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7.2/10
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Agrega una trama en tu idiomaThe secretary of an affably suave radio mystery host mysteriously commits suicide after his wealthy young niece disappears.The secretary of an affably suave radio mystery host mysteriously commits suicide after his wealthy young niece disappears.The secretary of an affably suave radio mystery host mysteriously commits suicide after his wealthy young niece disappears.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Ted North
- Steven Francis Howard
- (as Michael North)
Charles Horvath
- Cab Driver
- (sin confirmar)
Jean Andren
- Bride's Mother
- (sin créditos)
Mary Bayless
- Party Guest
- (sin créditos)
Brooks Benedict
- Party Guest
- (sin créditos)
Edward Biby
- Radio Program Coordinator
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
'The Unsuspected's' main attraction was the cast, especially the rarely, if ever, less than great Claude Rains who is reason enough to watch any film on his own. Also the director Michael Curtiz, responsible for directing two of my favourite films 'The Adventures of Robin Hood' and particularly 'Casablanca'.
Loved 'The Unsuspected's' concept, the sort of film that has always been right up my alley, and it looked like it would be a little gem. Although it was not quite a gem, 'The Unsuspected' has a lot going for it and is a very good film sadly undervalued today, it deserves much more than relatively unknown status. It could have been better, but it is far from a waste of potential and the things that made me watch it in the first place don't disappoint.
It's not perfect. It does try to do too much in the plot, meaning that some parts are over-stuffed and convoluted. This sometimes hurts the plausibility.
Joan Caulfield also seemed a little bland to me in a slightly colourless role, but that is partly down to that the rest of the cast are stronger and their characters more interesting.
Especially true to this are Rains, who is as commanding and urbane as ever, and Audrey Totter on deliciously acidic form. Constance Bennett has the right touch of brittle and it was interesting to see Hurd Hatfield.
Curtiz directs with ease and control, never letting the pace let up, so the film is never dull and always absorbing despite some story flaws, and with great direction of the actors. It is a lavish-looking film and is rich in atmosphere and evocative mood. The action sequences are deft, especially the climax, the noir-ish suspense is nail-biting and the workings of radio aspects are very insightful. The script is always clever and literate, which is a big plus.
All in all, very good but could have been great. 7/10 Bethany Cox
Loved 'The Unsuspected's' concept, the sort of film that has always been right up my alley, and it looked like it would be a little gem. Although it was not quite a gem, 'The Unsuspected' has a lot going for it and is a very good film sadly undervalued today, it deserves much more than relatively unknown status. It could have been better, but it is far from a waste of potential and the things that made me watch it in the first place don't disappoint.
It's not perfect. It does try to do too much in the plot, meaning that some parts are over-stuffed and convoluted. This sometimes hurts the plausibility.
Joan Caulfield also seemed a little bland to me in a slightly colourless role, but that is partly down to that the rest of the cast are stronger and their characters more interesting.
Especially true to this are Rains, who is as commanding and urbane as ever, and Audrey Totter on deliciously acidic form. Constance Bennett has the right touch of brittle and it was interesting to see Hurd Hatfield.
Curtiz directs with ease and control, never letting the pace let up, so the film is never dull and always absorbing despite some story flaws, and with great direction of the actors. It is a lavish-looking film and is rich in atmosphere and evocative mood. The action sequences are deft, especially the climax, the noir-ish suspense is nail-biting and the workings of radio aspects are very insightful. The script is always clever and literate, which is a big plus.
All in all, very good but could have been great. 7/10 Bethany Cox
For his final film on his Warner Brothers contract Claude Rains got a starring role instead of being in support of one or two of Warner's name contract leads. Rains plays Victor Grandison the host of a radio mystery show where he narrates crime stories. He's a most popular host with good Hooper ratings I'm sure. Hooper by the way was the equivalent of the Nielsen ratings for television.
Rains lives well courtesy of his niece Joan Caulfield who has some large inherited wealth. There's another niece Audrey Totter who lives with them and her husband Hurd Hatfield, but not happily.
One of Rains's aides at the radio station is murdered. Then Caulfield is reported missing at sea. Before she's found Ted North arrives at the estate claiming to be her husband, but she can't remember getting married.
A couple of more deaths occur and always Rains is The Unsuspected one. What he is is a master manipulator of people and events.
The key to it all is North who is definitely not what he seems. Also Constance Bennett is around who works at the radio station. I liked her, but she's got a most ill defined role. And we never do learn why the first aide is killed.
Nevertheless Claude Rains is really giving a performance that they ought to show in acting classes. So many emotions, so subtly conveyed.
For Claude Rains fans everywhere.
Rains lives well courtesy of his niece Joan Caulfield who has some large inherited wealth. There's another niece Audrey Totter who lives with them and her husband Hurd Hatfield, but not happily.
One of Rains's aides at the radio station is murdered. Then Caulfield is reported missing at sea. Before she's found Ted North arrives at the estate claiming to be her husband, but she can't remember getting married.
A couple of more deaths occur and always Rains is The Unsuspected one. What he is is a master manipulator of people and events.
The key to it all is North who is definitely not what he seems. Also Constance Bennett is around who works at the radio station. I liked her, but she's got a most ill defined role. And we never do learn why the first aide is killed.
Nevertheless Claude Rains is really giving a performance that they ought to show in acting classes. So many emotions, so subtly conveyed.
For Claude Rains fans everywhere.
