Agrega una trama en tu idiomaFerdinand de Lesseps, disappointed in love, is sent as a junior diplomat to the Isthmus of Suez, and realizes it's just the place for a canal.Ferdinand de Lesseps, disappointed in love, is sent as a junior diplomat to the Isthmus of Suez, and realizes it's just the place for a canal.Ferdinand de Lesseps, disappointed in love, is sent as a junior diplomat to the Isthmus of Suez, and realizes it's just the place for a canal.
- Dirección
- Guionistas
- Elenco
- Nominado a 3 premios Óscar
- 1 premio ganado y 3 nominaciones en total
Maurice Moscovitch
- Mohammed Ali
- (as Maurice Moscovich)
Sig Ruman
- Sergeant Pellerin
- (as Sig Rumann)
Carlos De Valdez
- Count Hatzfeldt
- (as Carlos de Valdez)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I can't argue with those who say that "Suez" shows us little if anything about the actual building of the canal of the same name. Still, I recommend this film to those who can put aside historical inaccuracies in order to enjoy a well made period film featuring some very good actors. In addition, the viewer will be treated to one of the great disaster sequences of American film. I refer to the giant sand storm which comes near the end of the film.
Tyrone Power is very good in this film, and you have to keep reminding yourself that he was only in his early to mid twenties during production. Power is a clear case of a great movie star who was a much better actor than many give him credit for. Check out "Nightmare Alley" if you need further evidence.
I will say this about the film with respect to the real Suez Canal project. "Suez" makes it clear how important such a canal was going to be and why various nations either favored or opposed its building.
Again, if you want to know the complete history of the canal, go to an encyclopedia. If you want to enjoy a very glossy example of 1930s A-budget film making,"Suez" will not let you down.
Tyrone Power is very good in this film, and you have to keep reminding yourself that he was only in his early to mid twenties during production. Power is a clear case of a great movie star who was a much better actor than many give him credit for. Check out "Nightmare Alley" if you need further evidence.
I will say this about the film with respect to the real Suez Canal project. "Suez" makes it clear how important such a canal was going to be and why various nations either favored or opposed its building.
Again, if you want to know the complete history of the canal, go to an encyclopedia. If you want to enjoy a very glossy example of 1930s A-budget film making,"Suez" will not let you down.
Enjoyable on every level, Tyrone Power is magnificent. Intriguing storyline rooted in history...they don't make 'em like this anymore! The cinematography is ahead of its time, the actors are perfect for their roles and the movie itself is timeless. If you are a Tyrone Power fan you will not be disappointed in this film. It's hard to find, but worth it if you can find it. I didn't think I would enjoy a movie from the 30's as I'm more a fan of the 40's and above, but once I started watching this film I couldn't look away. Of course, the fact that it's Tyrone Power and he's the most striking looking man of his time doesn't hurt either!
This is a very solid 20th Century Fox/Tyrone Power epic film. While not the best Power ever did, it is still very good and worth seeing. Plus, it gives people a chance to see the real-life Mrs. Power, actress Annabella. Rarely do you get a chance to see actors starring with their wives. The film score, sets, direction and script are all very good--though perhaps a little too much emphasis is placed on romance. Oh well, perhaps that's what you get for putting your wife in the film (just kidding). After you see this film, you might also then try watching the movie DISRAELI, so you can find out that just a few years after the French almost single-handedly built the canal, the British swooped in and obtained a 50% interest! Now that's cheeky!
Suez (1938)
*** (out of 4)
Entertaining, if fairly flawed, look at Ferdinand de Lesseps (Tyrone Power) and the lose of his love (Loretta Young), which sends him off on a quest to build the Suez Canal. Along his mission he encounters political issues and a natural disaster as he tries to complete the work. There's no question that this movie was made to cash in on the wave of disaster flicks that followed the success of SAN FRANCISCO. Power and Fox had made one the previous year in IN OLD CHICAGO so they tried their luck again and for the most part it worked. I think there are some major problems with the screenplay and a lot of this is around the romance with Young's Countess Eugenie de Montijo. I never really bought her in the role and it's interesting that Young knew her role wasn't all that important so she made the studio agree to let her do her own costumes. This is important because the costumes that were designed for her were so large that many of the sets had to be redone just so she could fit through them. Her costumes certainly outshines her character and I also felt that Young just didn't feel too comfortable with the role, which I believe is the first time I've said that about my favorite actress. The screenplay also doesn't seem to know if it wants to center on the love story, the political stuff or the actual building of the canal. In the end I think the screenplay bites off much more than it can chew but there's still plenty here to enjoy. The best thing going for the film is some tremendous special effects that show up at the very end when a sand storm hits the crew as they're working. The effects are incredibly realistic, for the most part, and there are many times where you'll be asking yourself how they pulled off the trick. There are a couple terrific sequences where large drums of water fall over and take people with them that was very intense. This also leads to an incredibly powerful finale that I won't ruin but how it plays out on the love story was very effective. Power is his typical good self as he manages to be very believable in the role but he's also quite charming and he certainly knows how to woo the ladies. The real star of the movie is Annabella who is simply magnificent in the role of the girl who falls in love with Power but must sit behind the Young character. I thought Annabella did a terrific job with the accent, the charm, the flirtatious nature and she just really made a complete character and nailed every inch of it. Her scenes at the end with Power are extremely effective and really take the film to another level. As with many of the disaster films from this era (and the 70s for that matter) there's way too much story than what was probably needed but the performances and effects make this worth sitting through.
