Fast Company

This is simply a terrific movie. Done in the "Thin Man" vein, it is not a cheap imitation, it has a life of its own. Florence Rice and Melvyn Douglas have some real chemistry going on as Garda and Joel Sloane. The entire cast look like they are really enjoying this one. Fast paced and slick, with just enough comedic touches, this movie succeeds in being very entertaining. Florence Rice has never looked more beautiful, as she dishes it out and takes it from Melvyn Douglas who is both witty and charming all the while putting together the clues to solve the murder. Louis Calhern gives a really solid performance as the villain, and veterans George Zucco, Douglas Dumbrille and Thurston Hall add to the drama and the mystery. Claire Dodd and Mary Howard give some more feminine charm to the proceedings, and Nat Pendleton makes an appearance for some comic relief. Throw in a young Shepperd Strudwick as the accused and you have a real find here in this movie. Florence Rice continues to impress as a truly gifted actress, this movie shows again the marvelous talent of this performer and the cruel twist of fate that has left her in obscurity. Hopefully this film will be available on DVD. Should have been the first of a series..........

The first and, in my humble opinion, the best of the three Joel & Garda Sloane mysteries. Others have compared the three "Fast" movies to The Thin Man series. Its only real similarity is the snappy exchanges between husband and wife. Joel is gainfully employed with his own rare books business and well known locally as an expert in the field. Garda works with him. Neither Nick or Nora did much other than live off of Nora's inheritance. I particularly enjoyed Florence Rice more in the Garda role than either Ann Sothern or Rosiland Russell. She is fairly rarely the butt of Joel's "jokes" like Nora is. Douglas and Rice are a little more "down to earth" than the other two couples.

If you are a mystery series fan this is well worth the hour and ten minutes and much better than most of the '30s and '40s mystery series. Don't expect to be culturally enriched but you will be entertained.

Melvyn Douglas and Florence Rice are "Joel Sloane & Co. – Rare Books," as it says on their office door. The husband and wife team spends as much time flirting as detecting in this clever and very funny mystery.

The plot involves a rival book seller (George Zucco) who has reported some valuable books stolen. Something is fishy….did he steal his own books and then frame his daughter's hot-tempered fiancé, who is in jail for the crime? Zucco is in cahoots with a counterfeiter who produces rare editions, and employs a clever secretary (the excellent Claire Dodd) who wears a mink coat that ought to be out of her price range….

Anyway, it's not exactly a surprise when the shady Zucco is found murdered. There are multiple suspects, and Douglas sums up the general feeling when he tells the investigating police detective, "Well, if you're looking for a statement from me, I am not bogged down with grief."

It's a very fast-paced picture. In one sequence, Douglas is kidnapped, tied up in a hideout, and escapes while Rice gets herself captured and the cops show up to the rescue—all in a matter of a couple of minutes.

Witty dialog and the very attractive cast pleasantly overshadow the plot, which is rather complex but—in a movie like this—not all that important anyway.

Married couple Garda (Florence Rice) and Joel Sloane (Melvyn Douglas) are rare books dealers. They work for an insurance company to recover lost books to make ends meet. They try to help recently released convict Ned Morgan with a job. He was imprisoned for stealing from his girlfriend Leah's father Otto Brockler. When Otto gets murdered, Ned becomes the prime suspect. The couple investigates.

The introduction of the rapid-fire couple is the bee's knees. The introduction of the case is a bit clunky. It would be better to leave more of the case hidden. It needs more from Ned Morgan. It needs to show him with Leah. This is a showcase for the investigative couple's rat-a-tat-tat banter. Melvyn Douglas is perfect and Florence Rice has good chemistry with him. It only makes the constant recasting of the duo all the more head-scratching. The point should be to make this couple iconic but that's almost impossible if they keep changing the actors.

It was hard to not want to see 'Fast Company' after seeing comparison to 'The Thin Man' film series, a very entertaining series of films and the best of them are great even. Seeing a younger Melvyn Douglas, who has shown some fine performances in other things and excelled at more than one type of role, also appetised. 'Fast Company' has the sort of story that appeals to me straightaway with no reservations, being someone who loves the mix of mystery and comedy.

'Fast Company' is the first of a series of three films, the others being 'Fast and Loose' and 'Fast and Furious'. Of the three, do have to agree with others that 'Fast Company' is the best. It won't ever be a personal favourite and have seen even better and more polished examples of the mystery/comedy mix. It is still hugely entertaining though and anybody that liked 'The Thin Man' films should find a good deal to enjoy here, as there is plenty.

The production values may lack polish in places.

While Florence Rice actually doesn't do too badly as the female lead and is appealing enough, she never quite excited me somehow.

She does have charming chemistry with Douglas, as wonderfully suave as ever with some grit and snappy comic timing as well, which contributes a lot towards 'Fast Company's' appeal. The supporting cast are also strong, with a sinister Louis Calhern standing out. The villains are a colourful and intimidating lot and it is hard to dislike the two lead characters. There is atmosphere to the lighting and William Axt's music score is typically moody, he was always very good at that.

Further advantages are a sharp and tightly structured script with plenty of snappy banter that sparkles in its wit, and a story that is gripping and eventful with plenty of turns without being too convoluted. It is a lot of fun and has some nice suspense, the pace always fast so that it doesn't get routine, and it never insults the intelligence or gets too silly. The characters are not exactly complex but are well characterised and carry the story really well.

Overall, hugely entertaining and well worth seeing. 8/10