Radio City Revels

Nobody except for me and one of my friend's have seen this movie. But it's great! It's got lot's of humor and lot's of great song's in it! And it's really interesting to watch. And, all in all, it's just a very fun movie. Pure Escapism! That's All! I really loved the scene where there trying to get Lester to sleep. There is absolutly no intelligence in this movie! But it's great to watch! It's got great and funny and unique charecter's in it! If you ever have a chance to see this movie, see it! of better yet: tape it! I saw it on Turner Classic Movie's and taped it!

"Radio City Revels" is a comedy musical that is best for its music and dancing. The plot is silly and centers around a washed up songwriter, Jack Oakie, who discovers a correspondence student of his who composes songs in his sleep. He and his sidekick, a young Milton Berle tap Bob Burns for a number of hit songs. A young couple meet, Burns falls for Ann Miller, who falls for Kenny Baker (and him for her), while Helen Broderick latches onto Burns. Victor Moore is a radio show producer they all play up to.

Well, all the attempts at comedy (they are just that, at best) and romance pale, and just serve to tie together some very talented folks who sing and dance. It's an old-fashioned revue type of musical. Some of the leads of the cast weren't in many films. Ann Miller's tap dancing is a delight to watch, and some choreographed dance numbers are very good. This is just one of two feature films in which Jane Froman appears and sings. She had a great voice, and it's too bad she wasn't in more films. Her story was the subject of a very good 1952 musical biopic, "With a Song in My Heart," in which Susan Hayward played Froman. But one gets to hear that tremendous voice because she sang all the songs for the film that Hayward lip-synched.

I couldn't tell who a woman dancer is in this film, who seems to be triple-jointed. She does a number that includes super high kicks that seem to be perpendicular above her head. The only entertainer I know of who could do that was Charlotte Greenwood, but it doesn't appear to be her and she's not listed in the credits. Some other entertainers give good dance and movement routines that seem to have gone out with vaudeville. But they're very entertaining and interesting to watch.

It has been awhile since I started watching old movies. When I started my love of classic Hollywood, there was no TCM buy luckily I had a dinosaur called the video tape recorder. Before TCM entered the airwaves, its sister channel TNT used to show old movies. It was there that I saw a mediocre musical called Radio City Revels.

The movie deals with two out-of-work songwriters in New York City, Harry Miller (Jack Oakie) and Teddy (Milton Berle), who live next door to sisters Billie (Ann Miller) and Gertie (Helen Broderick) Shaw, who used to tour in vaudeville and have been left stranded and income-less by its demise. Miller's and Teddy's only source of income is a correspondence course in songwriting that they've sold to exactly one student, Arkansas hillbilly Lester Robin (played by rustic comedian Bob Burns, who had enough of a reputation in 1938 he's actually given top billing).

Robin is frustrated because while he's awake he can only come up with songs other people already wrote (like an hilariously fractured version of "My Bonnie Lies Over the Ocean") but when he's asleep he dreams the most beautiful — and original — melodies and lyrics, only to forget them when he wakes up. Miller and Teddy realize this unique talent and start transcribing Lester's nocturnal emissions, peddling them as their own and becoming star songwriters for the company owned by Paul Plummer (Victor Moore, even more annoyingly whiny than usual). The premise is so weird that at least one critic summed it up by saying it seemed as if the film's writers had been asleep when they came up with it.

The draw of the movie for me was the appearance of singer Jane Froman in a minor role. She played the vocalist for Hal Kemp's band. It is unfortunate that she did not have a bigger role, it might have helped the movie. Froman never had much of a movie career, but her voice was wonderful. Kenny Baker was the male vocalist in this opus. Baker got his start as the comic foil for Jack Benny on his radio show, and he left the Benny organization to make his way in film. Like Froman, Baker did not have much of a movie career either.

RKO spent some serious money on this movie — at least two of the numbers, including "There's a New Moon Over the Old Mill," are staged on splendiferous sets (the "Old Mill" number takes place on a beautiful white, stylized art deco mill and features four mill maids desperately waiting for male mates. Great comic actors like Victor Moore and Helen Broderick were features as second bananas in the film, but with no major stars it was hard to see who they would be second banana to.

It is utterly baffling who they thought the audience for it would be, and as it turned out there wasn't one: RKO spent $810,000 making Radio City Revels and lost $300,000 on it. The movie was not great, and it is mostly forgotten today, but the film is worth watching if it is just for the 1930s stars that the movie spotlighted...

Very silly but very entertaining movie. Great cast. And the dancing...one number, I think, compares very favorably with the big dance number in Seven Brides for Seven Brothers. The individual dancers are superb. One female dancer (I don't think it was Ann Miller) does steps I've never seen before and should attract the admiration of skilled orthopedists. Milton Berle and Jack Okie make an interesting pair of con men, and if you remember Uncle Miltie from his television days, you'll see that he was practicing his "schtick" long before TV. It's also interesting to see Jane Froman--beautiful face and beautiful voice--before the accident that crippled her (and led to "With a Song In My Heart" with Susan Hayward.)

This is a fictional film based on a fictional story about a real place in a real city , with real people playing the roles of some of the fictional characters and using their own name as the character name.

What transpires here has a character named Lester Robin (Bob Burns), a songwriter, and another character named Billie Shaw (Ann Miller), an aspiring dancer, striving to make good at Radio City (played by a sound stage in Hollywood), where a character named Kenny Baker (played by Kenny Baker)is already a star network singer. Also hanging around the premises are Harry Miller (Jack Oakie) and Teddy Jordan (Milton Berle), a Tin Pan Alley song-writing team who write songs for Radio City bosses Paul Plummer (Victor Moore) and Crane (Richard Lane.) Lester, an Arkansas show-boat performer, in his sleep composes songs which are excellent, but he is unconscious of the fact. He heads for New York City to take lessons from Miller and Jordan. Alas, Miller has gone stale but he learns the secret of Lester's sleep-time gift, and proceeds to copy the songs and market them as his own; his object being to finance the career of Miss Shaw, although she is in love with a fictional radio singer, the afore-mentioned Kenny Baker.

But through the success of Lester's songs that have been appropriated by Miller, she gets a dancing engagement, and her sister, Gertie Shaw (Helen Broderick), becomes romantically attached to Lester.

BUT...at a critical moment (a very relative term), Lester develops insomnia, and can't compose anymore since he isn't sleeping. HOWEVER...back in Arkansas, copies of his songs he produced in his sleep are discovered, with no mention of who was writing them down for him in Arkansas. Dancers Squenchy (Buster West) and Lisa (Melissa Mason)carry them to New York where Miller capitalizes upon them in a big way.

But Gertie, bless her, exposes the duplicity of Miller & Jordan, and Miller don't much care anyway as Billie has eloped with the fictional character named Kenny Baker, who just happens to be played by the real singer named Kenny Baker.