College Swing

This is an oddball, star-studded Paramount musical, frivolously directed by Raoul Walsh, in one of handful of fluffy star vehicles he churned out in the period after his Fox tenure and before he settled at Warners. I saw it because of the music and director Walsh, and I was thoroughly pleased with it.

"College Swing" is one of numerous entertaining musicals set on campus that were popular in the 30s. Including this one, there were also "College Humor"(1933), "College Rhythm"(1934), "Old Man Rhythm" (1935),"College Holiday"(1936), and "Pigskin Parade"(1936) among others. These are feathery, inadvertently escapist froths that are generally characterized by zesty songs, funny one-liners, and implausible boy-meets-girl romance.

I tend to agree with the other users that plot of "College Swing" is inordinately silly and weak; however, that doesn't make it unwatchable. The songs and dance numbers have their own peculiar excitement. The number in the beginning featuring the young, up-and-coming Betty Grable and fellow students dancing at a pub is particularly delightful. I also liked the funny scenes between Bob Hope & Martha Raye. Florence George & John Payne make nice young romantic couple. Gracie Allen & George Burns continue their raucous shenanigans, though their comic acts tend to slow down the plot as much as enliven it.

Worth seeing if you like this sort of fluff.

This is a hodgepodge of various skits and songs haphazardly put together by a wisp of a plot of Gracie Allen inheriting a college by getting all her answers right after 200 years of her descendants doing the opposite. Ms. Allen does appear with husband and performing partner George Burns here but not all the way through as she also does scenes with Edward Everett Horton and Bob Hope, whose second feature this was for him. There's also Martha Raye and Ben Blue for additional comedy relief. Romantic leads are John Payne and Florence George though there's very little of that. Oh, and Betty Grable and then-husband Jackie Coogan also cut the rug quite nicely. In summary, this was quite entertaining and if you don't really care about the "plot", College Swing should go down real easy for you.

I'm normally one who likes a decent plot in a film. But in the case of College Swing a plot would only have gotten in the way.

Headed in this case by Burns and Allen, the talent procured for this film is priceless. Director Raoul Walsh who normally does more serious action/adventure stuff got a whole group of people in a film barely over ninety minutes, to all get a significant turn at displaying their talents. John Payne and Florence George sing nicely even if with some unmemorable songs, then husband and wife Jackie Coogan and Betty Grable do a nice swing dance number, Edward Everett Horton is his usual puritanical fuss budget, and comedy stylists Bob Hope, Martha Raye, Ben Blue, and Jerry Colonna all have memorable bits. The cast even includes in bit roles Bob Cummings and Richard Denning. And of course one of the best swing bands around in Hal Kemp with Skinnay Ennis as vocalist.

Usually Burns and Allen were rarely asked to carry a film. The only time they ever did was in Here Comes Cookie. They are top billed here, but they sure have a lot of support as you can see.

I've said on previous reviews of other films of their's that the comedy of George Burns and Gracie Allen is almost Monty Pythonesque in its humor. In fact the plot such as it is is laid out in a prologue. 200 years earlier Gracie has failed for about the 10th time to graduate college in the Class of 1738. She's hopelessly dumb and her grandfather Tully Marshall makes a bet with the head of the school that if in 200 years no female member of his family ever graduates from college, this college will get the clear title of his fortune which they will hold in trust until then.

Wouldn't you know it, 200 years later a female descendant also Gracie Allen does graduate and she inherits the college. Like she did in Here Comes Cookie, Gracie makes some interesting changes in the faculty and curriculum of the school. Of course it's with a little chicanery she does graduate and that's a problem too.

College Swing is one of those madcap films typical of the Thirties that is the very definition of escapist entertainment. No themes, no messages, just a lot of good laughs.

It's 1738, and schoolmaster Edward Everett Horton tells dimwitted student Gracie Allen (as a character named Gracie Alden) that he doubts if she could get her diploma in one hundred years. She is not discouraged: "Well, perhaps not that suddenly, doctor, but in 200 years I'll wager I couldst." --Fast forward to 1938, and a descendant—also named Gracie—is attempting once again to pass the graduation examination from Alden College.

Fast-talking agent Bob Hope has convinced Gracie to hire him as a tutor of sorts; as his fee depends on her successfully graduating, Hope naturally sets out to prepare her for the exam…by stealing a copy of the test questions.

Martha Raye is on hand as a would-be professor with a ridiculous phony French accent. She and Hope quickly strike up a romance and the chemistry between the two lights up their scenes together.

Soon enough, Edward Everett Horton returns to the action, this time around as an eccentric millionaire whose fear of women has kept him as far from civilization as possible. He is back at Alden College to monitor Gracie's exam and is accompanied by wry assistant George Burns.

George and Gracie have a good scene together during the examination: "What is it that runs across the floor like a goldfish?" she asks. (We never find out the answer.) Gracie also has some sweet scenes with Horton, who is charmed by her in spite of himself and his woman-phobia.

John Payne and Florence George play the handsome young romantic couple (and sing "What Did Romeo Say to Juliet?"). Betty Grable and Skinnay Ennis supply some swinging tunes and a great dance ("College Swing"). Hope and Raye also do a great duet—"How'dja Like To Love Me" is cute, bouncy, and really sweet, a highlight of the picture.

All in all, it's not much of a plot, but who cares? The songs are catchy and the entire cast is so much fun to watch: Hope is at his sharpest. Edward Everett Horton is perfect. Gracie is hilarious, Grable is lovely, and Raye is in superb voice. And that's not even mentioning supporting bits from Ben Blue as a mischievous "gym instructor," or the Slate Brothers as singing-and-dancing waiters. (Their "I'm tired" bit is another highlight.)

Mostly just silly stuff—but what fun.

"College Swing" is one of the many comedy-musical films that Hollywood produced during the 1930s. Once sound was added to motion pictures, it seems as though the public couldn't get enough of the variety type of musicals. As with most others, the plot is very thin, and in this one, very goofy. But it's just there to string together a number of very good songs, dance numbers and comedy routines. And "College Swing" is loaded with these and a great cast to carry them out.

Many big names of entertainment and the silver screen are in this film, most credited but some not. Films like this let the public see and hear a variety of otherwise unknown talents and groups perform. The band at the heart of the review numbers in the film is Skinnay Ennis. He didn't achieve the big-time fame of the likes of Benny Goodman, Glenn Miller, Tommy and Jimmy Dorsey, Harry James, or some others. But his orchestras was a regular feature of Bob Hope's radio show, and later the Bud Abbott and Lou Costello radio show. His popularity from those led to solid bookings on the road circuit during summers.

Gracie Allen is the principal comedy character in "College Swing," followed by Martha Raye who also has some good musical numbers. Bob Hope's role was more as an emcee, although his character, Bud Brady, cooks up most of the shenanigans that provide some of the laughs. This film has a great supporting cast as well as some younger stars in small roles, such as Betty Grable and Jackie Coogan. This is a good film for those who enjoy swing music, especially as it was played and performed in its heyday.