Mi mujer es otra

'Suddenly It's Spring' had potential to work a lot better than it did. Romance and comedy have been known to work well together, especially in the golden age regardless of the state of the story. Mitchell Leisen will never be one of my favourite directors any time soon, but he was a far from amateurish director and a number of his films are well worth the while. Paulette Goddard and Fred MacMurray were agreeable actors in their own way and worked well together elsewhere.

They do here too and are the main reason to see 'Suddenly It's Spring'. Which is a little above average as a film, without Goddard, MacMurray and their chemistry though it possibly would have been barely average, but could have done with a lot more inspiration and done more with familiar ground. 'Suddenly It's Spring' is not a bad film, not at all. There's just nothing special about it at the same time but that is my point of view and if people liked it better good for them. It is understandable too though if others liked it less than me.

Will start with the good things. As said, Goddard, MacMurray and their chemistry are the reasons to see 'Suddenly It's Spring'. MacMurray comes off the better of the two, his character is a boorish one but MacMurray still manages to bring some charm and agreeable comic timing to him. Goddard is more than at ease in comedy, it was always a strength of hers and she doesn't overdo it (even when trying to make her material more interesting than it was), and is elegant and full of class. They work great together, their chemistry having wit and grace.

Luckily there are other good things too, despite how my second paragraph sounded. It is an attractive looking film with classy production values. Victor Young provides a score that matches the elegance and with typically lush but luckily not over-sentimental scoring. The script does have enough moments of sophisticated wit and doesn't get too silly and never gets mawkish. Leisen does have some competent enough directing, especially in his direction of Goddard, MacMurray and their interaction.

He did do a lot better though with films where he was in full command of the material. 'Suddenly It's Spring' is not one of those films, it's one of those films that has moments but feels somewhat undistinguished and lacking in spark. It would have helped hugely if MacDonald Carey and Arlene Whelan's characters were far more interesting. Carey's character is so dull that it is hard to believe what any of the characters sees in him and Carey plays the character with very little personality. The chemistry between him and Goddard is near-non existent as well. Whelan's character is not as bland but Whelan's acting is pretty workmanlike with not much spark and she is at times annoying. She doesn't have much chemistry with Carey either.

The story has moments but it's familiar territory concept-wise and the execution is equally lacking in freshness. It has some wit and pleasant charm but tends to be uninspired and predictable with much playing out exactly as one would expect, that's including the convenient ending which is obvious as soon as one sees which couple is easier to root for and more interesting. Maybe more energy wouldn't have gone more amiss too, that dissipates later on when the material becomes more obvious.

All in all, slightly above average but nothing special. 6/10

MacMurray and Goddard. Two giants of Hollywood in a "comedy" (?). Husband and wife are returning home from war WW II, but all is not well. She (Paulette Goddard as Mary Morely) and Fred MacMurray as Peter, had plans to get divorced, but the war intervened. Now that they have come home, everything is topsy turvy. This was filmed in 1947, so the actual war had already been over for two years. Arleen Whelan is "Gloria", who is Peter's new love interest, and when the women meet, the battle is on. All of a sudden, they both want Peter. This moves along at medium speed. While this WAS probably a very common situation for those returning from war duty, it feels a little shallow now, and they didn't really use the talents of both Goddard and MacMurray. Anyone could have filled these roles and done a fine job. There isn't a whole lot of spark or magic between the cast here. Also, it seems a little late to be discussing the issues of returning spouses. Everyone does a great job, but because the subject is divorce, there's bound to be some hostility. Directed by Mitchell Leisen, who had been nominated for an Oscar waaay back in 1930. Story by P. J. Wolfson, who had written a ton of stuff in the 1930s and 1940s for Paramount. A respectable way to spend an 90 minutes. There is a buzzing in the last 10 minutes, but I guess we're lucky to still have this film around at all.

Paulette Goddard (Mary) returns home at the end of WW2 to find her husband Fred MacMurray (Peter) waiting for her to sign divorce papers. Goddard suggested the divorce but now she's not so keen and wants to hold on to Fred. He's not too keen, though, and has another woman - Arleen Whelan (Gloria). The film runs to its obvious conclusion with not many laughs despite being a comedy.

You can afford to fall asleep during this one - I did three times. It's just not funny and the story has no momentum. It is also not very interesting and very unrealistic. There is one standout scene when the two women trade insults at a nightclub/restaurant venue. That is pretty funny. Outside of that, I'm afraid it's a bit of a struggle to keep interested.

Paulette Goddard and Fred MacMurray star as a divorcing couple separated by war. Their divorce, like everything else, is put on hold. She finally returns and Fred is there to meet her and get papers signed, but his girl friend (Arleen Whelan) lurks in the background. And Paulette has in mind a second attempt to save the marriage. Enter Fred's client and friend (Macdonald Carey) who takes an interest in Paulette.

What ensues is a merry chase as Fred and Paulette can't make up their minds whether to proceed with the divorce or try again. Whelan and Carey go along poking and prodding the situation to their own advantages.

Comic highlights include the girls' first meeting in a nightclub where Paulette is stuck wearing an out-of-style and hideous plaid dress (she's still in the Army)while Whelan enters draped in jewels and fur, which flies as the girls dig into each other. Later, Fred shows off his comic chops when he decides that his impression of a cigar-smoking goon will turn off Paulette.

The stars are in top form here and save a so-so comedy with their charm and comic skills. Co-stars include Frank Faylen, Willie Best, Lillian Fontaine, Victoria Horne, Georgia Backus, and Frances Robinson.

The most curious thing about Suddenly It's Spring that I found was the fact that Fred MacMurray stayed at home and it was his on screen wife Paulette Goddard who went off to war. In real life MacMurray was both a legitimate 4F and he was the sole support of his wife and two children. He was 33 when Pearl Harbor occurred. How his on screen character managed to stay out the film doesn't tell us.

But when Paulette Goddard joins the Women's Army Corps she becomes something of a celebrity as an informal marriage counselor to separated spouses because of the war. But while she's in the service Fred's met and fallen for Arleen Whelan and as soon as Paulette will sign the papers they can get a quiet divorce.

The MacMurray/Goddard marriage is down but hardly out. She's got a few tricks up her sleeve as she slowly makes Fred reconsider divorce. I guess I can't and shouldn't tell you how it works out.

Fred MacMurray already left Paramount when his friend and favorite director Mitchell Leisen called him back had the studio sign him for this additional film. It was worth it as the script by writer/producer Claude Binyon was written with him in mind.

Fred's best moments is when he steps out of character to become a cigar smoking lout on two occasions. Won't say what they were, but it becomes part of his plan.

Getting some of the best lines in the film is Macdonald Carey who plays client and friend of MacMurray. Carey's an old rebound man and if Goddard is cut loose he'll make sure he's around at the strategic moment.

Although MacMurray was a veteran comedy master becoming one during his years at Paramount this comeback film rates right up there with those he made as a contract player. He and Goddard worked very well together and Suddenly It's Spring is a delight.