Los inconquistables

I had heard that Howard Hawks wanted Gary Cooper to play the lead in red river, but Cooper didn't want to play a character that dark so he played in this instead. That would of been cool to see Cooper play John Wayne's part in Red River. This movie has a great cast like Cooper, Ward Bond, Boris Karloff and directed by Cecil B. DeMille. This movie has been compared to Northwest Passage but i think this one is better. Cooper is good as usual and so is the rest of the cast.

UNCONQUERED is eye candy with its glorious Technicolor scenery and elaborate sets (a mixture of real location photography and painted backgrounds) and, as is typical of any Cecil B. DeMille epic, it's got a splendid cast and a lengthy running time to tell its frontier story of early America--the colonists vs. the Indians.

PAULETTE GODDARD is sold into indentured slavery and two men fight over her--GARY COOPER and HOWARD DA SILVA. That's the basic nub of the story, all events leading up to who will win the girl as Goddard and Cooper go through a series of wild adventures with Indians on their track as Cooper attempts to rescue her from Da Silva's attempt to keep her as his own property. There's even a thrilling escape from the Indians across the rapids and a wildly implausible stunt over the falls pulled by Cooper that is impressive despite being incredibly over-the-top.

There are several well-staged battle scenes with various forts being attacked by the redskins and each segment has a "cast of thousands" look that makes it clear no expense was spared to bring all the excitement to the screen.

Paulette's character undergoes a "Perils of Pauline" type of narrow escapes, each more implausible than the one before, but who cares when it's all served up by DeMille with sufficient amount of tension and daring.

Both stars are in fine form and deliver good performances, ably supported by a fine supporting cast of players including HENRY WILCOXON, C. AUBREY SMITH, KATHERINE DeMILLE, WARD BOND and CECIL KELLAWAY.

One of DeMille's better epics, well worth viewing for fun and adventure with lavish attention to detailed costumes and settings.

Cecil B. DeMille was one of the pioneers of the American film industry, and you have to give him credit for that. He was also one of the first to pack his films with gratuitous sex and violence, and you have to give him credit for that. He got away with it by inserting preachy moral "messages" that proved the "evil" of everything he had just shoved in your face, and you have to give him credit for that. His films were enjoyable in a goofy sort of way, but that doesn't apply to this one.

There's one thing that DeMille could never be accused of, and that's cutting corners. His movies were expensive, and they looked it. They were usually also packed with well-known stars such as Gary Cooper and Charlton Heston. The one thing that few of his movies had, though, was a coherent script, and this movie is a prime example. Stars, production values, spectacle...whatever advantages this film has are sunk by the absolutely idiotic dialogue the actors are forced to spew out. You have to wonder what the actors were thinking as they were reciting this drivel. You also have to wonder what the writers were thinking as they were whipping this junk up; didn't they realize that people don't even _remotely_ talk or act like they do in this movie? Everything in this film is overblown, overheated and overdone. The only other one of DeMille's films I can think of offhand that goes even further over the edge is "Northwest Mounted Police," which is so jaw-droppingly awful it should be classified as a comedy.

As long as you realize what you're getting into, the movie is fun in a goofball, campy sort of way. If you're looking for anything else, forget it.

I must confess I really like Cecil B. DeMille's pseudo historical epics. They are as fascinating to watch as a head on collision between two (2) trains and about as subtle. So lets get this clear if your looking for any sort of historical accuracy, LOOK ELSEWHERE! For hand-wringing political correctness BEGONE! The Colonial Settlers are good, the Indians bad and the British are incompetent, thats it. If you are expecting dialog by way of Hamlet thats not going to be here either. Like Harrison Ford said about George Lucas, "You can write dialog like that, but we can't say it".

The fun of this film is to watch it unfold in all it's glorious Three (3) Strip Technicolor and follow the adventures of Paulette Goddard with Gary Cooper as they move from one (1) set piece to another. For thats what this film is as series of set pieces. Or as what some critics of DeMille felt, he did not make motion pictures but moving paintings, though very entertaining ones.

