series from Monogram Pictures. In fact, these Fox films were good enough that the public warmly embraced the actor who took over the role following Warner Oland's death. Now this doesn't mean that Toler was exactly like Oland--there were definite differences in the characterizations. First, there were less of the wise Chinese sayings and more cranky comments (usually directed at #2 Son, Jimmy). Second, Toler seemed less passive and more like a real detective. Still, I missed Oland but must admit that Toler was the right man to fill in for him.

As for this film in particular, Toler and Jimmy are just fine and I have no complaints about their acting or characters. However, when it comes to the murder plot, this one was much more convoluted and tough to believe than most. When they find the actual murderer at the end, you are left feeling like they just picked that person at random--especially since the motivation this person had seemed tenuous at best. Still, not a bad film at all--enjoyable throughout.

An enjoyable whodunit, this film stars Sidney Toler as the formidable but good-natured sleuth on the trail of the killer of an annoying Reno socialite. Usually, I can guess correctly who the killer is, but this time I was wrong.

The story is much more complex than it first appears. And it's not entirely believable. But the puzzle is what's important. The plot includes a nighttime visit to a ghost town, and some genuine humor in the form of a loquacious taxi driver.

B&W lighting contributes to suspense, especially at the ghost town. Casting and acting are fine, though I could have done without irritating number two son, Jimmy (Victor Sen Yung). The actors all seem to be having a good time with their roles.

Despite a weak story premise, the film gets an overall positive review from me, owing to effective B&W lighting, humor, and a surprise ending. "Thank you so much".

Mary Whitman seems to be a logical suspect in the murder of Jeanne Bentley. After all, she was found standing over the body. And Jeanne was the "other woman" and the reason Mary was getting a divorce. On the surface, there seems to be little doubt of Mary's guilt. But Charlie Chan sees it all quite differently. He sees a hotel full of suspects who wanted Jeanne out of the way. Can he find the real killer before Mary is convicted of a crime she didn't commit?

Sidney Toler's second outing as Charlie Chan is a solid effort and an improvement over his first. I'm not exactly sure how to put this, but Charlie Chan in Reno is just more interesting. The plot, suspects, and setting all appealed to me. The pacing is nice with very few dull moments. I particularly enjoyed Chan's visit to the ghost town. The supporting cast is strong with Phyllis Brooks and Ricardo Cortez being the standouts. And Iris Wong as the dead woman's maid and Jimmy Chan's love interest is a delight. But one thing I really enjoyed about Charlie Chan in Reno is the way the finale is handled. I've often complained about the "cheat" endings of Chan films (and I should probably stop and just accept it as a given), but the ending here is played much straighter than some of the other entries in the series. If you're sharp enough, you actually have a chance to spot the killer before Chan's big reveal. Unfortunately, I am not that sharp.