They're Always Caught

A city's new mayor is a hard-nosed old cuss who's tough on crime. Naturally someone croaks him. The police use some newfangled scientific methods to solve the crime. A good entry in the Crime Does Not Pay series. Really neat seeing the police using scientific techniques not too far removed from today's. Most movies from back in those days tended to focus only on the he-man aspects of crime fighting, shoot-outs and roughing up suspects and so on. Nice to see some brains to go with the brawn. Fine cast of character actors that includes John Eldredge, Louis Jean Heydt, and Stanley Ridges helps a lot too. Best scene is when the cops trick the killer into letting them vacuum his hair for evidence. That has to be seen to be believed.

I have watched a few of the Crime Does Not pay series and by far this is the best episode of the series. I am amazed that even in the 1930's science had already begun to take giant leaps in assisting criminal investigations to solve crimes. Okay so the archaic use of a simple microscope to verify strands of clothing may not be record breaking but the way these forensic scientists solved the crime by looking very closely at the minimal evidence the car bomb left behind was unique and as a result I was intrigued.

Great acting and a great episode. A must see.

I give it an IMDB rating of 8 out of 10.

The always interesting "Crime Does Not Pay" series from MGM, running from 1935 to 1947, checks in with an interesting tale of a crusading mayor, his betrayal and murder, a man who looks guilty but isn't , and the role of forensic science in solving the crime.

Always part dramatic, part documentary, these 20 minute shorts do a pretty good job of showing empathy when it is appropriate tempered with justice. In this case, the short focuses on the role of science in solving the crime. The mayor is killed with a car bomb and the culprit thinks the explosion will erase all evidence. But careful evidence collection by the police, the test tube, the microscope, and the spectrograph give the police a clear view of why the chief suspect could not be guilty, and who the actual murderer is. With a dramatic conclusion, think of it as Quincy M.E., 1938 without the colorful Jack Klugman.

"They're Always Caught" is one of the best films from the exceptional "Crime Does Not Pay" series from MGM. These shorts are almost all uniformly well made and interesting and hold up well today. However, of all the shorts I've seen so far, this one is among the very best--and that's saying a lot.

This short begins with the election of a new mayor. The new mayor is tough and wants to clean up the city. And, in light of this, one of the first things he does is fire the district attorney--a guy who is quick to sing his own praises but who is incompetent or on the take. But this D.A. is clever--before the mayor has a chance to tell anyone else, his car explodes--and it's not the D.A. who is an ex but the mayor! Unfortunately for some poor schnook, it appears as if he's done it--and the D.A. is quick to capitalize on this and swears to convict the guy--even though there is plenty of investigation to go!

What makes this episode so special is the emphasis on forensics. And, what's more interesting is how advanced they were back in 1938. You'll see the investigators going step by step explaining their work and showing exactly how such an investigation is done. Fascinating throughout--and very informative. Well written and acted as well. Strongly recommended.

Mayor Fletcher is cleaning house. He's firing corrupt officials and canceling contracts. He's taking down rackets. Small business owner Eddie Diesel is tired of paying off the crooks and tries to contact the mayor at his home. Meanwhile the mayor fires prosecutor Jimmy Stark for taking bribes and letting off major crime leaders. The mayor is killed by a car bomb in his garage and the police arrests Eddie. Dr. John Pritchard uses scientific investigation techniques to solve the case.

This is part of MGM's Crime Does Not Pay series. It was nominated for the Oscars. The crime story is rather stiff and the acting is also a little stiff. It's functional and then there is the CSI second half. They haven't invented the rock music montage yet but it's still fascinating to see. This feels somewhat like an industrial movie at times.