Sing, You Sinners

This Wesley Ruggles souffle, in which Bing Crosby, Fred MacMurray and Donald O'Conner are singing brothers who... well, it doesn't much matter, does it? Every character and situation is written right in the middle of the performer's comfort zone (not that Fred MacMurray ever felt much stretched; he claimed that Billy Wilder was the only director who ever called on him to act).

I had a good time and can't remember much of anything. It's just the sort of movie with production values meant to anchor a film program you go to because of Bing Crosby and the next day you tell the guys about the Popular Science short or maybe the latest Popeye. With Ellen Drew as MacMurray's fiancee and Elizabeth Patterson as everyone's mother.

I thought I was the luckiest kid alive. I sat in complete attendence of what was the best movie I can remember. It was very exciting to me and I think of it whenever I am depressed, because of It's upbeat outlook on life. I can stoll remember the words to the song "pocket Full Of Dreams" I've heard it played a few times,- once at the race track. I wish I could see it once more, or own a tape copy of it.

This film featured Crosby, Fred MacMurray and a 13-year old Donald O'Connor (!) as a trio of brothers who sing, dance and play instruments to bring money into their household. Their mother, played by Elizabeth "Miss Trumbull" Patterson, is widowed and has spent all the money her husband left her on paying for music lessons for her sons. MacMurray also works as a mechanic at a garage, a job he prefers over singing. Crosby plays one of those ne'er-do-well types who is always at the track trying to win money or some other money making scheme in lieu of actually holding down a 9-5 job. Mother Patterson desperately wishes Crosby would follow the lead of the responsible MacMurray. O'Connor plays their kid brother who just wants to be a kid and doesn't want the pressure of having to perform in order to earn money to support the family. All three of the brothers express disdain for having to be singers, stating that "they want to be men", whatever that meant in 1938.

It was crazy seeing Donald O'Connor as a child in this film. He got to do a little bit of hoofing, mostly while holding an accordion. MacMurray "plays" the clarinet (not sure if he was actually playing or not, I know MacMurray played saxophone) and Crosby sings. MacMurray also sang at one point, but his voice was not as good (obviously) as Crosby's.

One thing I think is strange in studio era films is the trend of having the lead actor/actress playing an oldest sibling who is at least 20 years older than all the other siblings. In this film, Crosby's character has to at least be in his 30s and I'm guessing MacMurray's character was probably supposed to be a little bit younger, but probably late 20s - early 30s. Then there's O'Connor who is only 13 and looks it. Why the huge age difference? Patterson looks like she could be the brothers' grandmother! I also thought it was odd that the racetrack would allow a 13-year old to be a jockey.

Did you know Donald O'Connor was a child actor? If you didn't, go out and rent Sing You Sinners as soon as possible. He's so adorable! He sings, dances, gives typical pre-teen attitude, and rides a horse, all at the tender age of thirteen and in his third film. I wonder if he hated Mickey Rooney, whom he replaced in this movie; not only could he have played many of the parts Mickey did, but Donald played Huckleberry Finn in 1938 in a forgettable film, and the following year Mickey was recruited and immortalized in the role.

Did you know Fred MacMurray could sing? If you didn't, go out and rent Sing You Sinners. He plays the middle child in the house, the only one responsible enough to support the family even though all he wants to do is marry his girl, Ellen Drew. Fred, Donald, and Bing Crosby are Elizabeth Patterson's sons, but because Bing is a deadbeat and flighty, he doesn't contribute to the family income. In a completely atypical role for Bing, he's a scoundrel who parties, tries to steal his brother's girl, and hops from new idea to new idea. Did you know Bing Crosby could play a bad guy? If you didn't, well, you know what you should do.

Sing You Sinners, while not featuring the title song, is a very cute family flick. There are cute moments that lighten the darker situations, and plenty of exciting scenes that make you devoted to the family. Check it out; you'll want to adopt little Donald!

SING YOU SINNERS (Paramount, 1938), directed by Wesley Ruggles, is, regardless of its misleading title, is not one about an evangelist and congregation gone astray, but a semo-comedy about an aged mother and her three sons, headed by Bing Crosby taking a new outlook in his career. Up to this point, Crosby was featured in many routinely made musicals, mostly for Paramount. In this case, SING YOU SINNERS, what might have worked a straight dramatic story, is completely different from anything he's done thus far.