*** (out of 4)
Entertaining, if fairly flawed, look at Ferdinand de Lesseps (Tyrone Power) and the lose of his love (Loretta Young), which sends him off on a quest to build the Suez Canal. Along his mission he encounters political issues and a natural disaster as he tries to complete the work. There's no question that this movie was made to cash in on the wave of disaster flicks that followed the success of SAN FRANCISCO. Power and Fox had made one the previous year in IN OLD CHICAGO so they tried their luck again and for the most part it worked. I think there are some major problems with the screenplay and a lot of this is around the romance with Young's Countess Eugenie de Montijo. I never really bought her in the role and it's interesting that Young knew her role wasn't all that important so she made the studio agree to let her do her own costumes. This is important because the costumes that were designed for her were so large that many of the sets had to be redone just so she could fit through them. Her costumes certainly outshines her character and I also felt that Young just didn't feel too comfortable with the role, which I believe is the first time I've said that about my favorite actress. The screenplay also doesn't seem to know if it wants to center on the love story, the political stuff or the actual building of the canal. In the end I think the screenplay bites off much more than it can chew but there's still plenty here to enjoy. The best thing going for the film is some tremendous special effects that show up at the very end when a sand storm hits the crew as they're working. The effects are incredibly realistic, for the most part, and there are many times where you'll be asking yourself how they pulled off the trick. There are a couple terrific sequences where large drums of water fall over and take people with them that was very intense. This also leads to an incredibly powerful finale that I won't ruin but how it plays out on the love story was very effective. Power is his typical good self as he manages to be very believable in the role but he's also quite charming and he certainly knows how to woo the ladies. The real star of the movie is Annabella who is simply magnificent in the role of the girl who falls in love with Power but must sit behind the Young character. I thought Annabella did a terrific job with the accent, the charm, the flirtatious nature and she just really made a complete character and nailed every inch of it. Her scenes at the end with Power are extremely effective and really take the film to another level. As with many of the disaster films from this era (and the 70s for that matter) there's way too much story than what was probably needed but the performances and effects make this worth sitting through.
The history and the practical solutions for the building of the Suez Canal are brought to light in this lavish production of Suez. Tyrone Power is perfect casting for this role, and his romantic interest is the Canal, itself. The rest of the cast, however, does a very good job supporting Power. The Egyptian Prince who is a real softie, befriends Power and eventually gets him permission to build the Canal in Egypt. The only sticking point are the Ottoman Turks, who oppose the building of the Canal for political reasons. A good biopic for late at night.
¿Sabías que…?
- TriviaIn an interview in the late 1970s, director Allan Dwan talked of the censorship battle he had with the Hays Office over the wet-shirt scene, in which Annabella's erect nipples are on prominent display. "I wanted them to show," he said. His argument with the Hays Office was, "Have you ever seen a nude woman? Ever seen your wife nude? There was nothing there that wasn't positively true to life . . . you knew she was going to be sexy . . . that's why you picked her. The audience knows. This is my idea of giving it to them. All women are alike--they can go to the mirror and see that anytime." The matter was dropped, as re-shooting the scene would have cost too much because the studio would have had to rebuild the entire set. Dwan said that his nemesis, studio boss Darryl F. Zanuck, was pleased with the picture.
- Citas
Benjamin Disraeli: [to the House of Commons] By all means support this policy; by all means rally round the Prime Minister; by all means follow cheerfully and unquestioningly his leadership. All of you... who are as anxious as he to see England reduced to the standing of a third-rate power!
- ConexionesFeatured in Ty & Loretta: Sweethearts of the Silver Screen (2008)
- Bandas sonorasLa Marseillaise
(1792) (uncredited)
Music by Claude Joseph Rouget de Lisle
In the score often and extensively during the riot scenes
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- How long is Suez?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Süveyş Fedaileri
- Locaciones de filmación
- Yuma, Arizona, Estados Unidos(All-American Canal longshots)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Tiempo de ejecución1 hora 44 minutos
- Relación de aspecto
- 1.37 : 1
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By what name was Suez (1938) officially released in India in English?
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