The Mad Miss Manton

Barbara Stanwyck in another "I saw the body until it disappeared" kind of farce, giving the audience a good time as she tangles with unbelieving police inspector (Sam Levene) and a newspaper reporter looking for a good story (Henry Fonda).

The supporting cast includes Hattie McDaniel and Penny Singleton but it's Stanwyck's performance that makes this one shine. Henry Fonda plays another variation on his mild-mannered dunce but it's Stanwyck who keeps the dialogue snappy and the events somewhat believable.

It's a wacky blend of comedy and mystery with a denouement that is less than satisfying as none of the supporting characters are more than cardboard stereotypes. Passes the time pleasantly enough, but don't expect anything great.

Stanwyck gets the glamour treatment and looks her best in the madcap title role.

My favorite aspect of this movie is the manner in which this gaggle of giggly débutantes present themselves. They wear sparkling, full-length evening gowns and fabulous furs, and sport impeccable manicures, while sleuthing about in the dark. You go girls! It was also interesting to observe Penny Singleton, aka the infamous Blondie, with extremely dark hair, reciting a couple of lines. Barbara Stanwyck is, as always, seamlessly gorgeous, and she takes on a tireless leadership role while constantly flirting with a young and handsome Henry Fonda. Everything from the beautiful, sleek and shiny cars to the stunningly brilliant fashion displays make this a great choice for old movie fanatics.

I think this may be Henry Fonda and Barbara Stanwyck's first movie together and sparks fly. The dialog is fast and witty. The actual mystery shown in the movie is irrelevant. If you like films from the 30's and have already seen the classics such as The Lady Eve and Palm Beach Story, then definitely see this. I wish Henry Fonda had done more comedy but he makes up for lost time here. Unlike The Lady Eve, where he is primarily the straight man (with terrific physical comedy), in the Mad Miss Manton he gives as good as he gets with his leading lady. I don't know why this movie doesn't get more attention. I think it is a lot funnier than "The Male Animal". For another comedic effort of Fonda's, watch Tales of Manhattan. He has a gem of a scene with Ginger Rogers.

Several factors need to be in place for you to enjoy The Mad Miss Manton. First, it helps to like Barbara Stanwyck. I love her! Second, it helps to like Henry Fonda. He's great! Third, it helps to like Hattie Mc Daniel. Not only do I, but she's quite hilarious! Next, Miss Manton (Stanwyck) is constantly surrounded by her group of elitist girlfriends. If it had just been Miss Manton, then it would have been mighty scary vs. mysterious. Miss Manton's flighty friends in their 40's gowns with their big 40's furs and their typical 40's hairstyles keep this film light and fluffy. Fluffy due to their big fluffy furs:) Also, it helps to enjoy screwball comedies. This one is screwball to the max. It's not a perfect screwball. It's not award worthy. It is a fun film with a great cast. It's also fun to mix some mystery into the mix. Finally, it's just pure entertainment. It may be a bit dated now, and many great films have come after it. However, if you put yourself back in time, you might imagine the abundance of entertainment you'd get from a dime or a quarter at the movies. Sometimes perspective helps make a movie better. I doubt anyone making it at the time thought people would still be watching it in the next century. With those factors in mind, I appreciate the entertainment value from this obscure comedy with a delightful cast.

This movie, a warmup for Stanwyck and Fonda for the later The Lady Eve, is entirely enjoyable. A lighthearted piece of fluff, true, but everybody is having such a good time that it becomes totally infectious. Stanwyck, a rich deb, while walking her dogs in the middle of night, stumbles over a murdered man who disappears when she summons the police, of course. Fonda, a news editor/reporter, castigates her in print, and she threatens to sue. They, in the time-honored tradition of Hollywood comedy/mysteries, jointly, and sometimes separately and at loggers head, try to solve the mystery and find the murderer. Stanwyck is aided by a cohort of fellow debutantes, who do things helter-skelter en masse. The scene when Stanwyck sics 'em on Fonda ("Get him, girls"), with Fonda crawfishing as they advance, alone is worth the price of admission, as is the final avowal of love and proposal of marriage.