White Banners

I saw a preview of this movie on TCM and was very interested, so I made a point to watch it. I am so glad I did!

I can't remember ever seeing Claude Raines in a such a light-hearted, at times comedic, role; he is delightful! At first I thought I had stumbled upon a "Mary Poppins" type of movie, especially when Hannah--perfectly portrayed by Fay Bainter, who is not remembered in present day as much as she deserves--begins to pull things out of her bag; but as the story moved on I recognized it as so much more. The supporting cast, as was so often the case in the days of the studio-controlled movies (like it or not) is also excellent, especially Jackie Cooper and Bonita Granville.

A wonderful film, a tale of hope and the results of perseverance.

I caught this gem early one morning, after waking up early unable to fall back asleep. How fortunate, White Banners is a movie I had never heard or knew about. I really did not expect much. Was I surprised how quickly I was drawn into this wonderful light drama. Wonderfully written and directed. The casting superb in all choices and Fay Bainter was simply magnificent and unforgettable. Truly a most memorable and haunting performance. Claude Rains, always great, gives a spunky and marvelously slightly eccentric touch to his masterful performance. Cooper and Granville are great together. Kay Johnson (Madam Satan) what a surprise! Very nice subdued performance. I was really glad to have discovered this forgotten classic. As wonderful as A Wonderful Life. I highly recommend making time to catch this, it's worth every minute of it's 92 minutes; wish it was longer.

WHITE BANNERS has a couple of very odd but satisfying plots running through the film. The first involves Fay Bainter who plays a woman who just moves in with a family and becomes the perfect housekeeper--in many ways a lot like an earlier incarnation of Mary Poppins! However, her hidden agenda and why she works for mere "peanuts" is interesting and unfolds throughout the film. The "why" exactly isn't all that hard to predict--there are lots of pretty obvious clues thrown out to the audience. The second plot, and this IS an odd one, is about Rains and Cooper working together to try to create the first home electric refrigerator and sell the idea. While this may sound dull, I actually liked this--it reminded me a lot of movies like YOUNG TOM EDISON.

This is not exactly a perfect movie, but I enjoyed it and appreciate how the studio at least tried something different. Plus, some of the performances were very good. Claude Rains was his usual wonderful self, but I also appreciate the teen parts played by Jackie Cooper and Bonita Granville--Bonita was bouncy like a teen and it was nice to see Jackie doing a more mature role than what he'd been previously doing for MGM when he was a bit younger. Also, Fay Bainter was generally excellent, but there were a few times when her character seemed a bit "sappy" and too good to be true. The bottom line is that this is an excellent movie and a good one for old movie buffs who want a change of pace.

I was very happy to discover White Banners for the first time yesterday evening on TCM. Several reviewers here said it was "dated." Some said "dull" or slow-paced. Too bad! I thought it was first rate and not only because of it's superb cast. I would in fact call it "classic"–––with a message of timeless significance.

It shows very sadly how much ground we've lost as a society that the character of Hannah Parmalee masterfully played with quiet, subtle restraint by Fay Bainter is regarded by some modern observers as priggish, preachy, sappy and too good to be true. That's how cynical we've become in the face of nobility these days. Unselfishness and refined sensibilities are regarded as "sappy."

The story is intensely Christian in tone, because it centers on the tremendous strength and power one gains from considering the needs and feelings of others before one's own. What we are supposed to glean from the story is the idea that by not fighting for our rights and not demanding justice for ourselves we can win a reward much greater than the one we originally sought. Doing the right thing and not taking the paths of least resistance transcends grief, gives added strength and often leads to greater heights than one ever dreamed of reaching.

There is a sweetness and yes a naiveté in this story that is frankly refreshing. The lush romantic musical score written by the same composer who did Gone With The WInd provides a beautiful, perfectly realized, expressive accompaniment to every scene. Music of this high quality gives added dignity and significance to the film elevating it almost to the status of art.

In this noisy age of unbridled vulgarity, cheap sensationalism, excessive noise, and dissolute, despairing characters acting brutal, selfish, inconsiderate, exploitative and callous towards one another the QUIETUDE and profound depth of feeling in this movie is balm for the soul.

It starts out like the original Imitation of Life where Louise Beavers shows up at Claudette Colbert's house looking for a job, but in this case it's Fay Bainter trying to sell her apple peelers on a cold, windy, snowy day in dreary Indiana. The film is very realistic in its portrayal of the weather, making you feel cold and depressed. When the lady of the house invites her in to get warm and Hannah sees the disorder in the kitchen, she(like Louise Beavers) sees a perfect opportunity to get a job with room and board.

Offering to save the family money (she sees immediately they are struggling), they take her offer and come to love her like family. She comes up with ideas like selling their old useless furniture for cash, gives Claude Rains a spot in the basement to work in peace on his experiments (he is a professor by day and an inventor by night). She is wise and has the instinct to know when something is going to go wrong trying to save the family whatever heartache she can.

When Jackie Cooper (spoiled rich boy) takes a job as Rains assistant, it is the beginning of his life changing him into a fine young man. Only by accident does he cause Rains harm thru an error of judgment. But justice prevails, as Hannah tells Rains to turn the other cheek and go on.

Hannah stumbling upon this house at a time when they are in need of help provides her the opportunity to get what she came for. That being said - all is well at the end. When you see her walking off in the snowy storm, the same way she came in, one cannot help but feel sorry for her - hoping that she would turn around and stay, but doing so would cause her too much pain. Like some of the other poster's, I taped this out of curiosity, and wound glued for the entire film. Definitely a keeper.