Agrega una trama en tu idiomaAn 1890s widow has two daughters and two sons. The daughters fall in love with the same gentleman.An 1890s widow has two daughters and two sons. The daughters fall in love with the same gentleman.An 1890s widow has two daughters and two sons. The daughters fall in love with the same gentleman.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Marie L. Day
- Old woman in Popham's store
- (sin créditos)
Lew Kelly
- Paperhanger
- (sin créditos)
Opiniones destacadas
This was a delightful surprise. I'd heard about the actresses who'd turned down the lead role and -- let's face it -- the title is pretty corny.
But it is a charming movie -- funny and touching by turns. The little boy in it gets fairly low billing but far too much screen time. He's icky and barely understandable in many scenes. Otherwise I'd rats the movie a full 10.
I am kind of a cynic when it comes to Americana but now and then, it really works; and this is one of those times.
The movie reminds me of "Meet Me In St. Louis," which it predates, in that it is about a strong, loving family that stays together and triumphs over odds.
Ruby Keeler is surprisingly good in the role turned down by Katharine Hepburn and others. Fay Bainter is at her most appealing. James Ellison is, as always, appealing, as are Anne Shirley and Walter Brennan. In a juicy role that came a year before the one that made her famous, Margaret Hamilton is the kind of villain moviegoers love to see get her comeuppance, which she and her hapless husband surely do, thanks to the ingenuity of the family and the two sisters' beaux.
But it is a charming movie -- funny and touching by turns. The little boy in it gets fairly low billing but far too much screen time. He's icky and barely understandable in many scenes. Otherwise I'd rats the movie a full 10.
I am kind of a cynic when it comes to Americana but now and then, it really works; and this is one of those times.
The movie reminds me of "Meet Me In St. Louis," which it predates, in that it is about a strong, loving family that stays together and triumphs over odds.
Ruby Keeler is surprisingly good in the role turned down by Katharine Hepburn and others. Fay Bainter is at her most appealing. James Ellison is, as always, appealing, as are Anne Shirley and Walter Brennan. In a juicy role that came a year before the one that made her famous, Margaret Hamilton is the kind of villain moviegoers love to see get her comeuppance, which she and her hapless husband surely do, thanks to the ingenuity of the family and the two sisters' beaux.
Not bad but strictly B movie shenanigans that lays the syrup on pretty thick.
Originally assigned to Katharine Hepburn at the tail end of the first phase of her screen career when she had been branded box office poison. She realized that if this was the best RKO was going to offer her that her career was doomed and wisely bought out the remainder of her contract and fled back east to regroup returning in triumph a few years later with The Philadelphia Story.
The film does have a few things going for it, mainly the supporting cast. Fay Bainter is gentle and warm as Mother Carey but she is sidelined after the first quarter of the picture to make room for a few sappy love stories and some minor drama and a smidgen of comedy. Old reliables Walter Brennan and Margaret Hamilton both add a bit of flavor to the film but it's strictly a second string affair.
Originally assigned to Katharine Hepburn at the tail end of the first phase of her screen career when she had been branded box office poison. She realized that if this was the best RKO was going to offer her that her career was doomed and wisely bought out the remainder of her contract and fled back east to regroup returning in triumph a few years later with The Philadelphia Story.
The film does have a few things going for it, mainly the supporting cast. Fay Bainter is gentle and warm as Mother Carey but she is sidelined after the first quarter of the picture to make room for a few sappy love stories and some minor drama and a smidgen of comedy. Old reliables Walter Brennan and Margaret Hamilton both add a bit of flavor to the film but it's strictly a second string affair.
The story is about a family who loses the father early on in the film. But because they love each other so much and are so full of pluck and determination that they somehow live happy lives even though they are dirt poor. They live on love as well as the inexplicable deal that allow them to live in a beautiful mansion despite being so poor.
