Mystery House

When a rich banker is mysteriously killed, detective Lance O'Leary (Dick Purcell) is called out to a remote hunting lodge to investigate.

Mystery House is a typical cheap Warner Brothers mystery film. The plot has several gaping holes, but most of the actors are halfway decent. Star Dick Purcell would later become the first actor to play Captain America on screen. Ann Sheridan is rather wasted, but Elspeth Dudgeon (who had a very memorable role in The Old Dark House) is a hoot as the cantankerous aunt.

There's worse way to spend 56 minutes.

All things considered Mystery House is not a bad product coming out of Warner Brothers B picture unit. It's another one of those classic shootings in a locked room, where the verdict can be nothing else, but suicide. Or can it?

The members of the board of directors of a company are gathered on a retreat where the president confronts them with his suspicion that one of them is guilty of embezzlement. He's found shot to death in a locked room, but the man's daughter can't believe it wasn't murder so she hires a private detective and invites the whole lot of them back to the retreat where the crime occurred.

Two murders later and we have an answer. No hints at all as to who and how, but I will say the weapon is in plain sight.

Ann Sheridan and Dick Purcell are our leads and television fans will spot a future detective in William Hopper who played Paul Drake on the Perry Mason series.

Back in 1938 when it ran as the second feature of a double bill, I don't think too many people left their seats.

I enjoyed this movie very much. Considering it is a B-movie, in my opinion, it is a good B-movie. It is based on the mystery novel "The Mystery of Hunting's End" by Mignon G. Eberhart, and the movie title "Mystery House" is very appropriate, since a group of people are gathered together in a house where a man was murdered. The acting by the entire cast is good. With the exception of Dick Purcell and Ann Sheridan, I was not familiar with any of them. It is a short movie, but there is much action in less than one hour. I would recommend this movie to anyone who is interested in a good mystery movie. The hour went by very fast.

This high-speed version of one of Mignon Eberhardt's classically plotted mysteries is directed by Noel Smith, one of Warner's experts in short features, timing in at a bit less than one hour. Mr. Smith spent much of the 1930s and 1940s directing second feature westerns and mysteries.

Half a dozen people are isolated in a house while the detective tries to figure out which of them, all with excellent motives, committed the murder. This sort of mystery requires a tremendous amount of talking, and people talk fast. Unhappily, most of the dialogue is exposition and delivered a bit stiffly. Visually, it's very nicely done with some excellent tracking shots to maintain good composition and an overall look like an Old Dark House movie. The print, like many of the major studios' B movies of this period, is in excellent shape.

Over all, it's a pleasant way for mystery fans to spend an hour with a story that will keep you guessing until the end.

It's a decent if unremarkable little mystery with many clichés from that whodunit saturated decade. There's the puzzle of murder in a locked room, an old dark house, and suspects aplenty. Of course, the culprit is exposed amid a climactic assembly of suspects, perhaps the biggest cliché of all. As detective Lance O'Leary (that name should have been reconsidered), actor Purcell has nearly zero charisma, which unfortunately eliminates someone for the audience to identify with. And even the formidable Ann Sheridan is denied her usual pizazz. Only crotchety old Aunt Lucy (Dudgeon) projects real personality. What the movie does have going for it is a clever solution to the locked room.

The studios (here it's Warner Bros.) turned out hundreds of these competent little programmers year after year, a tribute to their professionalism. Of course, a whodunit like Mystery House would migrate later on to TV, especially to a series like Perry Mason (1957- 1966), where the suspects would assemble in a courtroom. Speaking of Mason, catch a sleek, young William Hopper years before his personable detective role on the Mason series.

All in all, the movie's main value may be in it's representative nature of what people went to see on a slow Saturday evening so many years ago.