Bill Pettigrew, un joven soldado, es enviado a Nueva York para recibir entrenamiento. Allí conocerá a la actriz Daisy Heath, cuando ella casi le atropella. Daisy acepta hacerse pasar por la ... Leer todoBill Pettigrew, un joven soldado, es enviado a Nueva York para recibir entrenamiento. Allí conocerá a la actriz Daisy Heath, cuando ella casi le atropella. Daisy acepta hacerse pasar por la novia de Bill, pero al final el romance comenzaráBill Pettigrew, un joven soldado, es enviado a Nueva York para recibir entrenamiento. Allí conocerá a la actriz Daisy Heath, cuando ella casi le atropella. Daisy acepta hacerse pasar por la novia de Bill, pero al final el romance comenzará
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados en total
- Wilson - Caretaker
- (escenas eliminadas)
- Irish Policeman
- (sin créditos)
- Candy Store Attendant
- (sin créditos)
- Jack - Elevator Boy
- (sin créditos)
- Corporal
- (sin créditos)
- Tommy - Soldier
- (sin créditos)
- Hotel Clerk
- (sin créditos)
- Guard Yelling 'Halt!'
- (sin créditos)
Opiniones destacadas
The film is a sweet romance. Stewart is a backward country boy who, unlike all his other friends in the army, does not have a girlfriend and is very awkward around women. So, to stop them from making fun of him, on an impulse, he pretends that an actress (Sullavan) is his girlfriend. Oddly, she feels sorry for him and agrees to the ruse. However, over time, this jaded lady comes to life when she's with Stewart and eventually they fall in love for real. Where it goes next, I won't say--but I was very surprised where the film went. Some may hate the surprise but I appreciated how the writer avoided the clichéd or simple ending.
Well worth seeing despite some poor attention to details. Exceptionally acted (it doesn't get much better) and a dynamite script. See this one.
People from widely different social circles react to situations differently. It is evident that the rich talents of these two actors contributed strongly to the feeling question of their compatibility.
That is the whole point of this story! The examination of things that sometimes happen during a war between unlikely pairings.
Without trying to reveal any of the story, I will say that one never felt as if Sullavan portrayed the complexity of her character without conviction, in fact, she did it admirably. She merely expressed it in the only way that a person of another "class" from Stewart's would. What I did find refreshing in Sullavan's character, although taken from the mold of a Broadway star, she displayed none of the expected snobbery which those parts normally include. It made her character all the more likeable.
Stories about romance during a war are filled with stories that sound fantastic - but may have very well occurred. This movie is no exception and I took that perspective into account as I watched the story unfold.
I would recommend this movie to any fan of James Stewart or Margaret Sullavan. They delivered their parts with originality and a lack of staleness which is normally associated with such simple stories.
But as much as I enjoy and admire Jimmy Stewart, I thought Margaret Sullavan took acting honors in this one. Showing depth and range, she went from cold and cynical to sensitive and caring - from a turn-off to someone to root for. I also thought the chemistry between the two was a plus.
Stories like this one have been done many times in the past - country bumpkin meets jaded big-city veteran - but this picture had a unique charm about it that makes movie-going so enjoyable and rewarding. I rated it a well-deserved seven.
This was a direct re-make of the 1928 silent/sound success starring Nancy Carroll and Gary Cooper, and there were dozens of films with this romantic wartime love triangle. Most of the time, the male characters had different outcomes. The story is strained in places and diluted from the original, but the picture is nicely produced and performed well. The Stewart/Sullavan chemistry is easy to appreciate. A new Broadway musical sensation known as Mary Martin provides Sullavan with a beautiful singing voice.
****** The Shopworn Angel (7/15/38) H.C. Potter ~ Margaret Sullavan, James Stewart, Walter Pidgeon, Hattie McDaniel
¿Sabías que…?
- TriviaBroadway musical-comedy star Mary Martin provides the singing voice for Margaret Sullavan. This same year she also dubbed the singing voice for Gypsy Rose Lee in Battle of Broadway (1938). Modern sources indicate that Universal's The Rage of Paris (1938), which was filmed at approximately the same time as The Shopworn Angel was Martin's first film "bit" role. According to records of the M-G-M Music Collection at the USC Cinema-Television Library, Martin's recording of "Pack Up Your Troubles in Your Old Kit Bag and Smile, Smile, Smile was made on 1 June 1938.
- ErroresBill mails his postcards after leaving the soda fountain, seemingly without putting any stamps on them, but on one shot while he's sitting at the lunch counter you can see stamps on the cards. However, in the next close-up, just before he leaves, the cards are unstamped. The likely reason is that all the closeup shots where he's writing on the blank cards were filmed together with the same camera setup, and the long shots were shot later after stamps were added. (Perhaps they filmed a scene of Bill buying and affixing stamps but decided not to use it.)
- Citas
Pvt. William 'Texas' Pettigrew: Dying's a lot like being in love. You can't imagine it until its right on top of you.
- ConexionesFeatured in AFI Life Achievement Award: A Tribute to James Stewart (1980)
- Bandas sonorasYou're In The Army Now
(1917) (uncredited)
Music by Isham Jones
Lyrics by Tell Taylor and Ole Olsen
Played as background music for marching soldiers
Selecciones populares
- How long is The Shopworn Angel?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 531,000 (estimado)
- Tiempo de ejecución
- 1h 25min(85 min)
- Color
- Relación de aspecto
- 1.37 : 1