A Yank at Oxford

Hollywood's MGM, wanting to capitalize on the United Kingdom law that required its theaters to show at least 20 percent of its films be made in the commonwealth, created an English subsidiary company called MGM-British Studios. Its first movie released under the new branch was February 1938's "A Yank in Oxford." MGM longed to establish a presence in England ever since the 'Cinematograph Films Act of 1927' was passed by the Parliament, which was designed to project the UK movie industry from being overrun by Hollywood films. One product of the law produced a large number of cheaply made English B-movies, called 'Quota Quickies.' MGM felt it could improve upon the quality of the British pictures, using a mix of the county's talented actors with a few Hollywood stars. MGM production head Louis B. Mayer wanted to give one of his newfound actors, Robert Taylor, a more masculine edge to counter his 'pretty boy' image males viewers found a bit feminine. "A Yank at Oxford's" screenplay, with a contribution from writer F. Scott Fitzgerald, focused on college athlete Lee Sheridan (Taylor), a track and field specialist. His athleticism attracts the attention of one of the colleges making up 'the University of Oxford' network of schools, the fictitious Cardinal College. He meets student Molly Beaumont (Maureen O'Sullivan) as well as a philandering wife of a book store owner, Elsa Craddock (Vivien Leigh).

Taylor's macho image was forever imprinted because of "A Yank in Oxford," an objective Mayer had intended. Said Taylor biographer Lawrence Quirk, "He rows, he races, he wears brief track suits which demonstrate to everyone's final satisfaction that he has a good mat of hair on his chest, and he even gets into fist fights during the course of the film." It helped Taylor excelled in track when he attended Doane College years earlier. Before the camera the actor ran the foot races and the rowed in the skulls without needing any body double. Taylor later played in a number of World War Two combat films as well as in rough-and-tumble Westerns.

English producer Michael Balcon, responsible for elevating Alfred Hitchcock into his director chair, was head of the new MGM-British Studios. He was directing "A Yank in Oxford" when Louis Mayer, attentive towards his new overseas studio's first film, visited the set several times early in the production. Balcon and Meyers soon clashed over his methods, and shortly was replaced by MGM stalwart Jack Conway.

Balcom remained as producer for MGM-British Studios until heading to Ealing Studios. He saw the potential star power in English actress Vivien Leigh, and recommended to Mayer her for the role of the promiscuous Elsa. Leigh had a great acting experience with Robert Taylor in making "A Yank at Oxford," who related that fact to producer David O. Selznick. This was the movie, along with a series of positive screen tests, that convinced Selznick Leigh would be perfect for his Civil War epic. Film reviewer Laura Grieve noticed, "There are glimpses of Scarlett O'Hara in Leigh's bookstore vixen, yet her performance does not hint at the power and depth she would bring to her role in 'Gone With The Wind' the following year."

While making "A Yank at Oxford," Leigh sustained an infection on her foot and took some time off to treat the injury. One of her toes became so inflamed a hole was punched out of her shoe to relieve the pressure. The actress went through several personal pairs of her own during filming, and later claimed MGM refused to pay for them. MGM refuted her contention, saying it did. Leigh's manager, producer Alexander Korda, warned her to back off or he wouldn't not renew her contract. She did.

MGM's tactical plan to invest in England paid off. "A Yank in Oxford" was a success in both the United States and the UK. MGM made a Mickey Rooney sequel in 1942's "A Yank at Eaton" while Rob Lowe had his first lead role in another remake, 1984's "Oxford Blues." MGM-British Studios produced a couple of classics, 1938's "The Citadel" and 1939's "Goodbye, Mr. Chips," before suspending its filming during World War Two. The studio resumed operations after the war until closing for good in 1970, partly because of Stanley Kubrick's richly ambitious 1968 film, "2001: A Space Odyssey.

Robert Taylor is "A Yank at Oxford," a 1938 comedy also starring Maureen O'Sullivan, Lionel Barrymore, Vivien Leigh, Edmund Gwenn, and Griffith Jones. Taylor is Lee Sheridan, an all-American athlete who is accepted into Cardinal College at Oxford and leaves his hometown and his dad (Barrymore) who owns a newspaper. Lee has no idea what he's in for, as his egotism makes him an easy mark for a fake "reception" by the students and other barbs. He immediately becomes attracted to the lovely Molly Beaumont (O'Sullivan), whose brother Paul (Jones) is having an affair with one Mrs. Craddock (Leigh). Due to a series of unfortunate events, Paul and Lee become mortal enemies.

This film surely had the women drooling in 1938 as Taylor uses his muscular arms to row, his strong legs to run, and his beautiful smile to charm. He glistens with youth and vitality, and there are plenty of shots of "the world's most perfect profile" to please his fans. Normally Taylor exhibits a very likable personality in films, but in this one, he comes off as too aggressive, finally becoming aggravating to this viewer. He was probably directed that way so that he would appear as a bull in a china shop among all the Oxford gents.