To answer the question, "Who is the unsuspected?" the viewer must wait until the very end of the film. In reality, the unsuspected is revealed toward the beginning of the movie. So though there aren't any real surprises--this is not a mystery--there is a big helping of suspense and thrills along the way. The viewer also gets a glimpse of old time radio just before television took over. Victor "Grandi" Grandison (Claude Rains) is a big time radio personality whose main claim to fame is telling creepy, murder stories, read from a script he helped write, to a large radio audience. Several scenes take place during the broadcast inside the radio studio. The viewer gets to see all the hand signals and day to day activities involved in a live broadcast in those days. Many radio shows were transcribed (recorded on huge record discs) both for posterity and for possible re-broadcasts. Grandi makes these for nefarious purposes also. How they are made is shown in great detail.
With lines such as "We missed you while you were dead," this is one of the best film noir screenplays of the 1940's. One of the great femme fatales of the era, Audrey Totter as Althea Keane, gets some of the wittiest lines, which she delivers with élan. So listen carefully when she speaks. She dominates every scene she's in. The only one in the cast who comes close to her acting talents is Claude Rains. In some ways his part closely resembles the character he played the year before in the Hitchcock classic "Notorious," the master spy Alexander Sebastian. While Althea's husband, the tipsy Oliver (Hurd Hatfield), also shines, his role is fairly cut and dried with only brief appearances. The others in the cast are more than adequate, in particular Jack Lambert as Mr. Press, a violent, shady character who is blackmailed into doing dirty work for Grandi.
Michael Curtiz knowingly directs in noir fashion with crisp black and white photography surrounded by rainy, spooky nights making the audience believe that danger lurks in the shadows. Curtiz makes sure the film is fast-paced. There is even an exciting chase at the end involving Jack Lambert recklessly driving through traffic in a pickup truck, attempting to destroy evidence at the city dump before the motorcycle cops catch up with him.
The music blends in with the story. For example, when Grandi comes home unsuspected, his birthday party is in full swing. The piano man fills the room with "Someone To Watch Over Me." Grandi is unnerved by the tune and makes a snide remark to Matilda Frazier (Joan Caulfield) to the effect that he would like to fire the piano player. Neglected for years, critics and noir fans are just now discovering this intriguing movie.
With lines such as "We missed you while you were dead," this is one of the best film noir screenplays of the 1940's. One of the great femme fatales of the era, Audrey Totter as Althea Keane, gets some of the wittiest lines, which she delivers with élan. So listen carefully when she speaks. She dominates every scene she's in. The only one in the cast who comes close to her acting talents is Claude Rains. In some ways his part closely resembles the character he played the year before in the Hitchcock classic "Notorious," the master spy Alexander Sebastian. While Althea's husband, the tipsy Oliver (Hurd Hatfield), also shines, his role is fairly cut and dried with only brief appearances. The others in the cast are more than adequate, in particular Jack Lambert as Mr. Press, a violent, shady character who is blackmailed into doing dirty work for Grandi.
Michael Curtiz knowingly directs in noir fashion with crisp black and white photography surrounded by rainy, spooky nights making the audience believe that danger lurks in the shadows. Curtiz makes sure the film is fast-paced. There is even an exciting chase at the end involving Jack Lambert recklessly driving through traffic in a pickup truck, attempting to destroy evidence at the city dump before the motorcycle cops catch up with him.
The music blends in with the story. For example, when Grandi comes home unsuspected, his birthday party is in full swing. The piano man fills the room with "Someone To Watch Over Me." Grandi is unnerved by the tune and makes a snide remark to Matilda Frazier (Joan Caulfield) to the effect that he would like to fire the piano player. Neglected for years, critics and noir fans are just now discovering this intriguing movie.
The Unsuspected (1947)
Another Michael Curtiz gem (think of "Casablanca" and "Mildred Pierce") but with a story that is less compelling and, oddly, more complicated. The film is gorgeous, filmed with lush intelligence. And Claude Raines is terrific as the leading man throughout. Perhaps the rest of the cast is too routine to lift the film out of the ordinary in other ways. But I still found it striking and interesting all through, even the second time.
Another Michael Curtiz gem (think of "Casablanca" and "Mildred Pierce") but with a story that is less compelling and, oddly, more complicated. The film is gorgeous, filmed with lush intelligence. And Claude Raines is terrific as the leading man throughout. Perhaps the rest of the cast is too routine to lift the film out of the ordinary in other ways. But I still found it striking and interesting all through, even the second time.
One of the fine mystery thrillers from 40's and near the top of the film noir lists. The Unsuspected is a showcase for one of Hollywood's real accomplished actors of that era, Claude Rains. Though more widely remembered for "Casablanca", "Notorius", and "Mr. Skeffington," Rains gets to show off his versatility in a starring role. As the charming but malevolent lead, Rains comes up with a very professional turn as the respected radio announcer and suspect. Pairing with him is a "femme fatale" from that time, Joan Caulfield. The bosomy, sexy blonde is more convincing here than in the light comedies she played during her career. This film dates well and will keep your interest. It's one I would like to see once more. Any readers know where a VCR copy can be purchased?
¿Sabías que…?
- TriviaThe radio station call letters, WMCB, were created by inserting Michael Curtiz's initials into those of Warner Bros.
- ErroresDuring Oliver Keane's accident scene, he is seen driving a gray car at first, but when he skids off the road and tumbles down the hill, it is black.
- Citas
Jane Moynihan: After slaving all day over a hot typewriter, there's nothing I like better than a swan dive into a bottle of bourbon.
- Créditos curiososOpening titles and closing credits are typed in a bound manuscript, and gloved hands can be seen flipping the pages. This is a nod to the scripts that Grandison writes for his radio show.
- ConexionesReferences El retrato de Dorian Gray (1945)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Unsuspected
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 43 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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What is the Spanish language plot outline for Sin sombra de sospecha (1947)?
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