I like old fashioned films but, alas, I found "Mother Carey's Chickens" to be a bit too much--too cloying, too sentimental and, at times, a bit too miserable. I just think that there are better family dramas of the period than this one. I think if the film had a bit of humor and a bit less sentimentality (such as in "Life With Father" or "Meet Me in St. Louis"), it would have worked a bit better. It did have quite a bit of this humor near the ending but it could have used it throughout. Overall, it's just an okay but a tad syrupy time-passer.
I like old fashioned films but, alas, I found "Mother Carey's Chickens" to be a bit too much--too cloying, too sentimental and, at times, a bit too miserable. I just think that there are better family dramas of the period than this one. I think if the film had a bit of humor and a bit less sentimentality (such as in "Life With Father" or "Meet Me in St. Louis"), it would have worked a bit better. It did have quite a bit of this humor near the ending but it could have used it throughout. Overall, it's just an okay but a tad syrupy time-passer.
In the 1890s, widow Margaret Carey (Fay Bainter) struggles to keep a roof over the heads of her four children. When they finally have a steady home, a scheming couple (Margaret Hamilton, Harvey Clark) try to take it away from them. Meanwhile the two daughters (Anne Shirley, Ruby Keeler) fall in love with the same man (James Ellison).
I'm always up for an Anne Shirley movie. She's one of the most under-appreciated actresses of her era and one of the prettiest, too. It's nice to see Ruby Keeler outside of a musical but it's easy to see why her career went nowhere when she wasn't tapping. After this she didn't do another movie for three years. Fay Bainter is wonderful as the saintly Mother Carey. It's too bad she isn't in the movie more in the second half. Margaret Hamilton and Walter Brennan make any movie better and that holds true here. This is the film debut of child actor Donnie Dunagan. That name might not mean much to a lot of you but Universal horror fans will recognize him as the heavily-accented boy from Tower of London and Son of Frankenstein, both also directed by this film's director Rowland V. Lee. He has lots of precocious lines and funny moments. He's not the best little actor but he still manages to steal the picture. Charming Americana that provides some laughs and tears. It's not perfect but if you like movies like Meet Me in St. Louis, you should enjoy this.
I'm always up for an Anne Shirley movie. She's one of the most under-appreciated actresses of her era and one of the prettiest, too. It's nice to see Ruby Keeler outside of a musical but it's easy to see why her career went nowhere when she wasn't tapping. After this she didn't do another movie for three years. Fay Bainter is wonderful as the saintly Mother Carey. It's too bad she isn't in the movie more in the second half. Margaret Hamilton and Walter Brennan make any movie better and that holds true here. This is the film debut of child actor Donnie Dunagan. That name might not mean much to a lot of you but Universal horror fans will recognize him as the heavily-accented boy from Tower of London and Son of Frankenstein, both also directed by this film's director Rowland V. Lee. He has lots of precocious lines and funny moments. He's not the best little actor but he still manages to steal the picture. Charming Americana that provides some laughs and tears. It's not perfect but if you like movies like Meet Me in St. Louis, you should enjoy this.
My guess is that the Walt Disney studio did not want this version of Mother Carey's Chickens competing with it's remake entitled Summer Magic so this film is rarely seen. Both versions are nice entertainment.
Maybe because it's a little closer to the 1898 setting that this version is a bit more realistic. In the Disney version the character of the father played by Ralph Morgan is eliminated, in that one Mother Carey is already a widow. Here with Morgan's death in the Spanish American War we see just what kind of genteel poverty the Careys have been driven into.
Katherine Hepburn reportedly bought out her contract so that she wouldn't have to do this film. Watching it I kind of understand the thinking at RKO. Probably the studio thought this would be a return to one of Kate's most beloved roles from Little Women. There sure is a lot of similarity. I can also understand Hepburn's thinking that this would be a step back not forward for her career. In any event Ruby Keeler who had just been let go at Warner Brothers did her part.
Fay Bainter in the year she won the Best Supporting Actress Award for Jezebel plays Mother Carey who holds her brood together through all kinds of financial and romantic strife. It's a nice role for her and she does well by it. Walter Brennan who hailed from the rural New England area in real life that Mother Carey's Chickens is set in has one of his patented folksy rustics as the local storekeeper.