"The Perils of Paulette" is what the critics referred to this picture upon its original release. I think very few actresses were put upon more then she was in this movie. She was bound (chains, rope or leather), almost whipped, almost burned at the stake, almost drowned going over a waterfall, almost raped, etc. If this had been a pre-code film I am sure we would have seen something like the excesses in 'THE SIGN OF THE CROSS'! It would have been interesting to see what ended up on the cutting room floor that could not make it past the censors. Supposedly during filming she blew up and walked off the set until DeMille could bring things down to an acting (or pain tolerance) level, referring to DeMille as a SADIST! DeMille liked troopers such as Barbara Stanwyck and did not forget this. When Paulette wanted the role of 'Delilah' DeMille told her to take two (2) drop dead pills and effectively ended her career. When the 'UNCONQUERED' was finished CB issued gold medallions to those he felt were real troopers. Boris Karloff got one (1) and the drummer boy (for not flinching when a ball of fire bounces off his drum), not Paulette.

When you watch a Cecil B. DeMille film the important thing is not to take it seriously and just enjoy the ride. There are alway some neat things that you can pick up. Though he plays fast and loose with history (most directors do to this day; Michael Moore, Oliver Stone) he gets a lot of details right. The firearms, swords, uniforms even the shape of the British star fort are all right on. There is also excellent attention to detail on the day to day life of this period of history. He did build his films from the ground up and if did not convey historical accuracy gave a good imitation. Sort of a 1940's version of virtual reality. It looks great but is not all there.

Unconquered is a milestone in the career of Gary Cooper. It was the last of four films he did for Cecil B. DeMille and his last featured role during his stay with the Paramount studio. I'd have to say that Coop went out with an expensive bang.

The film illustrates both the strengths and weaknesses of a DeMille project. The color photography by Ray Rennahan is first rate, the eye for historical detail about the colonial period in terms of costumes and sets superb. The spectacle is only as DeMille could create it. Yet he could make such an elementary mistake by having the Seneca Indians pursue Gary Cooper on horseback. It was only the plains Indian tribes west of the Mississippi that used horses. But the public wanted to see Indians on horses, they were used to seeing Indians on horses. So DeMille gave them what they wanted.

DeMille himself in his autobiography confessed that he was not satisfied with the showdown of hero Gary Cooper and chief villain Howard DaSilva. He felt it was anti-climatic. I wish he had done it a bit better myself.

The film is based on a historical novel The Judas Tree by Neil Swanson who also wrote Allegany Uprising about the same colonial period. The story takes place with the background of the uprising by Pontiac who was trying to unite all the Indian tribes and keep the whites on the east side of the Appalachian mountains.

Paulette Goddard is a woman condemned to the gallows in London and is given a choice to go to the colonies as a bond servant. Of course she takes it and catches the eye of both Cooper and DaSilva. That's a common DeMille characteristic in his films, two men in heat over the leading lady.

DaSilva is a trader with the Indians and his reasons for wanting to keep whites out of the western territories is so he can keep a monopoly of the fur trade. He's quite ruthless in his methods, even marrying the daughter of Chief Boris Karloff of the Senecas played by Katherine DeMille. Karloff's Senecas are allied with the Pontiac Confederation and their job is to attack Fort Pitt and the town it shields, the little village of Pittsburgh.

Such events as the siege of Fort Pitt and the massacre at Venango are interwoven in the lives of Cooper and Goddard. He leaves Fort Pitt to rescue her and they both have quite a time escaping from the Senecas. The scene that is most talked about here is our hero and heroine going over Niagara Falls in a canoe chased in canoes by pursuing Senecas. What's most interesting about it is that it isn't done on location. Living up here for the past 10 years and seeing it as a kid, I can tell you the Falls doesn't look as primeval in real life as DeMille shows you how it looked in 1763. Yet even today it's quite a breathtaking site to see our intrepid two take the plunge.

Back in 1947 we certainly weren't terribly concerned about presenting the Indian point of view on screen and DeMille is a man of his times. There was a good film done about a decade ago about Chief Tecumseh and his attempt at an Indian confederation. Maybe we will get one about Pontiac and his movement.

Until then we have to watch items like Unconquered, enjoy the spectacle and fill in the blanks.