Set in a small town, the story starts on a Sunday morning with the Beebe family walking to church as the bells ring in the background. (An original premise introducing its characters using their portrayal names superimposed on screen beneath the actors one at a time). The Beebes consists of Daisy (Elizabeth Patterson), the mother; Joseph (Bing Crosby), age 35, single and unemployed, shiftless, homespun and down-to-earth individual believing the secret of success lies in taking gambles; David (Fred MacMurray), completely opposite, engaged to Martha Randall (Ellen Drew), works long hours as a garage mechanic, saving his hard-earned money to someday have a repair shop of his own; and Mike (Donald O'Connor), the youngest, looks up to Joseph, much to the dismay of their "Maw." The one thing the brothers have in common is their devotion to music, earning extra money singing together in local night spots. Because he feels himself to be a bad influence on the family, Joe strikes out on his own, moving to Los Angeles. After about a month, Mother Beebe receives word that Joe has acquired a successful business in the second-hand trade. Believing he's finally made a success of himself, she sells her home, bringing the family to Los Angeles, only to find Joe had sold his business and traded it in for a race horse called "Uncle Gus." Unable to pay the rent, the Beebe brothers unite by performing as a singing trio in a night club before Joe trains the thoroughbred for an upcoming race, with Mike, acting as jockey. Before Derby day, trouble arises when gambling gangsters step in, forcing Mike to throw the race.

With the music and lyrics by Johnny Burke and Jimmy Monaco, the song interludes include: "I've Got a Pocketful of Dreams" (sung by Bing Crosby, Fred MacMurray and Donald O'Connor); "Don't Let the Moon Get Away" (sung by Crosby); "Laugh and Call It Love," "Small Fry" (specialty written by Frank Loesser and Hoagy Carmichael); and "I've Got a Pocketful of Dreams" (reprise/ all sung by Crosby, MacMurray and O'Connor).

Of the tunes, "Pocketful of Dreams" (that might have served better as the movie title) is one that symbolizes Crosby's on-screen character, with lyrics pertaining to him, "I'm no millionaire, but I have no time to spare," or "Lucky, lucky me, I could live in luxury." The night club act featuring "Small Fry" is a worthy offering, having MacMurray, dressed in women's attire, playing an over-sized "wife," puffing his corncob pipe while sitting on a rocking chair, knitting, repeatedly reciting, "Of yes, Oh Yes, Oh Yes," while Crosby plays a bespectacled father with white beard. O'Connor, acting the title song of the troublesome son in overalls, reciting such lyrics as "You ain't the biggest catfish in the sea." One credited song not used in this production, "Where Is Central Park?" is never used, only instrumentally during its opening credits.

Ellen Drew, formerly Paramount starlet, Terry Ray, since 1936, assumes her first major role here as MacMurray's love interest. MacMurray, the middle, more logical and stronger member of the brothers, who, other than given a rare opportunity singing on screen, shares a climatic scene where he and his weaker brother Joe (Crosby) battle it out fist fighting in the stables with the crooked gamblers. Donald O'Connor, in motion picture debut, performs his task well, ranging from singing to playing jockey while either sitting on a stairway banister or on the racehorse. Surprise casting goes to Elizabeth Patterson in a rare opportunity where she virtually carries the story as the ever loving but patient mother trying to keep her sons together while steering her eldest to the right direction the best way she knows how.

Aside from Crosby's occasional crooning to good but nearly unmemorable songs, he does offer some funny bits in the midway point where, after coming to Los Angeles, starts winning bets on his first day at the race track by merely exchanging tickets with a racing addict (Tom Dugan) using what he calls the "Australian system," which means to bet on a horse with the most i's and a's in his name. Coming across as something from a Bob Hope comedy, Crosby puts it off well.

SING YOU SINNERS, which had frequent television revivals on commercial television back in the 1960s and '70s, was last seen broadcast in the early to mid 1980s on WOR-TV, Channel 9, in New York City as part of its "9-All Night" movie viewing. Unseen in many years, SING YOU SINNERS was finally distributed onto DVD in 2011 and broadcast on Turner Classic Movies (TCM premiere: August 3, 2016). In closing, what really makes SING YOU SINNERS stand apart from the Crosby films of the day was his offbeat characterization, one that occasionally has the young O'Connor frequently refrain in despair with these words, "My own brother!" Oh, yes, oh yes, oh, yes. (***1/2)