Though Margaret Hamilton's most famous role was a year away as the Wicked Witch of the West aka Miss Gulch in The Wizard of Oz, here she has a part that makes the witch look like Mother Teresa. She and her milquetoast husband want the old house the Careys have been forced to move in and are willing to do just about anything to get them out. Of course they don't reckon with Carey resourcefulness.
James Ellison and Frank Albertson play a nice pair of suitors for the Carey girls Anne Shirley and Ruby Keeler. Younger Carey brother Jackie Moran has some young romantic problems of his own with Virginia Weidler. But coming close to stealing the film is little Donnie Dunnigan playing Peter Carey. His scene where he tries to 'help' with the hanging of the wallpaper is priceless. In fact watching this I think I know where Leo McCarey got the idea in The Bells of St. Mary's to just turn the camera loose on a gang of little children doing a nativity play as a kind of improvisation. I don't think you could have scripted little Donnie's scenes for this.
Hopefully I'll get to see Summer Magic soon and compare. Hopefully you will all get to see both versions.
Maybe because it's a little closer to the 1898 setting that this version is a bit more realistic. In the Disney version the character of the father played by Ralph Morgan is eliminated, in that one Mother Carey is already a widow. Here with Morgan's death in the Spanish American War we see just what kind of genteel poverty the Careys have been driven into.
Katherine Hepburn reportedly bought out her contract so that she wouldn't have to do this film. Watching it I kind of understand the thinking at RKO. Probably the studio thought this would be a return to one of Kate's most beloved roles from Little Women. There sure is a lot of similarity. I can also understand Hepburn's thinking that this would be a step back not forward for her career. In any event Ruby Keeler who had just been let go at Warner Brothers did her part.
Fay Bainter in the year she won the Best Supporting Actress Award for Jezebel plays Mother Carey who holds her brood together through all kinds of financial and romantic strife. It's a nice role for her and she does well by it. Walter Brennan who hailed from the rural New England area in real life that Mother Carey's Chickens is set in has one of his patented folksy rustics as the local storekeeper.
Though Margaret Hamilton's most famous role was a year away as the Wicked Witch of the West aka Miss Gulch in The Wizard of Oz, here she has a part that makes the witch look like Mother Teresa. She and her milquetoast husband want the old house the Careys have been forced to move in and are willing to do just about anything to get them out. Of course they don't reckon with Carey resourcefulness.
James Ellison and Frank Albertson play a nice pair of suitors for the Carey girls Anne Shirley and Ruby Keeler. Younger Carey brother Jackie Moran has some young romantic problems of his own with Virginia Weidler. But coming close to stealing the film is little Donnie Dunnigan playing Peter Carey. His scene where he tries to 'help' with the hanging of the wallpaper is priceless. In fact watching this I think I know where Leo McCarey got the idea in The Bells of St. Mary's to just turn the camera loose on a gang of little children doing a nativity play as a kind of improvisation. I don't think you could have scripted little Donnie's scenes for this.
Hopefully I'll get to see Summer Magic soon and compare. Hopefully you will all get to see both versions.
¿Sabías que…?
- TriviaOriginally, RKO slated Katharine Hepburn to star in this picture. She had just been declared a "box office deterrent" by the Independent Theater Owners Association. She refused the role and consequently bought out her contract from RKO.
- ErroresAs Mr. Popham is hanging a picture, a studio light is reflected in the glass over the painting.
- Créditos curiososThe opening credits are shown as like framed embroidered samplers.
- ConexionesReferenced in The John Garfield Story (2003)
- Bandas sonorasSailing, Sailing (Over the Bounding Main)
(1880) (uncredited)
Written by Godfrey Marks
Sung a cappella by the Carey family on the way to their picnic
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Deca majke Karej
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 358,000 (estimado)
- Tiempo de ejecución1 hora 22 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Mother Carey's Chickens (1938) officially released in India in English?
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