Agrega una trama en tu idiomaAfter meeting her in Paris, a penniless marquis relentlessly pursues a famous actress.After meeting her in Paris, a penniless marquis relentlessly pursues a famous actress.After meeting her in Paris, a penniless marquis relentlessly pursues a famous actress.
- Dirección
- Guionistas
- Elenco
Fernand Gravey
- Rene Vilardell
- (as Fernand Gravet)
Ottola Nesmith
- Agnes
- (as Tola Nesmith)
Tempe Pigott
- Bessie
- (as Tempe Piggott)
Jeni Le Gon
- Singer at Le Petit Harlem
- (as Jeni LeGon)
Jean Benedict
- Evelyn
- (sin créditos)
Jack Deery
- Party Guest
- (sin créditos)
Elspeth Dudgeon
- Cynthia
- (sin créditos)
Elizabeth Dunne
- Tourist Buying Rug
- (sin créditos)
Opiniones destacadas
and it was largely because of the Lombard/Gable ''scandal''. Their affair had become very public by 1938 and was probably not greeted with open arms by the American filmgoing audience at the time, considering that Gable was already ''respectably'' married. Lombard did not then endear herself to her public and why should she have? Gable was the idol of millions of women and Lombard was an unwelcome bubble burster. Look at the box office performance of this and her subsequent films, they were virtually all flops until her fortunes began to revive, slightly, with Mr and Mrs Smith. By this time the burning jealousy of those millions of women had softened somewhat. It's kind of fascinating. Fools For Scandal was an expensive and derisive echo of My Man Godfrey, and nowhere near as good. But it was by no means the worst film of the year. A misfire, no doubt. But one with a certain amount of cache. One thing's for sure, it did not result in any kind of a contract for Lombard at Warner Brothers, under the helm of the miserly Jack Warner.
An enjoyable character-driven romantic comedy, and a delight it was. Don't expect the best thing since sliced bread, but for a genre which I don't particularly find to be my cup of tea, this made me smile a bit.
Most of the smiling due to Fernand Gravet's performance, slick, charming, funny and clever, as well as the chemistry between he and Lombarde. The supporting roles filled by Bellamy and Jeans were also spot on, creating a great comedic environment.
I don't put much stock into plot when it comes to romantic comedies, regardless of whether it was made yesterday or 60 years ago, so if you can get past that, then you'll truly enjoy yourself.
7/10
Most of the smiling due to Fernand Gravet's performance, slick, charming, funny and clever, as well as the chemistry between he and Lombarde. The supporting roles filled by Bellamy and Jeans were also spot on, creating a great comedic environment.
I don't put much stock into plot when it comes to romantic comedies, regardless of whether it was made yesterday or 60 years ago, so if you can get past that, then you'll truly enjoy yourself.
7/10
Only because CAROLE LOMBARD and FERNAND GRAVET (he played Johann Strauss in "The Great Waltz") are shown enjoying themselves during a blooper moment on the dinner set of FOOLS FOR SCANDAL (in The Big Breakdowns of '38), did I want to see this romantic comedy. Turns out not to be quite the lark I expected, even though it has the usual Warner contract players in the supporting cast, including RALPH BELLAMY, ALLEN JENKINS, ISABEL JEANS and MARIE Wilson.
In the blooper, Carole had trouble digging into her steak which triggered an outburst from her and giggles from the other players. It was so amusing that I wanted to see the actual scene in the movie.
Unfortunately, FOOLS FOR SCANDAL is the screwiest kind of screwball comedy. None of the characters are the least bit grounded in any kind of reality, strictly cut-outs with dull one-liners as they confront one silly situation after another. The plot is something about a screen actress (Lombard) being stalked by a charming Frenchman whom she eventually hires as a cook. All of her female friends are crazy about him--and she's just, well--crazy. CAROLE LOMBARD plays her role at a fever pitch of fast talking nonsense and FERNAND GRAVET joins the mad pace with good humored sportsmanship. RALPH BELLAMY has his usual third wheel role of a man earnestly in love with Carole but obviously not headed for the altar at the final reel. He plays his role like an eager puppy wanting to please, but the results are still rather meager.
Summing up: Contrived screwball comedy is enjoyable only for the performances of the three leads, but the situations are unbelievable and overacted in the sledgehammer style of acting prevalent in Warner comedies of the '30s.
In the blooper, Carole had trouble digging into her steak which triggered an outburst from her and giggles from the other players. It was so amusing that I wanted to see the actual scene in the movie.