Taylor has fallen into disregard since declaring himself a good American and ratting out Howard da Silva and others during the '50s Communist witch hunts. No one came out a winner who was involved, not the victims nor the blabbermouths. The sad thing about Taylor is, he truly believed every word he said. If you can separate his politics from his career, he was a very good actor, a gorgeous man, and a very big star back in the day.

Maureen O'Sullivan is perky and pretty as Taylor's love interest - that same year, she and Taylor worked together in "The Crowd Roars." British actor Griffith Jones plays her brother and is not only excellent but very handsome. According to IMDb, he worked into the 1980s and is apparently still alive at 95.

The supporting cast is marvelous, including Edmund Gwenn as a professor and Lionel Barrymore as Lee's proud father. Vivien Leigh plays a flaky, flirty bookshop owner married to a much older man and not adverse to a little hanky-panky on the side. It's not much of a role, and though she was a natural beauty, no one would have considered her for Scarlett just watching this film. Her last line, however, given the character she portrays, is hilarious. She and Taylor would meet again for the classic "Waterloo Bridge."

"A Yank at Oxford" shows an England untouched by war and young men who worked at being superior athletes and gentlemen as they roamed the hallowed halls of Oxford. That would all end soon. It was a nice fairytale while it lasted.

In the glory days of Hollywood, young stars in amid the studio system were given several chances to display their talent. Here is one for the budding young star later known as Robert Taylor. In this movie of which there are several versions is entitled " A Yank at Oxford " it is Taylor who plays Lee Sheridan, an U.S. athlete who wins a athletic scholarship to prestigious Oxford University in England. Lionel Barrymore plays Dan Sheridan his proud father, while beautiful Maureen O'Sullivan is Molly Beaumont his college sweetheart. Vivien Leigh, Edmund Gwenn, Griffith Jones as Paul Beaumont all gather to recreate life at the Oxford during the depression. Wedged between light humor and serious attention, the movie sails easily along and Taylor is able to deliver one of his many renditions of an up and coming actor. A good B/W film and notable offering. **

After his early days at MGM when Robert Taylor was marketed as a modern romance magazine cover, it was perceived by Louis B. Mayer that Taylor needed an adjustment of image to expand his casting potential. It was perceived by Taylor as well who was not happy with some of the snide powder puff comments he was getting in some quarters.

Accordingly A Yank At Oxford was an original screenplay written specifically for him in mind. As Taylor in real life was an athletic sort, the casting was no stretch that way.

In his part as an American on scholarship to Oxford Taylor was going into Tyrone Power's territory of the hero/heel. Taylor was more often a nice guy 100% in this stage of his career. But he does very well with the part.

Arriving at Cardinal College in Oxford, Taylor doesn't do much for Anglo-American relations with his braggadocious ways. He makes particular enemies with three classmates, Griffith Jones, Robert Coote, and Peter Croft. But he also backs his brag up and when he meets Maureen O'Sullivan who is Jones's sister who planes out the rougher side of Taylor.

The film was produced by MGM and shot over in the United Kingdom with the real Oxford locations used. Take a look at the writing credits of this film. I'm quite flabbergasted that so many talented hands went into the screenplay. Usually that means a muddled mess, but it all works here.

Several of the players had only worked in British cinema before and A Yank At Oxford was America's first look at a lot of them. Most importantly Vivien Leigh. She had a really interesting part as the wife of a bookstore owner. Her husband is a good deal older than her and she amuses herself with her pick of the young Oxford students. She sets her cap at one point for both Taylor and Jones and it's on her flirtatious ways that the plot hinges. Her naughty flirt in this film may very well have made one David O. Selznick cast her as the ultimate young flirt in Gone With The Wind.

A Yank At Oxford was remade almost 50 years later as Oxford Blues with Rob Lowe in the lead. As an actor in his Brat Pack days, Lowe was cast in a lot of parts that would have gone to a Robert Taylor or Tyrone Power. Still A Yank At Oxford became one of Robert Taylor's most popular roles with the general public and with his enduring legion of fans.

This film is a humorous examination of the differences between American and British college youth just prior to WWII with an American take on the situation. Robert Taylor plays Lee Sheridan, an American who comes to Oxford to study and also to run track and field. He runs into difficulty with everything from the English driving on "the wrong side of the road" to the British valuing tradition and teamwork over rugged individualism. Not helping matters is that Lee is a swaggering over-confident albeit talented braggart by the standards of any nation. To complicate matters, Lee's chief rival on the track team is the brother of a girl (Maureen O'Sullivan) in whom Lee is romantically interested.

To make such an "American fish in British waters" film just three years later after the war broke out and the US and England were allies would have been practically a precode in the eyes of the censors, even though cultural differences are always a problem, especially where boisterous youths are involved. It's an enjoyable little film featuring a young Vivien Leigh as she was waiting to become Scarlett O'Hara, and some fine character actor work from Edmund Gwenn as a dean who is still lovable as always even though he is openly contemptuous of Lee whose forward ways leave him shocked and flustered.