Four Men and a Prayer

Richard Greene, David Niven, George Sanders and William Henry are the four men part of "Four Men and a Prayer," a 1938 John Ford film also starring Loretta Young.

Frankly I felt as if I came in at the middle of this film, though I saw the whole thing - but I never actually did figure out the plot. The boys' father (C. Aubrey Smith) has been dishonorably discharged from the army and telegraphs each son that he wants to meet them at the family manse.

The discharge was unfair - he was set up - now, I'm guessing here but it had something to do with illegal arms. His sons want to help him, but moments later, he is murdered in his study and his papers stolen.

Taking what info they have, they split up and travel to India, South America and Egypt to find the people their father mentioned who can help clear his name. Loretta Young, who plays Greene's madcap girlfriend, chases him shamelessly in a variety of outfits.

I still can't decide if there was too little or too much fooling around by the brothers. For me the comic stuff never does come off, Niven being the exception.

The acting, however, is good. Richard Greene might have been Tyrone Power's only rival at 20th Century Fox, except that he returned to England in 1940 to enter the service. This was his first film under contract to Fox. He was very handsome with a nice screen persona; baby boomers may remember him as television's "Robin Hood."

Loretta Young is dazzlingly beautiful - I actually didn't find her annoying as she seemed to fit right into the frenetic energy of the film. Sanders and Niven turned in their usual fine performances.

There's a nice turn by Lina Basquette, too, as a foreign woman with information. For those who don't know Lina, well, she was a silent screen star and half-sister of dancer Marge Champion.

Lina was married to Sam Warner; after his death, the Warners took her child from her and made sure she never worked again. She eventually went to the dogs - literally - by becoming a breeder and judge at the Westminster Dog Show.

In a New Yorker Profile done in the 1990s, she claimed to have been propositioned by Hitler and said she had done work as a spy during World War II. She also declared Eric Braeden of "The Young and the Restless" her favorite actor and ended up meeting him.

Lina appeared at Cinecom when she was in her late 80s, and the audience, used to seeing elderly actresses in wheelchairs, was shocked at the end of "The Younger Generation," one of her early films, when she didn't walk - but ran onto the stage, looking incredible, to answer questions.

For me, Lina's appearance as Ahnee is actually the high point of "Four Men and a Prayer," featuring some very attractive people in a half-comedy/half-drama and a confusing plot. Thankfully, Ford didn't stick with this genre.

It will take FOUR MEN AND A PRAYER to save an old colonel's reputation from disgrace.

Although its complicated plot is faintly ludicrous, this John Ford film offers plenty of action and some good acting to keep its viewers entertained. The production value is of a high order and there's a generous amount of heroics, which almost makes one forget that there's no really despicable villain to hiss.

Barrister George Sanders, diplomat Richard Greene, military pilot David Niven, and Oxford student William Henry are the English brothers who unite to find their father's murderer and clear his good name. All do a fine job with what the script gives them, constantly dashing about and acting terribly energetic, with young Henry more than keeping up with his three better known costars. Greene actually has top billing, but Niven gets the best lines, getting to leaven a good deal of humor into his performance.

Lovely Loretta Young does not fare so well. She's given the ridiculous role of a silly rich girl in love with Greene who follows him first from America to England, then on to Argentina and Egypt. Even witnessing a hideous massacre doesn't entirely sober her, as she begins to behave like a junior league Mata Hari to uncover information for the preternaturally patient Greene. One usually expects more than this from John Ford's heroines.

The rest of the large cast offers able support, however. Wonderful old Sir C. Aubrey Smith graces his brief role as the men's tragic father. Stalwart Reginald Denny plays a captain with too much information for his own good. Affable Alan Hale has fun with his role as a millionaire arms dealer. J. Edward Bromberg is a squalid little South American general and, in a tiny role, John Carradine plays his suave & dangerous enemy. Blustery Berton Churchill plays the powerful tycoon father of Miss Young's character, while bantam Barry Fitzgerald steals his few moments of screen time as a boisterous little Irishman ready for a good fight.

Interesting film for the actors playing three of the brothers and the father and Loretta Young in a more whimsical part than usual for her. We've seen this type character portrayed before - a charmed harum scarum type - but not particularly by her. It features Richard Greene, an actor whose star rose quickly but had a short run. Don't try to follow the action, and see it more than once if you intend to attempt to follow the path leading toward the perpetrator. The arms seller father is a rewarding figure as he turns out a good guy who helps to simplify things, much needed in a complicated and twisted trail. Alan Hale is also in an atypical role as the evil genius. I can see why this one would be diverting at the time of release, but not one with a lasting shelf life, except for completists of a particular actor or stalwart fan.

This movie was a well written adventure and suspense yarn with a very distinguished cast. However, I feel that the character played by Loretta Young was overemphasized. From the moment that she first enters the story she is in virtually every scene. After awhile it got a bit distracting. She played one of those "won't take no for an answer" types who always gets her way. Despite this annoying characterization, overall i enjoyed the film.

Four brothers receive telegrams from their father, telling them he has been dishonourably discharged and bidding them meet him at their home. They arrive to learn that he has the evidence to prove he was framed in his court-martial, but before the end of the evening Father has been murdered in his locked study, and his papers stolen. The four brothers fan out across the globe in search of the four men their father mentioned who might be able to prove his innocence--sort of an inverted version of the Four Feathers.

The brothers, played by George Sanders, David Niven, William Henry, and Richard Greene (who, from a distance, looks oddly like Brendan Fraser), are staunch in support of their dishonored father (played by the only actor who could command unquestioning faith in his military honor: C. Aubrey Smith). In their travels, they are haunted by Greene's irritating American girlfriend, played by Loretta Young as not much more than a series of costume changes (she shows up in some of the oddest hats imaginable, and one fur-trimmed number that makes you wonder if she's a Plushy fetishist--she does make up for it, however, in a lovely gown-to-watch-revolutions-by). Perhaps her most far-fetched moment, however, is her light-hearted banter after an evening of watching a military massacre.

Along the way, the tone of the movie changes almost as often as Young's wardrobe. You think you're in a sort of amateur detective yarn, and suddenly you're watching innocent peasants mowed down by the military. The director, John Ford, is quoted in the AFI Catalog as having said, "I just didn't like the story, or anything about it, so it was a job of work." His lack of passion really shows.

But the chaotic story (filled with pointless red herrings, such as the role Young's father may or may not have played in the evil-doings) does have some wonderful light moments, most of them provided by Niven, who is just delightful throughout: conversing with a boat steward in Donald Duck voices, playing with rubber toys, mocking Henry's incipient whiskers, roughhousing with his brothers when they reunite on a boat dock. These touches make the film less painful than it would be otherwise. The wonderful George Sanders, however, is painfully underutilized.