Unfortunately, FOOLS FOR SCANDAL is the screwiest kind of screwball comedy. None of the characters are the least bit grounded in any kind of reality, strictly cut-outs with dull one-liners as they confront one silly situation after another. The plot is something about a screen actress (Lombard) being stalked by a charming Frenchman whom she eventually hires as a cook. All of her female friends are crazy about him--and she's just, well--crazy. CAROLE LOMBARD plays her role at a fever pitch of fast talking nonsense and FERNAND GRAVET joins the mad pace with good humored sportsmanship. RALPH BELLAMY has his usual third wheel role of a man earnestly in love with Carole but obviously not headed for the altar at the final reel. He plays his role like an eager puppy wanting to please, but the results are still rather meager.
Summing up: Contrived screwball comedy is enjoyable only for the performances of the three leads, but the situations are unbelievable and overacted in the sledgehammer style of acting prevalent in Warner comedies of the '30s.
The only thing I can't figure out is why Carole Lombard playing a movie star very
much like Carole Lombard in Fools For Scandal is why she was going out with a
drip like Ralph Bellamy in the first place? Can someone answer that question?
I can't imagine her ever coming in contact with him except to buy insurance.
Fools For Scandal has Lombard over in Paris where she meets a penniless count played by Fernand Gravey who gets by on wit, charm and little else. He encounters Lombard and manages to charm his way into her household and he turns out to be a pretty good cook. The man has a way with Crepe Suzettes.
Of course this continental charmer is good also at getting Ralph Bellamy's goat. But that's the whole idea. Bellamy gets more than a few laughs with his exasperation.
Fools For Scandal is not one of Lombard's really great films, but it certainly will satisfy her legion of fans. There's also nice parts for Marie Wilson as Lombard's maid as her usual vacuous self and Allen Jenkins who is Gravey's American friend from Brooklyn.
Now how did those two get together?
Fools For Scandal has Lombard over in Paris where she meets a penniless count played by Fernand Gravey who gets by on wit, charm and little else. He encounters Lombard and manages to charm his way into her household and he turns out to be a pretty good cook. The man has a way with Crepe Suzettes.
Of course this continental charmer is good also at getting Ralph Bellamy's goat. But that's the whole idea. Bellamy gets more than a few laughs with his exasperation.
Fools For Scandal is not one of Lombard's really great films, but it certainly will satisfy her legion of fans. There's also nice parts for Marie Wilson as Lombard's maid as her usual vacuous self and Allen Jenkins who is Gravey's American friend from Brooklyn.
Now how did those two get together?
Kay Winters (Carole Lombard) is vacationing in Europe under the name Kay Summers; she is a famous movie star from Hollywood but wants to avoid crowds. She runs into an attractive young man named Rene (Fernand Gravet) who is on route to a party of a mutual friend, but neither know of this connection. They decide to skip the party altogether and spend the evening dining out. After a delightful night, the two decide to see each other again, but Kay is all set to return to the states. Her love keeps her, though, and she and Rene meet. Soon, love turns sour for the couple and Rene does all he can to create a scandal for Kay. He takes a job as the cook in her home and before long the whole town is swarming with rumors about Kay's new beau.
This film starts out strong, wanes a bit in the middle, and then ends in a fit of laughter. Of course Lombard is best known for her ability with a comedic story, and this film is no exception. Gravet is quite impressive too. He is hysterical in the dinner scene where he does all he can to break up Kay and her fiancée (Ralph Bellamy).
This film starts out strong, wanes a bit in the middle, and then ends in a fit of laughter. Of course Lombard is best known for her ability with a comedic story, and this film is no exception. Gravet is quite impressive too. He is hysterical in the dinner scene where he does all he can to break up Kay and her fiancée (Ralph Bellamy).
¿Sabías que…?
- TriviaFools for Scandal was an enormous box-office failure. Although Carole Lombard considered The Gay Bride her worst film, many contemporary fans give Fools for Scandal that distinction. Lombard lacked chemistry with Gravet, and audiences, who had already begun tiring of screwball comedies, noted a similarity between the plots of Fools for Scandal and Lombard's previous screwball film My Man Godfrey. The film was such a box office failure it prompted Carole Lombard to pursue dramatic parts for the next few years until she did Casados y descasados (1941).
- Citas
Kay Winters: You know, today, I saw Paris for the first time. Isn't France wonderful! Everybody speaks French, even the children.
- ConexionesReferences Bring 'Em Back Alive (1932)
- Bandas sonorasFools for Scandal
(1938) (uncredited)
Music by Richard Rodgers
Lyrics by Lorenz Hart
Played during the opening credits
Whistled by Fernand Gravey
Rhymed dialogue between Fernand Gravey and Carole Lombard
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- How long is Fools for Scandal?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 1,300,000 (estimado)
- Tiempo de ejecución
- 1h 20min(80 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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